Esboço: a procura da forma no design

• Autor(a) principal: Monteiro, Maria Sarreira Ferrão
• Data de Publicação: 2019
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/40699
• topic: Buonarroti, Michel Angelo, 1475-1564; Watteau, Antoine, 1684-1721; Constable, John, 1776-1837; Leonardo, da Vinci, 1452-1519; Lancrenon, Joseph Ferdinand, 1794-1874; Matisse, Henri, 1869-1954; Gauguin, Paul, 1848-1903; Breuer, Marcel, 1902-1981; Van der Rohe, Ludwig Mies, 1886-1969; Boulton, Mattew, 1728-1809; Klee, Paul, 1879-1940; Prouvé, Jean, 1901-1984; Picasso, Pablo, 1881-1973; Mondrian, Piet, 1872-1944; Aalto, Alvar, 1898-1976; Kandinsky, Wassily, 1866-1944; Desenho; Esboços; Design; Forma; Gesto; Domínio/Área Científica::Humanidades::Artes

The central subject of this work is how the drawing can be fundamental and crucial as a tool for product and service development in design. The work starts with a historical analysis of the drawing theory to achieve a clear view of how sketch and drawing can stimulate creativity. This work passes through three stages. First, a historical review where is investigated the drawing as a project aid; the unique value of him; and also the differences and resemblances between sketch and drawing. Secondly, the contemporary utility given to him in the design world, where the concept of design is defined; the way drawing entered in the fine arts landscape; and the primordial functions of the drawing in the creative process used by the designer to create. Third, the elaboration of a graphic exploitation of three objects, that puts in practice some of the investigated theoretical questions, such as the use of the sketch in the first phase of a project – Discovery – when the record is as ambiguous as the own concept; and the achievement of the total definition of a project only using drawing. Based on the theoretical investigation and in the practical exploration is possible to claim that the sketch helps to define the problematic of the issues proposed to the designer and that the drawing defines the solution. In other words, the drawing provides the discovery of new forms and meanings that can result in an innovative object. The practical project revealed the possibility of drawing and sketching the same three objects with countless approaches with only one starting point. The movement and gesture were the fundamental elements to make that happen. It can confirm that the drawing benefits from a personal language, expressed by point and line. The necessary information used to the elaboration of this investigation can be found in the bibliographical list at the end of the work. All the information was analyzed and filtered to guaranteed the veracity of the work.