Graffiti, street art and copyright

Detalhes bibliográficos
Autor(a) principal: Bonadio, Enrico
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v4i1.123
Resumo: This short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers.
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spelling Graffiti, street art and copyrightThis short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers.AP22018-12-02info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.25765/sauc.v4i1.123https://doi.org/10.25765/sauc.v4i1.123SAUC - Street Art and Urban Creativity; Vol 4 No 1 (2018): Changing times: Tactics; 76 - 812183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/123https://journals.ap2.pt/index.php/sauc/article/view/123/80Bonadio, Enricoinfo:eu-repo/semantics/openAccess2024-01-26T14:15:34Zoai:journals.ap2.pt:article/123Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:48.823520Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Graffiti, street art and copyright
title Graffiti, street art and copyright
spellingShingle Graffiti, street art and copyright
Bonadio, Enrico
title_short Graffiti, street art and copyright
title_full Graffiti, street art and copyright
title_fullStr Graffiti, street art and copyright
title_full_unstemmed Graffiti, street art and copyright
title_sort Graffiti, street art and copyright
author Bonadio, Enrico
author_facet Bonadio, Enrico
author_role author
dc.contributor.author.fl_str_mv Bonadio, Enrico
description This short note examines whether street and gra ti art can and should be protected by copyright. Indeed, cases where corpo- rations have used these forms of art to promote their products are increasingly common, which shows that these artworks are particularly vulnerable to misappropriation. In addition to expanding on whether tags and throw-ups can be considered original enough to attract copyright, I will focus on whether unsanctioned street and gra ti art deserve such legal protection and in general on artists and writers’ attitude towards copyright. The note also draws from semi-structured interviews I’ve recently conducted with several street artists and writers.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-02
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