Ultimate bias
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://revistas.rcaap.pt/cct/article/view/23948 |
Resumo: | This article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre K-pop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items. |
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Ultimate biasArticleThis article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre K-pop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items.DINÂMIA'CET-Iscte2021-10-20T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://revistas.rcaap.pt/cct/article/view/23948eng2182-3030Guerra, PaulaSousa, Sofiainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-23T16:03:07Zoai:ojs.revistas.rcaap.pt:article/23948Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:05:04.292833Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Ultimate bias |
title |
Ultimate bias |
spellingShingle |
Ultimate bias Guerra, Paula Article |
title_short |
Ultimate bias |
title_full |
Ultimate bias |
title_fullStr |
Ultimate bias |
title_full_unstemmed |
Ultimate bias |
title_sort |
Ultimate bias |
author |
Guerra, Paula |
author_facet |
Guerra, Paula Sousa, Sofia |
author_role |
author |
author2 |
Sousa, Sofia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Guerra, Paula Sousa, Sofia |
dc.subject.por.fl_str_mv |
Article |
topic |
Article |
description |
This article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre K-pop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-20T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.rcaap.pt/cct/article/view/23948 |
url |
https://revistas.rcaap.pt/cct/article/view/23948 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2182-3030 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
DINÂMIA'CET-Iscte |
publisher.none.fl_str_mv |
DINÂMIA'CET-Iscte |
dc.source.none.fl_str_mv |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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