Martial Eros in Leucippe and Clitophon by Achilles Tatius

Detalhes bibliográficos
Autor(a) principal: Sano, Lucia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
Texto Completo: https://revista.classica.org.br/classica/article/view/1017
Resumo: Leucippe and Clitotophon by Achilles Tatius is the only one of the five Greek ideal novels narrated in first person, and it presents a unique development of the topic of the genre. As a result, it often borders on subversion or parody of its commonplaces. In the characters’ speech, Eros and Aphrodite, divine figures who play a capital role in the other novels, become little more than allegories of emotions and desires. In this context, with sophisticated literary allusion, Achilles Tatius explores images of the erotic elegy’s militia amoris, turning them into elements of his novelistic narrative. This article seeks to analyze his representation of Eros, specifically the god’s martial characterization in some passages, which emphasizes the representation of the hero Clitophon himself as somewhat parodic of the male protagonist of the Greek ideal novel.
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spelling Martial Eros in Leucippe and Clitophon by Achilles TatiusEros marcial em Leucipe e Clitofonte, de Aquiles TácioGreek novel Achilles Tatius Eros militia amorisRomance gregoAquiles TácioErosmilitia amorisLeucippe and Clitotophon by Achilles Tatius is the only one of the five Greek ideal novels narrated in first person, and it presents a unique development of the topic of the genre. As a result, it often borders on subversion or parody of its commonplaces. In the characters’ speech, Eros and Aphrodite, divine figures who play a capital role in the other novels, become little more than allegories of emotions and desires. In this context, with sophisticated literary allusion, Achilles Tatius explores images of the erotic elegy’s militia amoris, turning them into elements of his novelistic narrative. This article seeks to analyze his representation of Eros, specifically the god’s martial characterization in some passages, which emphasizes the representation of the hero Clitophon himself as somewhat parodic of the male protagonist of the Greek ideal novel.Único dos cinco romances de amor narrado em primeira pessoa, Leucipe e Clitofonte de Aquiles Tácio apresenta um desenvolvimento ímpar da tópica do gênero, que diversas vezes beira a subversão ou a paródia dos seus lugares-comuns. Na boca dos personagens, Eros e Afrodite, figuras divinas tão importantes em outros romances, são pouco mais do que alegorias de emoções e desejos. Nesse contexto, com sofisticada alusão literária, Aquiles Tácio explora imagens da militia amoris, tomando-as da elegia erótica e tornando-as romanescas. Este artigo procura analisar a representação de Eros no romance, especificamente a caracterização marcial do deus em algumas passagens da narrativa, que enfatiza a representação do próprio herói Clitofonte como algo paródica do protagonista masculino dos romances de amor.Sociedade Brasileira de Estudos Clássicos (SBEC)2022-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.classica.org.br/classica/article/view/101710.24277/classicaj.35.2022.1017Classica; Vol. 35 No. 2 (2022): Publicação contínua; 1-11Classica - Revista Brasileira de Estudos Clássicos; v. 35 n. 2 (2022): Publicação contínua; 1-112176-64360103-431610.24277/classica.v35i2reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECporhttps://revista.classica.org.br/classica/article/view/1017/1016https://revista.classica.org.br/classica/article/view/1017/1033Copyright (c) 2022 Lucia Sanohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSano, Lucia2023-03-07T11:43:32Zoai:oai.classica.emnuvens.com.br:article/1017Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2023-03-07T11:43:32Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false
dc.title.none.fl_str_mv Martial Eros in Leucippe and Clitophon by Achilles Tatius
Eros marcial em Leucipe e Clitofonte, de Aquiles Tácio
title Martial Eros in Leucippe and Clitophon by Achilles Tatius
spellingShingle Martial Eros in Leucippe and Clitophon by Achilles Tatius
Sano, Lucia
Greek novel
Achilles Tatius
Eros
militia amoris
Romance grego
Aquiles Tácio
Eros
militia amoris
title_short Martial Eros in Leucippe and Clitophon by Achilles Tatius
title_full Martial Eros in Leucippe and Clitophon by Achilles Tatius
title_fullStr Martial Eros in Leucippe and Clitophon by Achilles Tatius
title_full_unstemmed Martial Eros in Leucippe and Clitophon by Achilles Tatius
title_sort Martial Eros in Leucippe and Clitophon by Achilles Tatius
author Sano, Lucia
author_facet Sano, Lucia
author_role author
dc.contributor.author.fl_str_mv Sano, Lucia
dc.subject.por.fl_str_mv Greek novel
Achilles Tatius
Eros
militia amoris
Romance grego
Aquiles Tácio
Eros
militia amoris
topic Greek novel
Achilles Tatius
Eros
militia amoris
Romance grego
Aquiles Tácio
Eros
militia amoris
description Leucippe and Clitotophon by Achilles Tatius is the only one of the five Greek ideal novels narrated in first person, and it presents a unique development of the topic of the genre. As a result, it often borders on subversion or parody of its commonplaces. In the characters’ speech, Eros and Aphrodite, divine figures who play a capital role in the other novels, become little more than allegories of emotions and desires. In this context, with sophisticated literary allusion, Achilles Tatius explores images of the erotic elegy’s militia amoris, turning them into elements of his novelistic narrative. This article seeks to analyze his representation of Eros, specifically the god’s martial characterization in some passages, which emphasizes the representation of the hero Clitophon himself as somewhat parodic of the male protagonist of the Greek ideal novel.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revista.classica.org.br/classica/article/view/1017
10.24277/classicaj.35.2022.1017
url https://revista.classica.org.br/classica/article/view/1017
identifier_str_mv 10.24277/classicaj.35.2022.1017
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revista.classica.org.br/classica/article/view/1017/1016
https://revista.classica.org.br/classica/article/view/1017/1033
dc.rights.driver.fl_str_mv Copyright (c) 2022 Lucia Sano
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Lucia Sano
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
dc.source.none.fl_str_mv Classica; Vol. 35 No. 2 (2022): Publicação contínua; 1-11
Classica - Revista Brasileira de Estudos Clássicos; v. 35 n. 2 (2022): Publicação contínua; 1-11
2176-6436
0103-4316
10.24277/classica.v35i2
reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)
instname:Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron:SBEC
instname_str Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron_str SBEC
institution SBEC
reponame_str Classica (Sociedade Brasileira de Estudos Clássicos. Online)
collection Classica (Sociedade Brasileira de Estudos Clássicos. Online)
repository.name.fl_str_mv Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)
repository.mail.fl_str_mv editor@classica.org.br||revistaclassica@classica.org.br
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