Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Anamorphosis (Porto Alegre) |
Texto Completo: | https://periodicos.rdl.org.br/anamps/article/view/321 |
Resumo: | This article aims at problematizing what the fictional legal discourse in the literary narrative Senhora reveals about the apparent empowerment of Aurelia Camargo, who is, in a tense relation of subjection, the protagonist of the novel, a female subject of law and language. To do so, it is necessary to identify elements of legal discourse existing in the novel through the legal institutes and the gender roles in force at the time José de Alencar lived. The study uses hermeneutics and discourse analysis in a phenomenological and epistemological method. As a theoretical framework, the article is based on the relation that Foucault established between discourse and power and the premise that the legal and literary phenomena constitute fictional discourses, from the Theories of the Imaginary and of Poiesis / Poetics of Law, as well as the Law and Literature movement, under the theoretical postulates of Guerra Filho, Cantarini and Trindade, in addition to Bakhtin’s contributions. It concludes by recognizing a juridical discourse in the novel Senhora, with a strong patrimonialist and patriarchist bias, which unveils expectations of behavior of the 19th century society. In addition, it demonstrates the protagonist as a female subject of law and language, whose constitution in these categories occurs from a male perspective with frustrated female empowerment. |
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Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de AlencarAurélia Camargo: sujeito feminino de direito e de linguagem – o discurso jurídico em “Senhora”, de José de Alencarlaw and literatureimaginary theory of lawpoetic theory of lawJosé de Alencar.direito e literaturateoria imaginária do direitoteoria poética do direitoJosé de Alencar.This article aims at problematizing what the fictional legal discourse in the literary narrative Senhora reveals about the apparent empowerment of Aurelia Camargo, who is, in a tense relation of subjection, the protagonist of the novel, a female subject of law and language. To do so, it is necessary to identify elements of legal discourse existing in the novel through the legal institutes and the gender roles in force at the time José de Alencar lived. The study uses hermeneutics and discourse analysis in a phenomenological and epistemological method. As a theoretical framework, the article is based on the relation that Foucault established between discourse and power and the premise that the legal and literary phenomena constitute fictional discourses, from the Theories of the Imaginary and of Poiesis / Poetics of Law, as well as the Law and Literature movement, under the theoretical postulates of Guerra Filho, Cantarini and Trindade, in addition to Bakhtin’s contributions. It concludes by recognizing a juridical discourse in the novel Senhora, with a strong patrimonialist and patriarchist bias, which unveils expectations of behavior of the 19th century society. In addition, it demonstrates the protagonist as a female subject of law and language, whose constitution in these categories occurs from a male perspective with frustrated female empowerment.O presente artigo tem por objetivo problematizar o que o discurso jurídico ficcional na narrativa literária de Senhora desvela sobre o aparente empoderamento de Aurélia Camargo, que se constitui, em tensa relação de assujeitamento, como protagonista do romance, em sujeito feminino de direito e de linguagem. Para tanto, será necessário identificar elementos de discurso jurídico existentes no romance por meio dos institutos jurídicos e os papéis de gênero vigentes à época em que viveu José de Alencar. Utilizará a hermenêutica e a análise do discurso, numa matriz epistemológica fenomenológica. Terá como marco teórico a relação que Foucault estabelece entre discurso e poder e a premissa de que os fenômenos jurídico e literário se constituem como discursos ficcionais, a partir das Teorias Imaginária e Po(i)ética do Direito e do Movimento Direito e Literatura, sob os postulados teóricos de Guerra Filho, Cantarini e Trindade, além de contribuições de Bakthin. Conclui pelo reconhecimento de um discurso jurídico no romance Senhora, de viés patrimonialista e patriarcalista, que desvela expectativas de comportamento da sociedade oitocentista. Além disso, demonstra a protagonista enquanto sujeito feminino de direito e de linguagem, cuja constituição nessas categorias ocorre sob uma perspectiva masculina e de empoderamento frustrado.Rede Brasileira Direito e Literatura (RDL)2017-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdfapplication/xmlhttps://periodicos.rdl.org.br/anamps/article/view/32110.21119/anamps.32.519-544ANAMORPHOSIS - International Journal of Law and Literature; Vol. 3 No. 2 (2017): julho-dezembro; 519-544ANAMORPHOSIS – Revista Internacional de Derecho y Literatura; Vol. 3 Núm. 2 (2017): julho-dezembro; 519-544ANAMORPHOSIS – Revue internationale de droit et littérature; Vol. 3 No 2 (2017): julho-dezembro; 519-544ANAMORPHOSIS - Rivista Internazionale di Diritto e Letteratura; V. 3 N. 2 (2017): julho-dezembro; 519-544ANAMORPHOSIS - Revista Internacional de Direito e Literatura; v. 3 n. 2 (2017): julho-dezembro; 519-5442446-80882446-808810.21119/anamps.32.2017reponame:Anamorphosis (Porto Alegre)instname:Rede Brasileira Direito e Literatura (RDL)instacron:RDLporenghttps://periodicos.rdl.org.br/anamps/article/view/321/pdfhttps://periodicos.rdl.org.br/anamps/article/view/321/pdf_1https://periodicos.rdl.org.br/anamps/article/view/321/xmlCopyright (c) 2017 ANAMORPHOSIS - Revista Internacional de Direito e Literaturainfo:eu-repo/semantics/openAccessRosário, Luana Paixão DantasOliveira, João Mateus Silva Fagundes2020-05-12T14:47:03Zoai:ojs.emnuvens.com.br:article/321Revistahttp://rdl.org.br/seer/index.php/anampsONGhttps://periodicos.rdl.org.br/anamps/oairevista@rdl.org.br||henriete@rdl.org.br2446-80882446-8088opendoar:2020-05-12T14:47:03Anamorphosis (Porto Alegre) - Rede Brasileira Direito e Literatura (RDL)false |
dc.title.none.fl_str_mv |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar Aurélia Camargo: sujeito feminino de direito e de linguagem – o discurso jurídico em “Senhora”, de José de Alencar |
title |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
spellingShingle |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar Rosário, Luana Paixão Dantas law and literature imaginary theory of law poetic theory of law José de Alencar. direito e literatura teoria imaginária do direito teoria poética do direito José de Alencar. |
title_short |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
title_full |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
title_fullStr |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
title_full_unstemmed |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
title_sort |
Aurelia Camargo: a female subject of law and language – the legal speech in the novel "Senhora", by Jose de Alencar |
author |
Rosário, Luana Paixão Dantas |
author_facet |
Rosário, Luana Paixão Dantas Oliveira, João Mateus Silva Fagundes |
author_role |
author |
author2 |
Oliveira, João Mateus Silva Fagundes |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Rosário, Luana Paixão Dantas Oliveira, João Mateus Silva Fagundes |
dc.subject.por.fl_str_mv |
law and literature imaginary theory of law poetic theory of law José de Alencar. direito e literatura teoria imaginária do direito teoria poética do direito José de Alencar. |
topic |
law and literature imaginary theory of law poetic theory of law José de Alencar. direito e literatura teoria imaginária do direito teoria poética do direito José de Alencar. |
description |
This article aims at problematizing what the fictional legal discourse in the literary narrative Senhora reveals about the apparent empowerment of Aurelia Camargo, who is, in a tense relation of subjection, the protagonist of the novel, a female subject of law and language. To do so, it is necessary to identify elements of legal discourse existing in the novel through the legal institutes and the gender roles in force at the time José de Alencar lived. The study uses hermeneutics and discourse analysis in a phenomenological and epistemological method. As a theoretical framework, the article is based on the relation that Foucault established between discourse and power and the premise that the legal and literary phenomena constitute fictional discourses, from the Theories of the Imaginary and of Poiesis / Poetics of Law, as well as the Law and Literature movement, under the theoretical postulates of Guerra Filho, Cantarini and Trindade, in addition to Bakhtin’s contributions. It concludes by recognizing a juridical discourse in the novel Senhora, with a strong patrimonialist and patriarchist bias, which unveils expectations of behavior of the 19th century society. In addition, it demonstrates the protagonist as a female subject of law and language, whose constitution in these categories occurs from a male perspective with frustrated female empowerment. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.rdl.org.br/anamps/article/view/321 10.21119/anamps.32.519-544 |
url |
https://periodicos.rdl.org.br/anamps/article/view/321 |
identifier_str_mv |
10.21119/anamps.32.519-544 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.rdl.org.br/anamps/article/view/321/pdf https://periodicos.rdl.org.br/anamps/article/view/321/pdf_1 https://periodicos.rdl.org.br/anamps/article/view/321/xml |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 ANAMORPHOSIS - Revista Internacional de Direito e Literatura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 ANAMORPHOSIS - Revista Internacional de Direito e Literatura |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf application/xml |
dc.publisher.none.fl_str_mv |
Rede Brasileira Direito e Literatura (RDL) |
publisher.none.fl_str_mv |
Rede Brasileira Direito e Literatura (RDL) |
dc.source.none.fl_str_mv |
ANAMORPHOSIS - International Journal of Law and Literature; Vol. 3 No. 2 (2017): julho-dezembro; 519-544 ANAMORPHOSIS – Revista Internacional de Derecho y Literatura; Vol. 3 Núm. 2 (2017): julho-dezembro; 519-544 ANAMORPHOSIS – Revue internationale de droit et littérature; Vol. 3 No 2 (2017): julho-dezembro; 519-544 ANAMORPHOSIS - Rivista Internazionale di Diritto e Letteratura; V. 3 N. 2 (2017): julho-dezembro; 519-544 ANAMORPHOSIS - Revista Internacional de Direito e Literatura; v. 3 n. 2 (2017): julho-dezembro; 519-544 2446-8088 2446-8088 10.21119/anamps.32.2017 reponame:Anamorphosis (Porto Alegre) instname:Rede Brasileira Direito e Literatura (RDL) instacron:RDL |
instname_str |
Rede Brasileira Direito e Literatura (RDL) |
instacron_str |
RDL |
institution |
RDL |
reponame_str |
Anamorphosis (Porto Alegre) |
collection |
Anamorphosis (Porto Alegre) |
repository.name.fl_str_mv |
Anamorphosis (Porto Alegre) - Rede Brasileira Direito e Literatura (RDL) |
repository.mail.fl_str_mv |
revista@rdl.org.br||henriete@rdl.org.br |
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1809209865796583424 |