Introductory note—the emergence of Portuguese modernism: contributions to its cultural history

Detalhes bibliográficos
Autor(a) principal: Dix, Steffen
Data de Publicação: 2017
Outros Autores: Silva, Patrícia
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/33464
Resumo: The Spring and Summer of 1915 saw the appearance in Lisbon of the two issues of the modernist magazine Orpheu. Initially intended as a quarterly, the magazine had a short lifespan and, mainly due to financial pressures, the planned third issue failed to be published. In revisiting the historical circumstances of the generation of Orpheu, this special issue of Pessoa Plural is largely driven by a historiographical aim: to reconstruct the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of 'sociography' of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field in Portugal and abroad.
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spelling Introductory note—the emergence of Portuguese modernism: contributions to its cultural historyThe Spring and Summer of 1915 saw the appearance in Lisbon of the two issues of the modernist magazine Orpheu. Initially intended as a quarterly, the magazine had a short lifespan and, mainly due to financial pressures, the planned third issue failed to be published. In revisiting the historical circumstances of the generation of Orpheu, this special issue of Pessoa Plural is largely driven by a historiographical aim: to reconstruct the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of 'sociography' of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field in Portugal and abroad.Veritati - Repositório Institucional da Universidade Católica PortuguesaDix, SteffenSilva, Patrícia2021-06-07T13:25:02Z2017-042017-04-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/33464eng2212-417910.7301/Z0GT5KCJinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:39:08ZPortal AgregadorONG
dc.title.none.fl_str_mv Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
title Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
spellingShingle Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
Dix, Steffen
title_short Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
title_full Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
title_fullStr Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
title_full_unstemmed Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
title_sort Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
author Dix, Steffen
author_facet Dix, Steffen
Silva, Patrícia
author_role author
author2 Silva, Patrícia
author2_role author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Dix, Steffen
Silva, Patrícia
description The Spring and Summer of 1915 saw the appearance in Lisbon of the two issues of the modernist magazine Orpheu. Initially intended as a quarterly, the magazine had a short lifespan and, mainly due to financial pressures, the planned third issue failed to be published. In revisiting the historical circumstances of the generation of Orpheu, this special issue of Pessoa Plural is largely driven by a historiographical aim: to reconstruct the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of 'sociography' of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field in Portugal and abroad.
publishDate 2017
dc.date.none.fl_str_mv 2017-04
2017-04-01T00:00:00Z
2021-06-07T13:25:02Z
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10.7301/Z0GT5KCJ
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