Literatura de intervenção e representações do corpo na poesia de autoras africanas

Detalhes bibliográficos
Autor(a) principal: Passos, Joana
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/1822/62272
Resumo: Among the foundational generation of African authors writing in Portuguese in the 1950s, the most established feminine names are Noémia de Sousa and Alda do espírito Santo. This paper takes these two women writers as representative examples of the aims and the themes of the politically committed African litera- ture which promoted the struggle for national independence from Portuguese colo- nialism. The discussion of a selected poem by each of these two writers provides evidence of the centrality of metaphors related to the body, clothes, ornaments and body positions to create a poetry of intervention that invited reflection on wider issues such as political awareness of colonial exploitation and the self-assertion of African cultures. Thirty years later, for a second generation of African women writers the challenges and themes inviting intervention have changed and became more diverse. How do current writers relate to this previous tradition? The poetry of Vera Duarte, a writer from Cape Verde, will be analysed here, following metaphors related to the body as the means to assert collective aspirations and utopias. This case study will stand as an inspiring instance of the later paths taken by African poetry by feminine voices.
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spelling Literatura de intervenção e representações do corpo na poesia de autoras africanasEngaged literature and representations of the body in the poetry by African women writersLiteraturas africanas de língua portuguesa, Vera Duarte, Noémia de Sousa, Alda do Espírito SantoHumanidades::Línguas e LiteraturasAmong the foundational generation of African authors writing in Portuguese in the 1950s, the most established feminine names are Noémia de Sousa and Alda do espírito Santo. This paper takes these two women writers as representative examples of the aims and the themes of the politically committed African litera- ture which promoted the struggle for national independence from Portuguese colo- nialism. The discussion of a selected poem by each of these two writers provides evidence of the centrality of metaphors related to the body, clothes, ornaments and body positions to create a poetry of intervention that invited reflection on wider issues such as political awareness of colonial exploitation and the self-assertion of African cultures. Thirty years later, for a second generation of African women writers the challenges and themes inviting intervention have changed and became more diverse. How do current writers relate to this previous tradition? The poetry of Vera Duarte, a writer from Cape Verde, will be analysed here, following metaphors related to the body as the means to assert collective aspirations and utopias. This case study will stand as an inspiring instance of the later paths taken by African poetry by feminine voices.Fundação para a Ciência e Tecnologia, SFRH / BDP/ 11596/ 2002Universidade do Minho. Centro de Estudos Humanísticos (CEHUM)Universidade do MinhoPassos, Joana20082008-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/1822/62272porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-21T11:56:44Zoai:repositorium.sdum.uminho.pt:1822/62272Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:46:24.600576Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Literatura de intervenção e representações do corpo na poesia de autoras africanas
Engaged literature and representations of the body in the poetry by African women writers
title Literatura de intervenção e representações do corpo na poesia de autoras africanas
spellingShingle Literatura de intervenção e representações do corpo na poesia de autoras africanas
Passos, Joana
Literaturas africanas de língua portuguesa, Vera Duarte, Noémia de Sousa, Alda do Espírito Santo
Humanidades::Línguas e Literaturas
title_short Literatura de intervenção e representações do corpo na poesia de autoras africanas
title_full Literatura de intervenção e representações do corpo na poesia de autoras africanas
title_fullStr Literatura de intervenção e representações do corpo na poesia de autoras africanas
title_full_unstemmed Literatura de intervenção e representações do corpo na poesia de autoras africanas
title_sort Literatura de intervenção e representações do corpo na poesia de autoras africanas
author Passos, Joana
author_facet Passos, Joana
author_role author
dc.contributor.none.fl_str_mv Universidade do Minho
dc.contributor.author.fl_str_mv Passos, Joana
dc.subject.por.fl_str_mv Literaturas africanas de língua portuguesa, Vera Duarte, Noémia de Sousa, Alda do Espírito Santo
Humanidades::Línguas e Literaturas
topic Literaturas africanas de língua portuguesa, Vera Duarte, Noémia de Sousa, Alda do Espírito Santo
Humanidades::Línguas e Literaturas
description Among the foundational generation of African authors writing in Portuguese in the 1950s, the most established feminine names are Noémia de Sousa and Alda do espírito Santo. This paper takes these two women writers as representative examples of the aims and the themes of the politically committed African litera- ture which promoted the struggle for national independence from Portuguese colo- nialism. The discussion of a selected poem by each of these two writers provides evidence of the centrality of metaphors related to the body, clothes, ornaments and body positions to create a poetry of intervention that invited reflection on wider issues such as political awareness of colonial exploitation and the self-assertion of African cultures. Thirty years later, for a second generation of African women writers the challenges and themes inviting intervention have changed and became more diverse. How do current writers relate to this previous tradition? The poetry of Vera Duarte, a writer from Cape Verde, will be analysed here, following metaphors related to the body as the means to assert collective aspirations and utopias. This case study will stand as an inspiring instance of the later paths taken by African poetry by feminine voices.
publishDate 2008
dc.date.none.fl_str_mv 2008
2008-01-01T00:00:00Z
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dc.publisher.none.fl_str_mv Universidade do Minho. Centro de Estudos Humanísticos (CEHUM)
publisher.none.fl_str_mv Universidade do Minho. Centro de Estudos Humanísticos (CEHUM)
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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