When space becomes art
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.22/10666 |
Resumo: | Peter Brook claims that a space shared by the “emitter” and “receptor” is an intrinsic element of artistic interaction. We can therefore argue that actions taking place in public spaces are performed according to shared rules within a known set of expectations. There is always an interchange of roles between the “emitter” (or performer; the promoter of the action) and the “receptor” (or spectator; the witness of the action). This interchange is crucial to the creation of a symbolic system. It follows therefore that all kinds of space are – potentially – scenic spaces. It is worth mentioning that it was not until Richard Wagner insisted on turning off the lights in the auditorium that the stage became a “solo” space. Until then, theatre architecture included the audience in the event of the play. |
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When space becomes artPerforming artsSite specificScenic spacesPeter Brook claims that a space shared by the “emitter” and “receptor” is an intrinsic element of artistic interaction. We can therefore argue that actions taking place in public spaces are performed according to shared rules within a known set of expectations. There is always an interchange of roles between the “emitter” (or performer; the promoter of the action) and the “receptor” (or spectator; the witness of the action). This interchange is crucial to the creation of a symbolic system. It follows therefore that all kinds of space are – potentially – scenic spaces. It is worth mentioning that it was not until Richard Wagner insisted on turning off the lights in the auditorium that the stage became a “solo” space. Until then, theatre architecture included the audience in the event of the play.Lietuvos musikos ir teatro akdemiaRepositório Científico do Instituto Politécnico do PortoMarisa, Cláudia2017-12-27T15:57:59Z20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.22/10666eng978-609-8071-24-5metadata only accessinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-13T12:52:12Zoai:recipp.ipp.pt:10400.22/10666Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:31:04.243079Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
When space becomes art |
title |
When space becomes art |
spellingShingle |
When space becomes art Marisa, Cláudia Performing arts Site specific Scenic spaces |
title_short |
When space becomes art |
title_full |
When space becomes art |
title_fullStr |
When space becomes art |
title_full_unstemmed |
When space becomes art |
title_sort |
When space becomes art |
author |
Marisa, Cláudia |
author_facet |
Marisa, Cláudia |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Científico do Instituto Politécnico do Porto |
dc.contributor.author.fl_str_mv |
Marisa, Cláudia |
dc.subject.por.fl_str_mv |
Performing arts Site specific Scenic spaces |
topic |
Performing arts Site specific Scenic spaces |
description |
Peter Brook claims that a space shared by the “emitter” and “receptor” is an intrinsic element of artistic interaction. We can therefore argue that actions taking place in public spaces are performed according to shared rules within a known set of expectations. There is always an interchange of roles between the “emitter” (or performer; the promoter of the action) and the “receptor” (or spectator; the witness of the action). This interchange is crucial to the creation of a symbolic system. It follows therefore that all kinds of space are – potentially – scenic spaces. It is worth mentioning that it was not until Richard Wagner insisted on turning off the lights in the auditorium that the stage became a “solo” space. Until then, theatre architecture included the audience in the event of the play. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016 2016-01-01T00:00:00Z 2017-12-27T15:57:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.22/10666 |
url |
http://hdl.handle.net/10400.22/10666 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
978-609-8071-24-5 |
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metadata only access info:eu-repo/semantics/openAccess |
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metadata only access |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Lietuvos musikos ir teatro akdemia |
publisher.none.fl_str_mv |
Lietuvos musikos ir teatro akdemia |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799131406442430464 |