Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes

Detalhes bibliográficos
Autor(a) principal: Maximilian Dunse
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/132026
Resumo: The present work aims to describe the relationship between sound and architecture mainly through the interface of acoustics. The sound field provides multiple architectural information about the program and the physical particularities of a space. The architectural program is articulated by the characteristics, positions and movements of the sound sources, which promote the space activation. As active sound sources direct questions to the space, the space reacts with characteristic sound responses by articulating its specific reverberation that informs us about the dimension, proportion, shape and materiality of the space. Listening allows us to detect many aspects of the architectural environment that cannot be detected from a visual perspective. Listening and auditory awareness are fundamental in the perception of space and connect us to the unique aura of the respective architectural moment. The characteristics of a sound space are significant for our comfort and auditory well-being and the consideration of sound and acoustics in the planning process can be a determinant factor for the quality and aural functionality of an architectural project. With this in mind, the present work tries to describe the two fundamental aspects of the acoustic response, reverberation time and resonance, by the means of history, theory and practice. It investigates how the volume, dimensions, shape and materiality of a space influence its reverberation time and preferential wavelengths. Ultimately, with a particular focus on practice, a sound installation demonstrates the resonant frequencies of a space in an augmented form with the aim of motivating auditory awareness and facilitating the perception of acoustic phenomena on a concrete example.
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spelling Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos RessonantesArtesArtsThe present work aims to describe the relationship between sound and architecture mainly through the interface of acoustics. The sound field provides multiple architectural information about the program and the physical particularities of a space. The architectural program is articulated by the characteristics, positions and movements of the sound sources, which promote the space activation. As active sound sources direct questions to the space, the space reacts with characteristic sound responses by articulating its specific reverberation that informs us about the dimension, proportion, shape and materiality of the space. Listening allows us to detect many aspects of the architectural environment that cannot be detected from a visual perspective. Listening and auditory awareness are fundamental in the perception of space and connect us to the unique aura of the respective architectural moment. The characteristics of a sound space are significant for our comfort and auditory well-being and the consideration of sound and acoustics in the planning process can be a determinant factor for the quality and aural functionality of an architectural project. With this in mind, the present work tries to describe the two fundamental aspects of the acoustic response, reverberation time and resonance, by the means of history, theory and practice. It investigates how the volume, dimensions, shape and materiality of a space influence its reverberation time and preferential wavelengths. Ultimately, with a particular focus on practice, a sound installation demonstrates the resonant frequencies of a space in an augmented form with the aim of motivating auditory awareness and facilitating the perception of acoustic phenomena on a concrete example.2020-12-182020-12-18T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/132026TID:202631850porMaximilian Dunseinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:41:26Zoai:repositorio-aberto.up.pt:10216/132026Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:45:46.360401Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
title Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
spellingShingle Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
Maximilian Dunse
Artes
Arts
title_short Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
title_full Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
title_fullStr Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
title_full_unstemmed Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
title_sort Ativação, Reflexão e Articulação sonoras na Arquitectura. Poiesis dos Corpos Ressonantes
author Maximilian Dunse
author_facet Maximilian Dunse
author_role author
dc.contributor.author.fl_str_mv Maximilian Dunse
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description The present work aims to describe the relationship between sound and architecture mainly through the interface of acoustics. The sound field provides multiple architectural information about the program and the physical particularities of a space. The architectural program is articulated by the characteristics, positions and movements of the sound sources, which promote the space activation. As active sound sources direct questions to the space, the space reacts with characteristic sound responses by articulating its specific reverberation that informs us about the dimension, proportion, shape and materiality of the space. Listening allows us to detect many aspects of the architectural environment that cannot be detected from a visual perspective. Listening and auditory awareness are fundamental in the perception of space and connect us to the unique aura of the respective architectural moment. The characteristics of a sound space are significant for our comfort and auditory well-being and the consideration of sound and acoustics in the planning process can be a determinant factor for the quality and aural functionality of an architectural project. With this in mind, the present work tries to describe the two fundamental aspects of the acoustic response, reverberation time and resonance, by the means of history, theory and practice. It investigates how the volume, dimensions, shape and materiality of a space influence its reverberation time and preferential wavelengths. Ultimately, with a particular focus on practice, a sound installation demonstrates the resonant frequencies of a space in an augmented form with the aim of motivating auditory awareness and facilitating the perception of acoustic phenomena on a concrete example.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-18
2020-12-18T00:00:00Z
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identifier_str_mv TID:202631850
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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