Natureza morta em Eduardo Viana

Detalhes bibliográficos
Autor(a) principal: Caseirão, Armando Jorge, 1961-
Data de Publicação: 2000
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/15741
Resumo: The present essay pretends to be a contribution to the works of Eduardo Viana, who dedicated most of his life to the painting of still-life genre. In this sense, we originally pretend to find the genesis of the word and know its course in Portuguese artistic environment. Viana played a decisive roll in national modernism, in spite of living abroad for 25 years. When he finally returned home, persecuted by the Second World War, he exclusively dedicated himself to still-life painting, having been rewarded with several prizes. The analysis of the Portuguese and European environment and the artist’s life were essential for the study of its deeds. Here we present those who knew him closely, his Portuguese and foreigner friends as well as those who, directly or indirectly, exerted some influence in his work, with the analysis, comparison and dissection of it’s work
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spelling Natureza morta em Eduardo VianaViana, Eduardo, 1881-1967Teoria da artePinturaNatureza mortaThe present essay pretends to be a contribution to the works of Eduardo Viana, who dedicated most of his life to the painting of still-life genre. In this sense, we originally pretend to find the genesis of the word and know its course in Portuguese artistic environment. Viana played a decisive roll in national modernism, in spite of living abroad for 25 years. When he finally returned home, persecuted by the Second World War, he exclusively dedicated himself to still-life painting, having been rewarded with several prizes. The analysis of the Portuguese and European environment and the artist’s life were essential for the study of its deeds. Here we present those who knew him closely, his Portuguese and foreigner friends as well as those who, directly or indirectly, exerted some influence in his work, with the analysis, comparison and dissection of it’s workCalado, Margarida, 1947-Repositório da Universidade de LisboaCaseirão, Armando Jorge, 1961-2015-01-15T18:29:08Z200020152000-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/15741porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:02:31Zoai:repositorio.ul.pt:10451/15741Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:37:04.885877Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Natureza morta em Eduardo Viana
title Natureza morta em Eduardo Viana
spellingShingle Natureza morta em Eduardo Viana
Caseirão, Armando Jorge, 1961-
Viana, Eduardo, 1881-1967
Teoria da arte
Pintura
Natureza morta
title_short Natureza morta em Eduardo Viana
title_full Natureza morta em Eduardo Viana
title_fullStr Natureza morta em Eduardo Viana
title_full_unstemmed Natureza morta em Eduardo Viana
title_sort Natureza morta em Eduardo Viana
author Caseirão, Armando Jorge, 1961-
author_facet Caseirão, Armando Jorge, 1961-
author_role author
dc.contributor.none.fl_str_mv Calado, Margarida, 1947-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Caseirão, Armando Jorge, 1961-
dc.subject.por.fl_str_mv Viana, Eduardo, 1881-1967
Teoria da arte
Pintura
Natureza morta
topic Viana, Eduardo, 1881-1967
Teoria da arte
Pintura
Natureza morta
description The present essay pretends to be a contribution to the works of Eduardo Viana, who dedicated most of his life to the painting of still-life genre. In this sense, we originally pretend to find the genesis of the word and know its course in Portuguese artistic environment. Viana played a decisive roll in national modernism, in spite of living abroad for 25 years. When he finally returned home, persecuted by the Second World War, he exclusively dedicated himself to still-life painting, having been rewarded with several prizes. The analysis of the Portuguese and European environment and the artist’s life were essential for the study of its deeds. Here we present those who knew him closely, his Portuguese and foreigner friends as well as those who, directly or indirectly, exerted some influence in his work, with the analysis, comparison and dissection of it’s work
publishDate 2000
dc.date.none.fl_str_mv 2000
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