Visual Signs and Cultural Analysis
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48619/uxuc.v1i1.198 |
Resumo: | Nonverbal manifestations by a person or a group of people towards elements in a city conveys a message. It is worth the effort to recognize the type of messages being communicated, their relevance, and whether they are related to a larger social movement – perhaps reflecting a behavioral shift or trend – because they may contain useful information to government agencies, companies, and the society at large. In this article, I discuss how the visual signs present in a territory and cultural analyses are related. We may consider that “territory is a concept generated by people organizing space for their own aims” (GOTTMANN 1975:1). Visual signs are studied in the field of semiotics, which seeks to understand the “relationship between the sign and the object or signifier and signified” (SMITH 2011:229), using visual code (image, painting, etc.) to send a message that, importantly, may “be hidden or largely unnoticed, even by the people using the code” (SMITH 2011:236). Culture is all human being manifestations that occur through habits, values and attitudes – “the way of life of a particular people living together in one place” (EAGLETON 2000:112). |
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Visual Signs and Cultural AnalysisNonverbal manifestations by a person or a group of people towards elements in a city conveys a message. It is worth the effort to recognize the type of messages being communicated, their relevance, and whether they are related to a larger social movement – perhaps reflecting a behavioral shift or trend – because they may contain useful information to government agencies, companies, and the society at large. In this article, I discuss how the visual signs present in a territory and cultural analyses are related. We may consider that “territory is a concept generated by people organizing space for their own aims” (GOTTMANN 1975:1). Visual signs are studied in the field of semiotics, which seeks to understand the “relationship between the sign and the object or signifier and signified” (SMITH 2011:229), using visual code (image, painting, etc.) to send a message that, importantly, may “be hidden or largely unnoticed, even by the people using the code” (SMITH 2011:236). Culture is all human being manifestations that occur through habits, values and attitudes – “the way of life of a particular people living together in one place” (EAGLETON 2000:112).Urbancreativity.org2020-02-10T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/uxuc.v1i1.198oai:journals.ap2.pt:article/198UXUC - User Experience and Urban Creativity; Vol 1 No 1 (2019): Urban User Experience; 60 - 61reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/UXUC/article/view/198https://doi.org/10.48619/uxuc.v1i1.198https://journals.ap2.pt/index.php/UXUC/article/view/198/154Copyright (c) 2020 UXUC - User Experience & Urban Creativityinfo:eu-repo/semantics/openAccessPessoa, Luisa Martins2022-09-20T16:05:37Zoai:journals.ap2.pt:article/198Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:53:27.462680Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Visual Signs and Cultural Analysis |
title |
Visual Signs and Cultural Analysis |
spellingShingle |
Visual Signs and Cultural Analysis Pessoa, Luisa Martins |
title_short |
Visual Signs and Cultural Analysis |
title_full |
Visual Signs and Cultural Analysis |
title_fullStr |
Visual Signs and Cultural Analysis |
title_full_unstemmed |
Visual Signs and Cultural Analysis |
title_sort |
Visual Signs and Cultural Analysis |
author |
Pessoa, Luisa Martins |
author_facet |
Pessoa, Luisa Martins |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pessoa, Luisa Martins |
description |
Nonverbal manifestations by a person or a group of people towards elements in a city conveys a message. It is worth the effort to recognize the type of messages being communicated, their relevance, and whether they are related to a larger social movement – perhaps reflecting a behavioral shift or trend – because they may contain useful information to government agencies, companies, and the society at large. In this article, I discuss how the visual signs present in a territory and cultural analyses are related. We may consider that “territory is a concept generated by people organizing space for their own aims” (GOTTMANN 1975:1). Visual signs are studied in the field of semiotics, which seeks to understand the “relationship between the sign and the object or signifier and signified” (SMITH 2011:229), using visual code (image, painting, etc.) to send a message that, importantly, may “be hidden or largely unnoticed, even by the people using the code” (SMITH 2011:236). Culture is all human being manifestations that occur through habits, values and attitudes – “the way of life of a particular people living together in one place” (EAGLETON 2000:112). |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-02-10T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.48619/uxuc.v1i1.198 oai:journals.ap2.pt:article/198 |
url |
https://doi.org/10.48619/uxuc.v1i1.198 |
identifier_str_mv |
oai:journals.ap2.pt:article/198 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/UXUC/article/view/198 https://doi.org/10.48619/uxuc.v1i1.198 https://journals.ap2.pt/index.php/UXUC/article/view/198/154 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 UXUC - User Experience & Urban Creativity info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 UXUC - User Experience & Urban Creativity |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Urbancreativity.org |
publisher.none.fl_str_mv |
Urbancreativity.org |
dc.source.none.fl_str_mv |
UXUC - User Experience and Urban Creativity; Vol 1 No 1 (2019): Urban User Experience; 60 - 61 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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