Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting

Detalhes bibliográficos
Autor(a) principal: Midões,Miguel
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-31202022000200045
Resumo: Abstract The Portuguese community radios, with their exclusively online presence, enhance new ways of civic participation and a new democracy stage (Dahlgren, 2013; Ferreira, 2012), and assume themselves an ideal place to mobilize people to a common cause. The participation’s intensity is observed by the fact that their programs are being made by their own listeners and regards some subjects that don’t find space in the mainstream radios. Consequently, it reinforces the proximity with the local communities. For instance, each radio program corresponds to a different author, clearly existing diverse contents or subjects, even though we can notice there is an excessive number of musical programs. About the contents, 367 radio programs of these 21 radio projects were analyzed, following a grid made based in the studies of Beaman (2006), Bonini et al. (2014) and Fleming (2009). The 21 online radio projects analyzed mostly present a program grid with the name and time of broadcasting. Online broadcasting occurs in 62% of these stations, the same percentage of projects that makes their programs available in content format. This percentage equals 13 radio projects that allow listening to the programs in streaming (57%) or podcast (19%). Of the 367 analyzed programs, the majority is inside a musical author typology. We can also see a few programs in the categories of radio drama, call-in-phone in, soundscape, sports, and religious.
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spelling Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of PodcastingCommunity radioInternetPodcastingOnline broadcastingAbstract The Portuguese community radios, with their exclusively online presence, enhance new ways of civic participation and a new democracy stage (Dahlgren, 2013; Ferreira, 2012), and assume themselves an ideal place to mobilize people to a common cause. The participation’s intensity is observed by the fact that their programs are being made by their own listeners and regards some subjects that don’t find space in the mainstream radios. Consequently, it reinforces the proximity with the local communities. For instance, each radio program corresponds to a different author, clearly existing diverse contents or subjects, even though we can notice there is an excessive number of musical programs. About the contents, 367 radio programs of these 21 radio projects were analyzed, following a grid made based in the studies of Beaman (2006), Bonini et al. (2014) and Fleming (2009). The 21 online radio projects analyzed mostly present a program grid with the name and time of broadcasting. Online broadcasting occurs in 62% of these stations, the same percentage of projects that makes their programs available in content format. This percentage equals 13 radio projects that allow listening to the programs in streaming (57%) or podcast (19%). Of the 367 analyzed programs, the majority is inside a musical author typology. We can also see a few programs in the categories of radio drama, call-in-phone in, soundscape, sports, and religious.Universidade de Aveiro2022-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-31202022000200045Journal of Digital Media and Interaction v.5 n.13 2022reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-31202022000200045Midões,Miguelinfo:eu-repo/semantics/openAccess2024-02-06T17:32:56Zoai:scielo:S2184-31202022000200045Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:35:27.259894Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
title Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
spellingShingle Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
Midões,Miguel
Community radio
Internet
Podcasting
Online broadcasting
title_short Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
title_full Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
title_fullStr Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
title_full_unstemmed Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
title_sort Portuguese Community Radios on the Internet: Broadcasting Exclusively Online and the High Practice of Podcasting
author Midões,Miguel
author_facet Midões,Miguel
author_role author
dc.contributor.author.fl_str_mv Midões,Miguel
dc.subject.por.fl_str_mv Community radio
Internet
Podcasting
Online broadcasting
topic Community radio
Internet
Podcasting
Online broadcasting
description Abstract The Portuguese community radios, with their exclusively online presence, enhance new ways of civic participation and a new democracy stage (Dahlgren, 2013; Ferreira, 2012), and assume themselves an ideal place to mobilize people to a common cause. The participation’s intensity is observed by the fact that their programs are being made by their own listeners and regards some subjects that don’t find space in the mainstream radios. Consequently, it reinforces the proximity with the local communities. For instance, each radio program corresponds to a different author, clearly existing diverse contents or subjects, even though we can notice there is an excessive number of musical programs. About the contents, 367 radio programs of these 21 radio projects were analyzed, following a grid made based in the studies of Beaman (2006), Bonini et al. (2014) and Fleming (2009). The 21 online radio projects analyzed mostly present a program grid with the name and time of broadcasting. Online broadcasting occurs in 62% of these stations, the same percentage of projects that makes their programs available in content format. This percentage equals 13 radio projects that allow listening to the programs in streaming (57%) or podcast (19%). Of the 367 analyzed programs, the majority is inside a musical author typology. We can also see a few programs in the categories of radio drama, call-in-phone in, soundscape, sports, and religious.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-01
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dc.language.iso.fl_str_mv eng
language eng
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dc.publisher.none.fl_str_mv Universidade de Aveiro
publisher.none.fl_str_mv Universidade de Aveiro
dc.source.none.fl_str_mv Journal of Digital Media and Interaction v.5 n.13 2022
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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