The infanticide in the light of emotions in Euripides’ Medea

Detalhes bibliográficos
Autor(a) principal: Portansky, Thais
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
Texto Completo: https://revista.classica.org.br/classica/article/view/1047
Resumo: This article discusses the infanticide committed by Medea in Euripides’ homonymous play considering the representation of the character’s emotions throughout the plot. Moments before the filicide, Medea utters a monologue in which she debates whether to proceed with the act or spare the lives of her children (1021-80). This critical moment in the play has already been read as the emblem of the split between reason (βούλευμα) and emotion (θυμός) that would permeate this Euripidean tragedy. However, to understand what moves Medea to commit infanticide, it is necessary to analyze her speeches. Thus, based on the Aristotelian approach to the emotions and the work of David Konstan (2006), it is argued that, instead of being taken by rage, Medea becomes convinced that the death of her children is necessary to repair the injustice and damage that Jason inflicts on her by breaking the φιλία once established by their wedding.
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spelling The infanticide in the light of emotions in Euripides’ MedeaO infanticídio à luz das emoções na Medeia de Eurípidesinfanticide; emotions; anger; hatred; Medea; Euripides.infanticídio; emoções; raiva; ódio; Medeia; Eurípides.This article discusses the infanticide committed by Medea in Euripides’ homonymous play considering the representation of the character’s emotions throughout the plot. Moments before the filicide, Medea utters a monologue in which she debates whether to proceed with the act or spare the lives of her children (1021-80). This critical moment in the play has already been read as the emblem of the split between reason (βούλευμα) and emotion (θυμός) that would permeate this Euripidean tragedy. However, to understand what moves Medea to commit infanticide, it is necessary to analyze her speeches. Thus, based on the Aristotelian approach to the emotions and the work of David Konstan (2006), it is argued that, instead of being taken by rage, Medea becomes convinced that the death of her children is necessary to repair the injustice and damage that Jason inflicts on her by breaking the φιλία once established by their wedding.Neste artigo, discute-se o infanticídio cometido por Medeia na peça homônima de Eurípides a partir da representação das emoções da personagem ao longo da trama. Momentos antes do filicídio, Medeia profere um monólogo em que debate se deve prosseguir com o ato ou poupar a vida de seus filhos (1021-80). Esse momento crítico da peça já foi lido como o emblema da cisão entre razão (βούλευμα) e emoção (θυμός) que perpassaria a tragédia euripidiana. Entretanto, para compreender o que move Medeia a cometer infanticídio é necessário se ater aos seus discursos. Desse modo, com base na abordagem aristotélica das emoções e no trabalho de David Konstan (2006), argumenta-se que, em vez de ser tomada pela raiva, Medeia convence-se de que a morte de seus filhos é necessária a fim de reparar a injustiça e o dano que Jasão lhe inflige ao quebrar a φιλία outrora estabelecida pelo seu casamento.Sociedade Brasileira de Estudos Clássicos (SBEC)2023-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.classica.org.br/classica/article/view/104710.24277/classica.v36.2023.1047Classica; Vol. 36 (2023): Publicação contínua; 1-18Classica - Revista Brasileira de Estudos Clássicos; v. 36 (2023): Publicação contínua; 1-182176-64360103-431610.24277/classicaj.36.2023reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECporhttps://revista.classica.org.br/classica/article/view/1047/1089https://revista.classica.org.br/classica/article/view/1047/1128Copyright (c) 2023 Thais Portanskyhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPortansky, Thais2023-12-21T12:12:02Zoai:oai.classica.emnuvens.com.br:article/1047Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2023-12-21T12:12:02Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false
dc.title.none.fl_str_mv The infanticide in the light of emotions in Euripides’ Medea
O infanticídio à luz das emoções na Medeia de Eurípides
title The infanticide in the light of emotions in Euripides’ Medea
spellingShingle The infanticide in the light of emotions in Euripides’ Medea
Portansky, Thais
infanticide; emotions; anger; hatred; Medea; Euripides.
infanticídio; emoções; raiva; ódio; Medeia; Eurípides.
title_short The infanticide in the light of emotions in Euripides’ Medea
title_full The infanticide in the light of emotions in Euripides’ Medea
title_fullStr The infanticide in the light of emotions in Euripides’ Medea
title_full_unstemmed The infanticide in the light of emotions in Euripides’ Medea
title_sort The infanticide in the light of emotions in Euripides’ Medea
author Portansky, Thais
author_facet Portansky, Thais
author_role author
dc.contributor.author.fl_str_mv Portansky, Thais
dc.subject.por.fl_str_mv infanticide; emotions; anger; hatred; Medea; Euripides.
infanticídio; emoções; raiva; ódio; Medeia; Eurípides.
topic infanticide; emotions; anger; hatred; Medea; Euripides.
infanticídio; emoções; raiva; ódio; Medeia; Eurípides.
description This article discusses the infanticide committed by Medea in Euripides’ homonymous play considering the representation of the character’s emotions throughout the plot. Moments before the filicide, Medea utters a monologue in which she debates whether to proceed with the act or spare the lives of her children (1021-80). This critical moment in the play has already been read as the emblem of the split between reason (βούλευμα) and emotion (θυμός) that would permeate this Euripidean tragedy. However, to understand what moves Medea to commit infanticide, it is necessary to analyze her speeches. Thus, based on the Aristotelian approach to the emotions and the work of David Konstan (2006), it is argued that, instead of being taken by rage, Medea becomes convinced that the death of her children is necessary to repair the injustice and damage that Jason inflicts on her by breaking the φιλία once established by their wedding.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-13
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dc.identifier.uri.fl_str_mv https://revista.classica.org.br/classica/article/view/1047
10.24277/classica.v36.2023.1047
url https://revista.classica.org.br/classica/article/view/1047
identifier_str_mv 10.24277/classica.v36.2023.1047
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dc.relation.none.fl_str_mv https://revista.classica.org.br/classica/article/view/1047/1089
https://revista.classica.org.br/classica/article/view/1047/1128
dc.rights.driver.fl_str_mv Copyright (c) 2023 Thais Portansky
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Thais Portansky
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
dc.source.none.fl_str_mv Classica; Vol. 36 (2023): Publicação contínua; 1-18
Classica - Revista Brasileira de Estudos Clássicos; v. 36 (2023): Publicação contínua; 1-18
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