Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture

Detalhes bibliográficos
Autor(a) principal: Maia, Joana
Data de Publicação: 2021
Outros Autores: Murtinho, Vítor
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/104839
Resumo: The aim of this research is to understand the role of proportion as a tool in the contemporary project regarding the methodology of the Portuguese architect João Mendes Ribeiro (JMR). On a journey marked by an alternation of disciplines (architecture and scenography [01,02, 03]) JMR stabilizes a particular methodology fertile in interdisciplinary relations that, according to our opinion, is worthy of a detailed analysis. Essence, efficacy, abstraction, and elegance are characteristics that Manuel Graça Dias underlines in the body of work of JMR, qualities naturally provided by a refinement, a delicate way of feeling and establishing proportions […], [setting] an accurate drawing [04: 14]. Geometry is the instrument in a process of high management capacity where debugging, clarity of language, and economy of means, are the result of surgical interventions capable of producing significance, flexibility and adaptability. The word proportion dominates this equation, where consistency and rigour extend from prior studies to the completion of the constructive process, in a salutary relationship between parts understood as a whole in a prevalent search for a balanced resolution. The invention of the project (as an act of creation) is supported by the order element, intellectualizing a method that revives a seemingly forgotten theme in contemporary theory: proportional value.
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spelling Invention and Order: The proportional contribution in João Mendes Ribeiro's architectureThe aim of this research is to understand the role of proportion as a tool in the contemporary project regarding the methodology of the Portuguese architect João Mendes Ribeiro (JMR). On a journey marked by an alternation of disciplines (architecture and scenography [01,02, 03]) JMR stabilizes a particular methodology fertile in interdisciplinary relations that, according to our opinion, is worthy of a detailed analysis. Essence, efficacy, abstraction, and elegance are characteristics that Manuel Graça Dias underlines in the body of work of JMR, qualities naturally provided by a refinement, a delicate way of feeling and establishing proportions […], [setting] an accurate drawing [04: 14]. Geometry is the instrument in a process of high management capacity where debugging, clarity of language, and economy of means, are the result of surgical interventions capable of producing significance, flexibility and adaptability. The word proportion dominates this equation, where consistency and rigour extend from prior studies to the completion of the constructive process, in a salutary relationship between parts understood as a whole in a prevalent search for a balanced resolution. The invention of the project (as an act of creation) is supported by the order element, intellectualizing a method that revives a seemingly forgotten theme in contemporary theory: proportional value.APROGED2021-12info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/104839http://hdl.handle.net/10316/104839eng2183-19392184-4933https://aproged.net/publicacoes/boletim35/Maia, JoanaMurtinho, Vítorinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-25T21:59:24Zoai:estudogeral.uc.pt:10316/104839Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:21:28.771248Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
title Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
spellingShingle Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
Maia, Joana
title_short Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
title_full Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
title_fullStr Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
title_full_unstemmed Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
title_sort Invention and Order: The proportional contribution in João Mendes Ribeiro's architecture
author Maia, Joana
author_facet Maia, Joana
Murtinho, Vítor
author_role author
author2 Murtinho, Vítor
author2_role author
dc.contributor.author.fl_str_mv Maia, Joana
Murtinho, Vítor
description The aim of this research is to understand the role of proportion as a tool in the contemporary project regarding the methodology of the Portuguese architect João Mendes Ribeiro (JMR). On a journey marked by an alternation of disciplines (architecture and scenography [01,02, 03]) JMR stabilizes a particular methodology fertile in interdisciplinary relations that, according to our opinion, is worthy of a detailed analysis. Essence, efficacy, abstraction, and elegance are characteristics that Manuel Graça Dias underlines in the body of work of JMR, qualities naturally provided by a refinement, a delicate way of feeling and establishing proportions […], [setting] an accurate drawing [04: 14]. Geometry is the instrument in a process of high management capacity where debugging, clarity of language, and economy of means, are the result of surgical interventions capable of producing significance, flexibility and adaptability. The word proportion dominates this equation, where consistency and rigour extend from prior studies to the completion of the constructive process, in a salutary relationship between parts understood as a whole in a prevalent search for a balanced resolution. The invention of the project (as an act of creation) is supported by the order element, intellectualizing a method that revives a seemingly forgotten theme in contemporary theory: proportional value.
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