Opus alchymicum : arte como cuidado de si

Detalhes bibliográficos
Autor(a) principal: Meneghin, Eduardo Augusto Perissatto
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/57202
Resumo: The present work addresses creation based on a relationship established between the artist (understood in this work not as a subject given in advance, but as someone who is changed by its creation) and the material of his work. This relationship between work on oneself and the production of a work as consubstantial and indivisible is the central theme — or the psychological and initiatic drama — of alchemy. The aproach with the text Opus Alchymicum by Giorgio Agamben is central to the proposals that will be developed in this writing, as well as Michel Foucault's lessons compiled in The hermeneutics of the subject and Pierre Hadot's studies on spiritual exercises and ancient philosophy. This is not a defense of the vast alchemical literature as a genre or creative process, but of the understanding that it is, perhaps for the first time, an art that seeks its foundation in a reference — both fictional and real — to an extratextual practice. In this sense, the practitioner of art is not a sovereign subject who owns the creative operation and the work as a property, but an anonymous living person who in his relationship with works (which are works of language), with the vision, the material bodies, seeks to experience itself and maintain a relationship with a potency, that is, to constitute or create his life as a way-of-life (dimension of a choice in which a type of life is so closely linked to its form that it is inseparable from it). As a theoretical-practical dissertation, there is a chapter reserved for the presentation of works in their supports, as well as a detailed deepening of the creative process.
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spelling Opus alchymicum : arte como cuidado de siPintura - séc. 20-21AlquimiaAgamben, Giorgio, 1942-Processo criativoProjeto artísticoDomínio/Área Científica::Humanidades::ArtesThe present work addresses creation based on a relationship established between the artist (understood in this work not as a subject given in advance, but as someone who is changed by its creation) and the material of his work. This relationship between work on oneself and the production of a work as consubstantial and indivisible is the central theme — or the psychological and initiatic drama — of alchemy. The aproach with the text Opus Alchymicum by Giorgio Agamben is central to the proposals that will be developed in this writing, as well as Michel Foucault's lessons compiled in The hermeneutics of the subject and Pierre Hadot's studies on spiritual exercises and ancient philosophy. This is not a defense of the vast alchemical literature as a genre or creative process, but of the understanding that it is, perhaps for the first time, an art that seeks its foundation in a reference — both fictional and real — to an extratextual practice. In this sense, the practitioner of art is not a sovereign subject who owns the creative operation and the work as a property, but an anonymous living person who in his relationship with works (which are works of language), with the vision, the material bodies, seeks to experience itself and maintain a relationship with a potency, that is, to constitute or create his life as a way-of-life (dimension of a choice in which a type of life is so closely linked to its form that it is inseparable from it). As a theoretical-practical dissertation, there is a chapter reserved for the presentation of works in their supports, as well as a detailed deepening of the creative process.Caseiro, Carlos Vidal Tenes OliveiraRepositório da Universidade de LisboaMeneghin, Eduardo Augusto Perissatto2023-04-19T16:20:04Z2023-03-022023-03-02T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/57202TID:203269330porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:05:18Zoai:repositorio.ul.pt:10451/57202Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:07:38.801729Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Opus alchymicum : arte como cuidado de si
title Opus alchymicum : arte como cuidado de si
spellingShingle Opus alchymicum : arte como cuidado de si
Meneghin, Eduardo Augusto Perissatto
Pintura - séc. 20-21
Alquimia
Agamben, Giorgio, 1942-
Processo criativo
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
title_short Opus alchymicum : arte como cuidado de si
title_full Opus alchymicum : arte como cuidado de si
title_fullStr Opus alchymicum : arte como cuidado de si
title_full_unstemmed Opus alchymicum : arte como cuidado de si
title_sort Opus alchymicum : arte como cuidado de si
author Meneghin, Eduardo Augusto Perissatto
author_facet Meneghin, Eduardo Augusto Perissatto
author_role author
dc.contributor.none.fl_str_mv Caseiro, Carlos Vidal Tenes Oliveira
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Meneghin, Eduardo Augusto Perissatto
dc.subject.por.fl_str_mv Pintura - séc. 20-21
Alquimia
Agamben, Giorgio, 1942-
Processo criativo
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
topic Pintura - séc. 20-21
Alquimia
Agamben, Giorgio, 1942-
Processo criativo
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
description The present work addresses creation based on a relationship established between the artist (understood in this work not as a subject given in advance, but as someone who is changed by its creation) and the material of his work. This relationship between work on oneself and the production of a work as consubstantial and indivisible is the central theme — or the psychological and initiatic drama — of alchemy. The aproach with the text Opus Alchymicum by Giorgio Agamben is central to the proposals that will be developed in this writing, as well as Michel Foucault's lessons compiled in The hermeneutics of the subject and Pierre Hadot's studies on spiritual exercises and ancient philosophy. This is not a defense of the vast alchemical literature as a genre or creative process, but of the understanding that it is, perhaps for the first time, an art that seeks its foundation in a reference — both fictional and real — to an extratextual practice. In this sense, the practitioner of art is not a sovereign subject who owns the creative operation and the work as a property, but an anonymous living person who in his relationship with works (which are works of language), with the vision, the material bodies, seeks to experience itself and maintain a relationship with a potency, that is, to constitute or create his life as a way-of-life (dimension of a choice in which a type of life is so closely linked to its form that it is inseparable from it). As a theoretical-practical dissertation, there is a chapter reserved for the presentation of works in their supports, as well as a detailed deepening of the creative process.
publishDate 2023
dc.date.none.fl_str_mv 2023-04-19T16:20:04Z
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