Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/postip.v2i0.1468 |
Resumo: | This paper considers the interpretative approaches to Bach’s violin sonatas presented thus far on the guitar and provides an alternative proposal. It includes a systematic presentation of the main characteristics of transcriptions and recordings, and focuses on its interpretative consequences. The analysis I undertook showed some main strategies: addition of notes, modification of rhythmic values, alterations of the original notes, and fingering options that bring forth a particular articulation. The recurrent approach emphasizes the instrument’s harmonic nature. A strong tendency towards the modification of several aspects of the original was manifest as well as a fundamentally idiomatic perspective. These aspects inspired the search for a different interpretative option that follows Bach’s autograph. The challenges brought forth by an interpretation in a harmonic instrument which maintains the original text for a predominantly melodic instrument were questioned. Articulation became a central element in the research and my interpretative practice, and questions regarding Baroque practice were considered in the light of present knowledge. My work brings together musicological and artistic research, since the interpretations’ analysis and the referred practices were fundament and inspiration for the search for new interpretative fields and the development of aspects somehow neglected in these sonatas’ guitar interpretations. |
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Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na GuitarraThis paper considers the interpretative approaches to Bach’s violin sonatas presented thus far on the guitar and provides an alternative proposal. It includes a systematic presentation of the main characteristics of transcriptions and recordings, and focuses on its interpretative consequences. The analysis I undertook showed some main strategies: addition of notes, modification of rhythmic values, alterations of the original notes, and fingering options that bring forth a particular articulation. The recurrent approach emphasizes the instrument’s harmonic nature. A strong tendency towards the modification of several aspects of the original was manifest as well as a fundamentally idiomatic perspective. These aspects inspired the search for a different interpretative option that follows Bach’s autograph. The challenges brought forth by an interpretation in a harmonic instrument which maintains the original text for a predominantly melodic instrument were questioned. Articulation became a central element in the research and my interpretative practice, and questions regarding Baroque practice were considered in the light of present knowledge. My work brings together musicological and artistic research, since the interpretations’ analysis and the referred practices were fundament and inspiration for the search for new interpretative fields and the development of aspects somehow neglected in these sonatas’ guitar interpretations.Este artigo reflecte sobre as abordagens interpretativas das sonatas para violino de Bach que têm sido desenvolvidas na guitarra e apresenta uma proposta alternativa. Sistematiza as principais características de transcrições e gravações, e realça as suas inferências interpretativas. A análise empreendida mostrou estratégias recorrentes: adição de notas, modificação dos valores rítmicos, alterações às notas originais e opções de dedilhação que potenciam determinada articulação. A abordagem recorrente destas obras na guitarra enfatiza o lado harmónico do instrumento. Notou-se uma forte tendência para a modificação de vários aspectos do original e uma abordagem fundamentalmente idiomática na realização das sonatas. Estes aspectos inspiraram a procura de uma opção interpretativa diferente, que seguisse o autógrafo de Bach.Problematizaram-se desafios colocados a uma interpretação num instrumento harmónico que mantém o texto original para um instrumento predominantemente melódico. A articulação tornouse um elemento central à investigação e à prática interpretativa, e na sua consideração abordaram-se questões respeitantes à prática barroca, à luz do conhecimento actual. O trabalho reúne investigação musicológica e artística, já que a análise das interpretações e das práticas referidas fundamentou e inspirou a procura de novos caminhos interpretativos e o desenvolvimento de aspectos que se têm descurado nas interpretações destas sonatas naguitarra.UA Editora2019-03-29info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/postip.v2i0.1468oai:proa.ua.pt:article/1468Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 2 (2013): Post-ip’13 - Journal of the International Forum for Studies in Music and Dance; 199-211Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 2 (2013): Post-ip'13 - Revista do Fórum Internacional de Estudos em Música e Dança; 199-2112184-6138reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/postip/article/view/1468https://doi.org/10.34624/postip.v2i0.1468https://proa.ua.pt/index.php/postip/article/view/1468/1201Marques, Maria Paulainfo:eu-repo/semantics/openAccess2022-12-21T07:45:35Zoai:proa.ua.pt:article/1468Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:28:39.420209Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
title |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
spellingShingle |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra Marques, Maria Paula |
title_short |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
title_full |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
title_fullStr |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
title_full_unstemmed |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
title_sort |
Bach, Sonatas BWV 1001, 1003, 1005 – Abordagens Interpretativas na Guitarra |
author |
Marques, Maria Paula |
author_facet |
Marques, Maria Paula |
author_role |
author |
dc.contributor.author.fl_str_mv |
Marques, Maria Paula |
description |
This paper considers the interpretative approaches to Bach’s violin sonatas presented thus far on the guitar and provides an alternative proposal. It includes a systematic presentation of the main characteristics of transcriptions and recordings, and focuses on its interpretative consequences. The analysis I undertook showed some main strategies: addition of notes, modification of rhythmic values, alterations of the original notes, and fingering options that bring forth a particular articulation. The recurrent approach emphasizes the instrument’s harmonic nature. A strong tendency towards the modification of several aspects of the original was manifest as well as a fundamentally idiomatic perspective. These aspects inspired the search for a different interpretative option that follows Bach’s autograph. The challenges brought forth by an interpretation in a harmonic instrument which maintains the original text for a predominantly melodic instrument were questioned. Articulation became a central element in the research and my interpretative practice, and questions regarding Baroque practice were considered in the light of present knowledge. My work brings together musicological and artistic research, since the interpretations’ analysis and the referred practices were fundament and inspiration for the search for new interpretative fields and the development of aspects somehow neglected in these sonatas’ guitar interpretations. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-03-29 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/postip.v2i0.1468 oai:proa.ua.pt:article/1468 |
url |
https://doi.org/10.34624/postip.v2i0.1468 |
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oai:proa.ua.pt:article/1468 |
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por |
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por |
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https://proa.ua.pt/index.php/postip/article/view/1468 https://doi.org/10.34624/postip.v2i0.1468 https://proa.ua.pt/index.php/postip/article/view/1468/1201 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora |
publisher.none.fl_str_mv |
UA Editora |
dc.source.none.fl_str_mv |
Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 2 (2013): Post-ip’13 - Journal of the International Forum for Studies in Music and Dance; 199-211 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 2 (2013): Post-ip'13 - Revista do Fórum Internacional de Estudos em Música e Dança; 199-211 2184-6138 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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