Wandering machines: narrativity in generative art
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.7559/citarj.v11i2.664 |
Resumo: | The development of automatic narrative systems has been largely driven by the engineering tendency to anthropomorphize the machine logic so they can ‘tell stories’ similar to how humans do. From the artists’ perspective, however, the experimentation with their media is often more important than the (plausibility of) storytelling, and it often unfolds in non-verbal events that have a potential to generate diverse narratives through experience of the audience. We discuss the emergence of the creative practices that enrich the poetic repertoire of new media art by playfully utilizing the machine flaws, irregularities, errors and systemic technical imperfections thus revealing the human biases and fallacies entangled with technology. One of the implications of these practices is that if the AI research opens up a broader space in which a machine could achieve its own authorial voice, our concept and understanding of the narrative would need to be reconsidered. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Wandering machines: narrativity in generative artThe development of automatic narrative systems has been largely driven by the engineering tendency to anthropomorphize the machine logic so they can ‘tell stories’ similar to how humans do. From the artists’ perspective, however, the experimentation with their media is often more important than the (plausibility of) storytelling, and it often unfolds in non-verbal events that have a potential to generate diverse narratives through experience of the audience. We discuss the emergence of the creative practices that enrich the poetic repertoire of new media art by playfully utilizing the machine flaws, irregularities, errors and systemic technical imperfections thus revealing the human biases and fallacies entangled with technology. One of the implications of these practices is that if the AI research opens up a broader space in which a machine could achieve its own authorial voice, our concept and understanding of the narrative would need to be reconsidered.Universidade Católica Portuguesa2019-05-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v11i2.664oai:ojs.revistas.ucp.pt:article/7334Journal of Science and Technology of the Arts; Vol 11 No 2 (2019): xCoAx 2019; 50-58Journal of Science and Technology of the Arts; v. 11 n. 2 (2019): xCoAx 2019; 50-582183-00881646-979810.7559/citarj.v11i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7334https://doi.org/10.7559/citarj.v11i2.664https://revistas.ucp.pt/index.php/jsta/article/view/7334/7114Copyright (c) 2019 Vladimir Todorovic, Dejan Grbahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTodorovic, VladimirGrba, Dejan2022-09-22T16:19:24Zoai:ojs.revistas.ucp.pt:article/7334Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:04.554212Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Wandering machines: narrativity in generative art |
title |
Wandering machines: narrativity in generative art |
spellingShingle |
Wandering machines: narrativity in generative art Todorovic, Vladimir |
title_short |
Wandering machines: narrativity in generative art |
title_full |
Wandering machines: narrativity in generative art |
title_fullStr |
Wandering machines: narrativity in generative art |
title_full_unstemmed |
Wandering machines: narrativity in generative art |
title_sort |
Wandering machines: narrativity in generative art |
author |
Todorovic, Vladimir |
author_facet |
Todorovic, Vladimir Grba, Dejan |
author_role |
author |
author2 |
Grba, Dejan |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Todorovic, Vladimir Grba, Dejan |
description |
The development of automatic narrative systems has been largely driven by the engineering tendency to anthropomorphize the machine logic so they can ‘tell stories’ similar to how humans do. From the artists’ perspective, however, the experimentation with their media is often more important than the (plausibility of) storytelling, and it often unfolds in non-verbal events that have a potential to generate diverse narratives through experience of the audience. We discuss the emergence of the creative practices that enrich the poetic repertoire of new media art by playfully utilizing the machine flaws, irregularities, errors and systemic technical imperfections thus revealing the human biases and fallacies entangled with technology. One of the implications of these practices is that if the AI research opens up a broader space in which a machine could achieve its own authorial voice, our concept and understanding of the narrative would need to be reconsidered. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-05-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v11i2.664 oai:ojs.revistas.ucp.pt:article/7334 |
url |
https://doi.org/10.7559/citarj.v11i2.664 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7334 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7334 https://doi.org/10.7559/citarj.v11i2.664 https://revistas.ucp.pt/index.php/jsta/article/view/7334/7114 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Vladimir Todorovic, Dejan Grba http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Vladimir Todorovic, Dejan Grba http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 11 No 2 (2019): xCoAx 2019; 50-58 Journal of Science and Technology of the Arts; v. 11 n. 2 (2019): xCoAx 2019; 50-58 2183-0088 1646-9798 10.7559/citarj.v11i2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130457495830528 |