Lara Almarcegui. Las posibilidades que habitan lo intersticial
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/38375 |
Resumo: | What is really a building, just the sum of its materials? How do places crystallize moments of history? Is it possible to assume an active conscience in relation to certain locations and through their mediation? Can they endow us with an agency to redefine the role that has been assigned to us in urban designs? Issues that are at the center of the artistic activity of Lara Almarcegui and in relation to which the artist constructed, in the context of the Venice Biennale 2013, the two axes of her participation in it, that is, an installation -housed by the Spanish pavilion itself- which incorporated the materials that make it up and their exact weights; and a video that refers to a specific wasteland, the island that is the product of the deposition of Murano glass remains. Both plastic approaches allowed Almarcegui to project a critical, anthropological, contemplation on the conception of civilization and its avatars |
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Lara Almarcegui. Las posibilidades que habitan lo intersticialLara Almarcegui. The possibilities that inhabit the interstitialAlmarcegui, Lara, 1972-EsculturaSite - Specific ArtTeoria da arteCrítica e interpretaçãoEspanhaWhat is really a building, just the sum of its materials? How do places crystallize moments of history? Is it possible to assume an active conscience in relation to certain locations and through their mediation? Can they endow us with an agency to redefine the role that has been assigned to us in urban designs? Issues that are at the center of the artistic activity of Lara Almarcegui and in relation to which the artist constructed, in the context of the Venice Biennale 2013, the two axes of her participation in it, that is, an installation -housed by the Spanish pavilion itself- which incorporated the materials that make it up and their exact weights; and a video that refers to a specific wasteland, the island that is the product of the deposition of Murano glass remains. Both plastic approaches allowed Almarcegui to project a critical, anthropological, contemplation on the conception of civilization and its avatarsUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaLabeaga, Zuhar Iruretagoiena2019-05-22T15:08:21Z2018-012018-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/38375spaIn: :Estúdio. - Lisboa, 2010. - Vol.9 nº21 (Jan./Mar. 2018), p. 157-167info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:36:07Zoai:repositorio.ul.pt:10451/38375Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:52:11.862345Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Lara Almarcegui. Las posibilidades que habitan lo intersticial Lara Almarcegui. The possibilities that inhabit the interstitial |
title |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
spellingShingle |
Lara Almarcegui. Las posibilidades que habitan lo intersticial Labeaga, Zuhar Iruretagoiena Almarcegui, Lara, 1972- Escultura Site - Specific Art Teoria da arte Crítica e interpretação Espanha |
title_short |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
title_full |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
title_fullStr |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
title_full_unstemmed |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
title_sort |
Lara Almarcegui. Las posibilidades que habitan lo intersticial |
author |
Labeaga, Zuhar Iruretagoiena |
author_facet |
Labeaga, Zuhar Iruretagoiena |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Labeaga, Zuhar Iruretagoiena |
dc.subject.por.fl_str_mv |
Almarcegui, Lara, 1972- Escultura Site - Specific Art Teoria da arte Crítica e interpretação Espanha |
topic |
Almarcegui, Lara, 1972- Escultura Site - Specific Art Teoria da arte Crítica e interpretação Espanha |
description |
What is really a building, just the sum of its materials? How do places crystallize moments of history? Is it possible to assume an active conscience in relation to certain locations and through their mediation? Can they endow us with an agency to redefine the role that has been assigned to us in urban designs? Issues that are at the center of the artistic activity of Lara Almarcegui and in relation to which the artist constructed, in the context of the Venice Biennale 2013, the two axes of her participation in it, that is, an installation -housed by the Spanish pavilion itself- which incorporated the materials that make it up and their exact weights; and a video that refers to a specific wasteland, the island that is the product of the deposition of Murano glass remains. Both plastic approaches allowed Almarcegui to project a critical, anthropological, contemplation on the conception of civilization and its avatars |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-01 2018-01-01T00:00:00Z 2019-05-22T15:08:21Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/38375 |
url |
http://hdl.handle.net/10451/38375 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
In: :Estúdio. - Lisboa, 2010. - Vol.9 nº21 (Jan./Mar. 2018), p. 157-167 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134458299809792 |