Graffiti, street art and copyright
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v4i1.123 |
Resumo: | This short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers. |
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Graffiti, street art and copyrightThis short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers.AP22018-12-02info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.25765/sauc.v4i1.123https://doi.org/10.25765/sauc.v4i1.123SAUC - Street Art and Urban Creativity; Vol 4 No 1 (2018): Changing times: Tactics; 76 - 812183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/123https://journals.ap2.pt/index.php/sauc/article/view/123/80Bonadio, Enricoinfo:eu-repo/semantics/openAccess2024-01-26T14:15:34Zoai:journals.ap2.pt:article/123Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:48.823520Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Graffiti, street art and copyright |
title |
Graffiti, street art and copyright |
spellingShingle |
Graffiti, street art and copyright Bonadio, Enrico |
title_short |
Graffiti, street art and copyright |
title_full |
Graffiti, street art and copyright |
title_fullStr |
Graffiti, street art and copyright |
title_full_unstemmed |
Graffiti, street art and copyright |
title_sort |
Graffiti, street art and copyright |
author |
Bonadio, Enrico |
author_facet |
Bonadio, Enrico |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bonadio, Enrico |
description |
This short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-02 |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v4i1.123 https://doi.org/10.25765/sauc.v4i1.123 |
url |
https://doi.org/10.25765/sauc.v4i1.123 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/123 https://journals.ap2.pt/index.php/sauc/article/view/123/80 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
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AP2 |
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AP2 |
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SAUC - Street Art and Urban Creativity; Vol 4 No 1 (2018): Changing times: Tactics; 76 - 81 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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