The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/11144/5707 |
Resumo: | In 1972, still a student, Rem Koolhaas moved to New York with artist and wife Madelon Vriesendorp. Here they started the research that would become the “Appendix: A Fictional Conclusion”, the final section of the book “Delirious New York - A retroactive manifesto for Manhattan”, where Koolhaas combined the ideas from the text to shape a fictional city, The City of the Captive Globe. At the same time, Madelon Vriesendorp was producing what would be her New York Series, a collection of paintings illustrating her impressions of the city, the most famous of which is Flagrant Delit, the iconic cover of the 1978 first edition of Delirious New York. The aim of this article is to explore the project The City of the Captive Globe, appearing in Delirious New York as the main illustration of the homonymous text, analysing the pictorial representation of the project while focusing on its story, in order to better understand the pro-cess that led to its drafting, who were the people involved, its meaning and to rise up again the question of its authorship. |
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The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroineRem KoolhaasMadelon VriesendorpDelirious New YorkDrawingAuthorshipIn 1972, still a student, Rem Koolhaas moved to New York with artist and wife Madelon Vriesendorp. Here they started the research that would become the “Appendix: A Fictional Conclusion”, the final section of the book “Delirious New York - A retroactive manifesto for Manhattan”, where Koolhaas combined the ideas from the text to shape a fictional city, The City of the Captive Globe. At the same time, Madelon Vriesendorp was producing what would be her New York Series, a collection of paintings illustrating her impressions of the city, the most famous of which is Flagrant Delit, the iconic cover of the 1978 first edition of Delirious New York. The aim of this article is to explore the project The City of the Captive Globe, appearing in Delirious New York as the main illustration of the homonymous text, analysing the pictorial representation of the project while focusing on its story, in order to better understand the pro-cess that led to its drafting, who were the people involved, its meaning and to rise up again the question of its authorship.CEACT/UAL2022-12-19T16:00:42Z2022-09-01T00:00:00Z2022-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/11144/5707eng2182-4339https://doi.org/10.26619/2182-4339/21.2Billi, RebeccaMalinowski, Sarahinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-11T02:07:34Zoai:repositorio.ual.pt:11144/5707Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:31:23.585042Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
title |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
spellingShingle |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine Billi, Rebecca Rem Koolhaas Madelon Vriesendorp Delirious New York Drawing Authorship |
title_short |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
title_full |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
title_fullStr |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
title_full_unstemmed |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
title_sort |
The lost history of the City of the Captive Globe Project. Architectural myths and a forgotten heroine |
author |
Billi, Rebecca |
author_facet |
Billi, Rebecca Malinowski, Sarah |
author_role |
author |
author2 |
Malinowski, Sarah |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Billi, Rebecca Malinowski, Sarah |
dc.subject.por.fl_str_mv |
Rem Koolhaas Madelon Vriesendorp Delirious New York Drawing Authorship |
topic |
Rem Koolhaas Madelon Vriesendorp Delirious New York Drawing Authorship |
description |
In 1972, still a student, Rem Koolhaas moved to New York with artist and wife Madelon Vriesendorp. Here they started the research that would become the “Appendix: A Fictional Conclusion”, the final section of the book “Delirious New York - A retroactive manifesto for Manhattan”, where Koolhaas combined the ideas from the text to shape a fictional city, The City of the Captive Globe. At the same time, Madelon Vriesendorp was producing what would be her New York Series, a collection of paintings illustrating her impressions of the city, the most famous of which is Flagrant Delit, the iconic cover of the 1978 first edition of Delirious New York. The aim of this article is to explore the project The City of the Captive Globe, appearing in Delirious New York as the main illustration of the homonymous text, analysing the pictorial representation of the project while focusing on its story, in order to better understand the pro-cess that led to its drafting, who were the people involved, its meaning and to rise up again the question of its authorship. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-19T16:00:42Z 2022-09-01T00:00:00Z 2022-09 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/11144/5707 |
url |
http://hdl.handle.net/11144/5707 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2182-4339 https://doi.org/10.26619/2182-4339/21.2 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CEACT/UAL |
publisher.none.fl_str_mv |
CEACT/UAL |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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