The Art of Uneventful Everyday

Detalhes bibliográficos
Autor(a) principal: Chatterjee, Mrityunjay
Data de Publicação: 2021
Outros Autores: Roy, Sreejata
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/cap.v3i2.527
Resumo: Like any other south Asian city, Delhi had grown organically through migrants of different communities and classes. Many working-class people develop their site of work and residence through a network of social relationships. Most of the time, these sites are illegal or quasi-legal. They often suffer the blow of violence of demolition due to the beautification of the city or through the logic of hygiene. These migrant working-class people are seen as trace-passers in the city. One such site is Meena Bazar. It is a makeshift market outside the main gate of Jama Masjid, a Mughal time famous mosque in old Delhi. This mosque stands just opposite the side of another spectacular Mughal site, Red Fort. Every year these two Mughal monuments attract millions of tourists.
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spelling The Art of Uneventful EverydayLike any other south Asian city, Delhi had grown organically through migrants of different communities and classes. Many working-class people develop their site of work and residence through a network of social relationships. Most of the time, these sites are illegal or quasi-legal. They often suffer the blow of violence of demolition due to the beautification of the city or through the logic of hygiene. These migrant working-class people are seen as trace-passers in the city. One such site is Meena Bazar. It is a makeshift market outside the main gate of Jama Masjid, a Mughal time famous mosque in old Delhi. This mosque stands just opposite the side of another spectacular Mughal site, Red Fort. Every year these two Mughal monuments attract millions of tourists.Urbancreativity.org2021-12-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v3i2.527oai:journals.ap2.pt:article/527CAP - Public Art Journal; Vol 3 No 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 99Cadernos de Arte Pública; v. 3 n. 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 99CAP - Cadernos de Arte Pública / Public Art Journal; v. 3 n. 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 992184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/527https://doi.org/10.48619/cap.v3i2.527https://journals.ap2.pt/index.php/CAP/article/view/527/315Chatterjee, MrityunjayRoy, Sreejatainfo:eu-repo/semantics/openAccess2022-09-20T11:04:29Zoai:journals.ap2.pt:article/527Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:49:00.922721Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Art of Uneventful Everyday
title The Art of Uneventful Everyday
spellingShingle The Art of Uneventful Everyday
Chatterjee, Mrityunjay
title_short The Art of Uneventful Everyday
title_full The Art of Uneventful Everyday
title_fullStr The Art of Uneventful Everyday
title_full_unstemmed The Art of Uneventful Everyday
title_sort The Art of Uneventful Everyday
author Chatterjee, Mrityunjay
author_facet Chatterjee, Mrityunjay
Roy, Sreejata
author_role author
author2 Roy, Sreejata
author2_role author
dc.contributor.author.fl_str_mv Chatterjee, Mrityunjay
Roy, Sreejata
description Like any other south Asian city, Delhi had grown organically through migrants of different communities and classes. Many working-class people develop their site of work and residence through a network of social relationships. Most of the time, these sites are illegal or quasi-legal. They often suffer the blow of violence of demolition due to the beautification of the city or through the logic of hygiene. These migrant working-class people are seen as trace-passers in the city. One such site is Meena Bazar. It is a makeshift market outside the main gate of Jama Masjid, a Mughal time famous mosque in old Delhi. This mosque stands just opposite the side of another spectacular Mughal site, Red Fort. Every year these two Mughal monuments attract millions of tourists.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-31T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.48619/cap.v3i2.527
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identifier_str_mv oai:journals.ap2.pt:article/527
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dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/CAP/article/view/527
https://doi.org/10.48619/cap.v3i2.527
https://journals.ap2.pt/index.php/CAP/article/view/527/315
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publisher.none.fl_str_mv Urbancreativity.org
dc.source.none.fl_str_mv CAP - Public Art Journal; Vol 3 No 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 99
Cadernos de Arte Pública; v. 3 n. 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 99
CAP - Cadernos de Arte Pública / Public Art Journal; v. 3 n. 2 (2021): Contemporary Public Arts and the Contested Urban Public Space; 84 - 99
2184-6197
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