Between saxophone worlds: interpreting the / improvising on the Bach cello suites
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.22/12177 |
Resumo: | This monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation. |
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Between saxophone worlds: interpreting the / improvising on the Bach cello suitesBachCelloImprovisationInterpretationPerformanceSaxophoneViolonceloImprovisaçãoInterpretaçãoSaxofoneThis monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation.Esta monografia constitui o suporte teórico para uma performance de duas Suítes para Violoncelo de Johann Sebastian Bach através da interpretação e improvisação. Com base no estudo da literatura existente sobre a interpretação de música do período barroco, e através do estudo aprofundado das suítes nº 1 e nº 4, várias decisões acerca da sua performance no saxofone barítono são propostas. O processo de improvisação dentro das suítes é fundamentado através do estudo da improvisação no contexto histórico em que as obras se inserem, e através da análise dos parâmetros das obras originais que servem como base para a improvisação. As diversas conclusões expostas servem como contributo para a literatura existente sobre a interpretação das suítes, assim como sobre a prática de improvisação.Almeida, Gilberto Bernardes deRepositório Científico do Instituto Politécnico do PortoGoleminov, Hristo Kamenov2018-11-13T16:50:33Z2018-10-082018-10-08T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.22/12177TID:202016510enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-13T13:11:13Zoai:recipp.ipp.pt:10400.22/12177Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:38:34.741830Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
title |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
spellingShingle |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites Goleminov, Hristo Kamenov Bach Cello Improvisation Interpretation Performance Saxophone Violoncelo Improvisação Interpretação Saxofone |
title_short |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
title_full |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
title_fullStr |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
title_full_unstemmed |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
title_sort |
Between saxophone worlds: interpreting the / improvising on the Bach cello suites |
author |
Goleminov, Hristo Kamenov |
author_facet |
Goleminov, Hristo Kamenov |
author_role |
author |
dc.contributor.none.fl_str_mv |
Almeida, Gilberto Bernardes de Repositório Científico do Instituto Politécnico do Porto |
dc.contributor.author.fl_str_mv |
Goleminov, Hristo Kamenov |
dc.subject.por.fl_str_mv |
Bach Cello Improvisation Interpretation Performance Saxophone Violoncelo Improvisação Interpretação Saxofone |
topic |
Bach Cello Improvisation Interpretation Performance Saxophone Violoncelo Improvisação Interpretação Saxofone |
description |
This monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-11-13T16:50:33Z 2018-10-08 2018-10-08T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.22/12177 TID:202016510 |
url |
http://hdl.handle.net/10400.22/12177 |
identifier_str_mv |
TID:202016510 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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