Fora de campo : o invisível nas imagens

Detalhes bibliográficos
Autor(a) principal: Bruxelas, Elsa, 1959-
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/25091
Resumo: The framework defines the “out of frame” in cinematic terminology. This expression refers to the area outside of the shot, which is therefore invisible to the camera. Nonetheless, even if well established, the frame edges are responsive to its surroundings, provoked by images, crowded with information and subjectivity. The unseen reality, absorbed with the remaining senses or by kinaesthesia, is an “out of frame” both psychological, abstract and undefined, taking into account its entire infinity. The “out of frame” goes hand in hand with the images and is pivotal to define what catches our attention. We act according to our “out of frame”. The correlation between what we witness visually and what we don’t remains an enigma, subjected to all means of expression. This project intends to frame images that allow for interpretations, whose elements repeatedly stimulate our visual experiences, sometimes uncertain and conflictive. In this movement of contradictions and in the relationship between symbolic language and its meanings, the quest for known senses is a temporal ambivalence between the visible and the invisible. How can we create such movement and trigger our subconscious devices through images, so one can experience the building up of sensations? From the “frame” to the sequence, from movement to stillness, one quests the image as a restless memory, an inexplicit sequential motion which makes us question our way of living. To tear apart predictable boundaries with the everyday, to evoke universal sensations such as desire, hollowness, anguish, pleasure, in a landscape at current time, with an unusual view that is the aim of the artistic project Invisible Reality
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spelling Fora de campo : o invisível nas imagensPinturaInvisívelImagem em movimentoMargensDistânciaCinematografiaPinturaThe framework defines the “out of frame” in cinematic terminology. This expression refers to the area outside of the shot, which is therefore invisible to the camera. Nonetheless, even if well established, the frame edges are responsive to its surroundings, provoked by images, crowded with information and subjectivity. The unseen reality, absorbed with the remaining senses or by kinaesthesia, is an “out of frame” both psychological, abstract and undefined, taking into account its entire infinity. The “out of frame” goes hand in hand with the images and is pivotal to define what catches our attention. We act according to our “out of frame”. The correlation between what we witness visually and what we don’t remains an enigma, subjected to all means of expression. This project intends to frame images that allow for interpretations, whose elements repeatedly stimulate our visual experiences, sometimes uncertain and conflictive. In this movement of contradictions and in the relationship between symbolic language and its meanings, the quest for known senses is a temporal ambivalence between the visible and the invisible. How can we create such movement and trigger our subconscious devices through images, so one can experience the building up of sensations? From the “frame” to the sequence, from movement to stillness, one quests the image as a restless memory, an inexplicit sequential motion which makes us question our way of living. To tear apart predictable boundaries with the everyday, to evoke universal sensations such as desire, hollowness, anguish, pleasure, in a landscape at current time, with an unusual view that is the aim of the artistic project Invisible RealityRepositório da Universidade de LisboaBruxelas, Elsa, 1959-2016-11-22T11:11:24Z2016-03-172016-11-222016-03-17T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/25091TID:201932067porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:14:25Zoai:repositorio.ul.pt:10451/25091Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:42:06.494167Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Fora de campo : o invisível nas imagens
title Fora de campo : o invisível nas imagens
spellingShingle Fora de campo : o invisível nas imagens
Bruxelas, Elsa, 1959-
Pintura
Invisível
Imagem em movimento
Margens
Distância
Cinematografia
Pintura
title_short Fora de campo : o invisível nas imagens
title_full Fora de campo : o invisível nas imagens
title_fullStr Fora de campo : o invisível nas imagens
title_full_unstemmed Fora de campo : o invisível nas imagens
title_sort Fora de campo : o invisível nas imagens
author Bruxelas, Elsa, 1959-
author_facet Bruxelas, Elsa, 1959-
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Bruxelas, Elsa, 1959-
dc.subject.por.fl_str_mv Pintura
Invisível
Imagem em movimento
Margens
Distância
Cinematografia
Pintura
topic Pintura
Invisível
Imagem em movimento
Margens
Distância
Cinematografia
Pintura
description The framework defines the “out of frame” in cinematic terminology. This expression refers to the area outside of the shot, which is therefore invisible to the camera. Nonetheless, even if well established, the frame edges are responsive to its surroundings, provoked by images, crowded with information and subjectivity. The unseen reality, absorbed with the remaining senses or by kinaesthesia, is an “out of frame” both psychological, abstract and undefined, taking into account its entire infinity. The “out of frame” goes hand in hand with the images and is pivotal to define what catches our attention. We act according to our “out of frame”. The correlation between what we witness visually and what we don’t remains an enigma, subjected to all means of expression. This project intends to frame images that allow for interpretations, whose elements repeatedly stimulate our visual experiences, sometimes uncertain and conflictive. In this movement of contradictions and in the relationship between symbolic language and its meanings, the quest for known senses is a temporal ambivalence between the visible and the invisible. How can we create such movement and trigger our subconscious devices through images, so one can experience the building up of sensations? From the “frame” to the sequence, from movement to stillness, one quests the image as a restless memory, an inexplicit sequential motion which makes us question our way of living. To tear apart predictable boundaries with the everyday, to evoke universal sensations such as desire, hollowness, anguish, pleasure, in a landscape at current time, with an unusual view that is the aim of the artistic project Invisible Reality
publishDate 2016
dc.date.none.fl_str_mv 2016-11-22T11:11:24Z
2016-03-17
2016-11-22
2016-03-17T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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format masterThesis
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/25091
TID:201932067
url http://hdl.handle.net/10451/25091
identifier_str_mv TID:201932067
dc.language.iso.fl_str_mv por
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application/pdf
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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