Between saxophone worlds: interpreting the / improvising on the Bach cello suites

Detalhes bibliográficos
Autor(a) principal: Goleminov, Hristo Kamenov
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.22/12177
Resumo: This monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation.
id RCAP_e7daecc70044e41481c18e19be44e86f
oai_identifier_str oai:recipp.ipp.pt:10400.22/12177
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Between saxophone worlds: interpreting the / improvising on the Bach cello suitesBachCelloImprovisationInterpretationPerformanceSaxophoneViolonceloImprovisaçãoInterpretaçãoSaxofoneThis monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation.Esta monografia constitui o suporte teórico para uma performance de duas Suítes para Violoncelo de Johann Sebastian Bach através da interpretação e improvisação. Com base no estudo da literatura existente sobre a interpretação de música do período barroco, e através do estudo aprofundado das suítes nº 1 e nº 4, várias decisões acerca da sua performance no saxofone barítono são propostas. O processo de improvisação dentro das suítes é fundamentado através do estudo da improvisação no contexto histórico em que as obras se inserem, e através da análise dos parâmetros das obras originais que servem como base para a improvisação. As diversas conclusões expostas servem como contributo para a literatura existente sobre a interpretação das suítes, assim como sobre a prática de improvisação.Almeida, Gilberto Bernardes deRepositório Científico do Instituto Politécnico do PortoGoleminov, Hristo Kamenov2018-11-13T16:50:33Z2018-10-082018-10-08T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.22/12177TID:202016510enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-13T13:11:13Zoai:recipp.ipp.pt:10400.22/12177Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:38:34.741830Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Between saxophone worlds: interpreting the / improvising on the Bach cello suites
title Between saxophone worlds: interpreting the / improvising on the Bach cello suites
spellingShingle Between saxophone worlds: interpreting the / improvising on the Bach cello suites
Goleminov, Hristo Kamenov
Bach
Cello
Improvisation
Interpretation
Performance
Saxophone
Violoncelo
Improvisação
Interpretação
Saxofone
title_short Between saxophone worlds: interpreting the / improvising on the Bach cello suites
title_full Between saxophone worlds: interpreting the / improvising on the Bach cello suites
title_fullStr Between saxophone worlds: interpreting the / improvising on the Bach cello suites
title_full_unstemmed Between saxophone worlds: interpreting the / improvising on the Bach cello suites
title_sort Between saxophone worlds: interpreting the / improvising on the Bach cello suites
author Goleminov, Hristo Kamenov
author_facet Goleminov, Hristo Kamenov
author_role author
dc.contributor.none.fl_str_mv Almeida, Gilberto Bernardes de
Repositório Científico do Instituto Politécnico do Porto
dc.contributor.author.fl_str_mv Goleminov, Hristo Kamenov
dc.subject.por.fl_str_mv Bach
Cello
Improvisation
Interpretation
Performance
Saxophone
Violoncelo
Improvisação
Interpretação
Saxofone
topic Bach
Cello
Improvisation
Interpretation
Performance
Saxophone
Violoncelo
Improvisação
Interpretação
Saxofone
description This monograph presents the theoretical groundwork for a performance of two Suites for Unaccompanied Cello by Johann Sebastian Bach on the baritone saxophone, through a mixture of interpretation and improvisation. By reviewing the existing literature on the interpretation of baroque music and through a careful study of both suites, choices as to how to interpret the suites as written on the saxophone were explained. The process of improvising within the suites is documented through the combination of a historic overview of improvisation in the baroque era and the analysis of the challenges presented by original compositions. Several key conclusions are presented which contribute to the existing literature in both the domains of interpretation and improvisation.
publishDate 2018
dc.date.none.fl_str_mv 2018-11-13T16:50:33Z
2018-10-08
2018-10-08T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.22/12177
TID:202016510
url http://hdl.handle.net/10400.22/12177
identifier_str_mv TID:202016510
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799131474277957632