Looking at the (mis)fortunate of others while listening to music
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10071/7716 |
Resumo: | The present study examined whether eye movements when regarding pictures of other people in fortunate (positive) and unfortunate (negative) circumstances are influenced by background music. Sixty-three participants were randomly assigned to three background music conditions (happy music, sad music, or no music) where pairs of negative–positive pictures were shown. Participants’ eye movements were recorded throughout the experiment to assess distinct phases of attentional processes, i.e., initial orienting to, and subsequent engagement with, visual scenes. We found that these attentional processes were not uniformly influenced by the music. The type of background music had no effect on initial visual attention but played a relevant role in guiding subsequent gaze behaviour by maintaining attention in a mood-congruent fashion: sad music enhanced attentional bias to visual images of others in unfortunate circumstances, whereas happy music contributed to longer gazes at images of others in fortunate circumstances. These results support the notion that attention is affected by background music and reflected by gaze behaviour. |
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Looking at the (mis)fortunate of others while listening to musicEmotionsEye movementsIntermodal perceptionMusicVisual attentionThe present study examined whether eye movements when regarding pictures of other people in fortunate (positive) and unfortunate (negative) circumstances are influenced by background music. Sixty-three participants were randomly assigned to three background music conditions (happy music, sad music, or no music) where pairs of negative–positive pictures were shown. Participants’ eye movements were recorded throughout the experiment to assess distinct phases of attentional processes, i.e., initial orienting to, and subsequent engagement with, visual scenes. We found that these attentional processes were not uniformly influenced by the music. The type of background music had no effect on initial visual attention but played a relevant role in guiding subsequent gaze behaviour by maintaining attention in a mood-congruent fashion: sad music enhanced attentional bias to visual images of others in unfortunate circumstances, whereas happy music contributed to longer gazes at images of others in fortunate circumstances. These results support the notion that attention is affected by background music and reflected by gaze behaviour.SAGE Publications2014-08-27T15:32:55Z2014-01-01T00:00:00Z20142019-05-20T16:19:22Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttp://hdl.handle.net/10071/7716eng0305-735610.1177/0305735612466166Arriaga, P.Esteves, F.Feddes, A. R.info:eu-repo/semantics/embargoedAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-09T17:58:20Zoai:repositorio.iscte-iul.pt:10071/7716Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:30:20.325257Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Looking at the (mis)fortunate of others while listening to music |
title |
Looking at the (mis)fortunate of others while listening to music |
spellingShingle |
Looking at the (mis)fortunate of others while listening to music Arriaga, P. Emotions Eye movements Intermodal perception Music Visual attention |
title_short |
Looking at the (mis)fortunate of others while listening to music |
title_full |
Looking at the (mis)fortunate of others while listening to music |
title_fullStr |
Looking at the (mis)fortunate of others while listening to music |
title_full_unstemmed |
Looking at the (mis)fortunate of others while listening to music |
title_sort |
Looking at the (mis)fortunate of others while listening to music |
author |
Arriaga, P. |
author_facet |
Arriaga, P. Esteves, F. Feddes, A. R. |
author_role |
author |
author2 |
Esteves, F. Feddes, A. R. |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Arriaga, P. Esteves, F. Feddes, A. R. |
dc.subject.por.fl_str_mv |
Emotions Eye movements Intermodal perception Music Visual attention |
topic |
Emotions Eye movements Intermodal perception Music Visual attention |
description |
The present study examined whether eye movements when regarding pictures of other people in fortunate (positive) and unfortunate (negative) circumstances are influenced by background music. Sixty-three participants were randomly assigned to three background music conditions (happy music, sad music, or no music) where pairs of negative–positive pictures were shown. Participants’ eye movements were recorded throughout the experiment to assess distinct phases of attentional processes, i.e., initial orienting to, and subsequent engagement with, visual scenes. We found that these attentional processes were not uniformly influenced by the music. The type of background music had no effect on initial visual attention but played a relevant role in guiding subsequent gaze behaviour by maintaining attention in a mood-congruent fashion: sad music enhanced attentional bias to visual images of others in unfortunate circumstances, whereas happy music contributed to longer gazes at images of others in fortunate circumstances. These results support the notion that attention is affected by background music and reflected by gaze behaviour. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-08-27T15:32:55Z 2014-01-01T00:00:00Z 2014 2019-05-20T16:19:22Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/7716 |
url |
http://hdl.handle.net/10071/7716 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
0305-7356 10.1177/0305735612466166 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/embargoedAccess |
eu_rights_str_mv |
embargoedAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
SAGE Publications |
publisher.none.fl_str_mv |
SAGE Publications |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799134865266835456 |