Sombra: o digital e a aproximação do cinema português ao seu público

Detalhes bibliográficos
Autor(a) principal: Mónica Magalhães Freitas
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/79544
Resumo: Throughout the years, portuguese cinematographic production has been unwillingly distancing itself from its public. "May a digital product bring portuguese cinema closer to its audience?". This is the main question behind this dissertation. It starts with a theoretical scope, in which concepts such as cultural identification, long tail and convergence culture are discussed. After a brief history of the portuguese cinema, it focus mostly on the Sombra project. This project, which aims to gather and make available with no costs, through an online platform, up to date content about portuguese cinema. It was built taking into consideration the Business Model Canvas, by Osterwalder and Pigneur (2010). Sombra project, compounded by a database and a portuguese cinema online magazine, aims mainly to contribute, in a digital way, to stimulate interest and consume of old and new national cinematographic productions.
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spelling Sombra: o digital e a aproximação do cinema português ao seu públicoArtesArtsThroughout the years, portuguese cinematographic production has been unwillingly distancing itself from its public. "May a digital product bring portuguese cinema closer to its audience?". This is the main question behind this dissertation. It starts with a theoretical scope, in which concepts such as cultural identification, long tail and convergence culture are discussed. After a brief history of the portuguese cinema, it focus mostly on the Sombra project. This project, which aims to gather and make available with no costs, through an online platform, up to date content about portuguese cinema. It was built taking into consideration the Business Model Canvas, by Osterwalder and Pigneur (2010). Sombra project, compounded by a database and a portuguese cinema online magazine, aims mainly to contribute, in a digital way, to stimulate interest and consume of old and new national cinematographic productions.2015-07-212015-07-21T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/79544TID:201807645porMónica Magalhães Freitasinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:54:32Zoai:repositorio-aberto.up.pt:10216/79544Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:11:22.531901Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Sombra: o digital e a aproximação do cinema português ao seu público
title Sombra: o digital e a aproximação do cinema português ao seu público
spellingShingle Sombra: o digital e a aproximação do cinema português ao seu público
Mónica Magalhães Freitas
Artes
Arts
title_short Sombra: o digital e a aproximação do cinema português ao seu público
title_full Sombra: o digital e a aproximação do cinema português ao seu público
title_fullStr Sombra: o digital e a aproximação do cinema português ao seu público
title_full_unstemmed Sombra: o digital e a aproximação do cinema português ao seu público
title_sort Sombra: o digital e a aproximação do cinema português ao seu público
author Mónica Magalhães Freitas
author_facet Mónica Magalhães Freitas
author_role author
dc.contributor.author.fl_str_mv Mónica Magalhães Freitas
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description Throughout the years, portuguese cinematographic production has been unwillingly distancing itself from its public. "May a digital product bring portuguese cinema closer to its audience?". This is the main question behind this dissertation. It starts with a theoretical scope, in which concepts such as cultural identification, long tail and convergence culture are discussed. After a brief history of the portuguese cinema, it focus mostly on the Sombra project. This project, which aims to gather and make available with no costs, through an online platform, up to date content about portuguese cinema. It was built taking into consideration the Business Model Canvas, by Osterwalder and Pigneur (2010). Sombra project, compounded by a database and a portuguese cinema online magazine, aims mainly to contribute, in a digital way, to stimulate interest and consume of old and new national cinematographic productions.
publishDate 2015
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