Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon

Detalhes bibliográficos
Autor(a) principal: Castellano, C. G.
Data de Publicação: 2023
Outros Autores: Raposo, O.
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10071/30023
Resumo: This essay engages with Guias do Mocho [Mocho’s Tourist Guides], a bottom-up cultural tourism initiative emerging in Quinta do Mocho, a ‘peripheral’ neighbourhood of Lisbon, as a way of problematizing the relationship between public and street art and social media aesthetics. Scholarship on digital creative industries and street art tourism tends to emphasize the complicities of this kind of cultural experience with neoliberal understandings of the urban space. By examining an example of bottom-up, localized guided tours that operates through social media in the context of peripheral areas of Lisbon, we argue that public art and social media should be seen as part of a more complicated correlation, one in which the affects and effects of creative, site-specific projects are actively developed and expanded in unforeseen ways. Our research demonstrates that public art and social media are mutually developing a renewed economy of attention and system of valorization. The critical examination of both elements is compulsory when measuring the impact of art-driven processes of community development.
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spelling Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary LisbonThis essay engages with Guias do Mocho [Mocho’s Tourist Guides], a bottom-up cultural tourism initiative emerging in Quinta do Mocho, a ‘peripheral’ neighbourhood of Lisbon, as a way of problematizing the relationship between public and street art and social media aesthetics. Scholarship on digital creative industries and street art tourism tends to emphasize the complicities of this kind of cultural experience with neoliberal understandings of the urban space. By examining an example of bottom-up, localized guided tours that operates through social media in the context of peripheral areas of Lisbon, we argue that public art and social media should be seen as part of a more complicated correlation, one in which the affects and effects of creative, site-specific projects are actively developed and expanded in unforeseen ways. Our research demonstrates that public art and social media are mutually developing a renewed economy of attention and system of valorization. The critical examination of both elements is compulsory when measuring the impact of art-driven processes of community development.Oxford University Press2023-12-18T14:18:14Z2023-01-01T00:00:00Z20232023-12-18T14:16:16Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10071/30023eng0010-380210.1093/cdj/bsad018Castellano, C. G.Raposo, O.info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-24T01:20:25Zoai:repositorio.iscte-iul.pt:10071/30023Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:55:47.338893Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
title Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
spellingShingle Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
Castellano, C. G.
title_short Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
title_full Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
title_fullStr Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
title_full_unstemmed Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
title_sort Public art and social media: Street art tourism, sociocultural agency and cultural production in contemporary Lisbon
author Castellano, C. G.
author_facet Castellano, C. G.
Raposo, O.
author_role author
author2 Raposo, O.
author2_role author
dc.contributor.author.fl_str_mv Castellano, C. G.
Raposo, O.
description This essay engages with Guias do Mocho [Mocho’s Tourist Guides], a bottom-up cultural tourism initiative emerging in Quinta do Mocho, a ‘peripheral’ neighbourhood of Lisbon, as a way of problematizing the relationship between public and street art and social media aesthetics. Scholarship on digital creative industries and street art tourism tends to emphasize the complicities of this kind of cultural experience with neoliberal understandings of the urban space. By examining an example of bottom-up, localized guided tours that operates through social media in the context of peripheral areas of Lisbon, we argue that public art and social media should be seen as part of a more complicated correlation, one in which the affects and effects of creative, site-specific projects are actively developed and expanded in unforeseen ways. Our research demonstrates that public art and social media are mutually developing a renewed economy of attention and system of valorization. The critical examination of both elements is compulsory when measuring the impact of art-driven processes of community development.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-18T14:18:14Z
2023-01-01T00:00:00Z
2023
2023-12-18T14:16:16Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10071/30023
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dc.language.iso.fl_str_mv eng
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10.1093/cdj/bsad018
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dc.publisher.none.fl_str_mv Oxford University Press
publisher.none.fl_str_mv Oxford University Press
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