History, memory, and Plinian narrative

Detalhes bibliográficos
Autor(a) principal: Vieira, Ana Thereza Basilio
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
Texto Completo: https://revista.classica.org.br/classica/article/view/1043
Resumo: Pliny the Elder composed many works in the first century of our era. Nevertheless, Naturalis Historia, his last composition, is the only work that came to our hands preserved in its integrity. It comes to be a controversial work, whether for its contents and for the genre in which it was composed, as well as the author’s commitment and its size. The literary critic has both denied and redeemed this author over the centuries. I will point out how the author employed the memory to reveal the grandeur of the roman citizen and that of the nature herself. First, I will show some definitions of history and memory, chiefly citing Le Goff’s work (2000). Next, I proceed to analyze memory in contrast with Plinian writing in general, to continue, then, the analysis of the constitution of the book XXX, whose subject is the History of Magic, as an example for the study of memory. Finally, I cite how the author uses the word memoria along his work to evoke Roman’s past history.
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spelling History, memory, and Plinian narrativeHistória, memória e a narrativa plinianaHistory; memory; Naturalis Historia; past.História; memória; Naturalis Historia; passado.Pliny the Elder composed many works in the first century of our era. Nevertheless, Naturalis Historia, his last composition, is the only work that came to our hands preserved in its integrity. It comes to be a controversial work, whether for its contents and for the genre in which it was composed, as well as the author’s commitment and its size. The literary critic has both denied and redeemed this author over the centuries. I will point out how the author employed the memory to reveal the grandeur of the roman citizen and that of the nature herself. First, I will show some definitions of history and memory, chiefly citing Le Goff’s work (2000). Next, I proceed to analyze memory in contrast with Plinian writing in general, to continue, then, the analysis of the constitution of the book XXX, whose subject is the History of Magic, as an example for the study of memory. Finally, I cite how the author uses the word memoria along his work to evoke Roman’s past history.Plínio o Velho compôs inúmeras obras no primeiro século de nossa era. No entanto, apenas a Naturalis Historia, sua derradeira composição, chegou até nossas mãos, preservada em sua integridade. Trata-se de uma obra controversa, quer por seu teor, quer pelo gênero em que foi composta, quer pelo empenho do autor, quer pelo próprio tamanho da obra. Autor este que foi contestado e redimido pela crítica literária ao longo dos séculos. Buscarei mostrar como o autor se serve da memória para revelar a grandeza do homem romano e da própria natureza. Primeiramente, mostrarei algumas definições de história e de memória, valendo-me, sobretudo, da obra de Le Goff (2000). Passo, a seguir, a analisar a memória em relação com a escrita pliniana, de forma geral, para depois prosseguir analisando a constituição de parte do livro XXX, que trata da história da magia, como exemplar para o estudo da memória. Por fim, cito como o autor faz uso do vocábulo memoria ao longo de sua obra para evocar a história passada dos romanos.Sociedade Brasileira de Estudos Clássicos (SBEC)2023-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.classica.org.br/classica/article/view/104310.24277/classica.v36.2023.1043Classica; Vol. 36 (2023): Publicação contínua; 1-17Classica - Revista Brasileira de Estudos Clássicos; v. 36 (2023): Publicação contínua; 1-172176-64360103-431610.24277/classicaj.36.2023reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECporhttps://revista.classica.org.br/classica/article/view/1043/1088https://revista.classica.org.br/classica/article/view/1043/1127Copyright (c) 2023 Ana Thereza Basilio Vieirahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessVieira, Ana Thereza Basilio2023-12-21T12:07:48Zoai:oai.classica.emnuvens.com.br:article/1043Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2023-12-21T12:07:48Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false
dc.title.none.fl_str_mv History, memory, and Plinian narrative
História, memória e a narrativa pliniana
title History, memory, and Plinian narrative
spellingShingle History, memory, and Plinian narrative
Vieira, Ana Thereza Basilio
History; memory; Naturalis Historia; past.
História; memória; Naturalis Historia; passado.
title_short History, memory, and Plinian narrative
title_full History, memory, and Plinian narrative
title_fullStr History, memory, and Plinian narrative
title_full_unstemmed History, memory, and Plinian narrative
title_sort History, memory, and Plinian narrative
author Vieira, Ana Thereza Basilio
author_facet Vieira, Ana Thereza Basilio
author_role author
dc.contributor.author.fl_str_mv Vieira, Ana Thereza Basilio
dc.subject.por.fl_str_mv History; memory; Naturalis Historia; past.
História; memória; Naturalis Historia; passado.
topic History; memory; Naturalis Historia; past.
História; memória; Naturalis Historia; passado.
description Pliny the Elder composed many works in the first century of our era. Nevertheless, Naturalis Historia, his last composition, is the only work that came to our hands preserved in its integrity. It comes to be a controversial work, whether for its contents and for the genre in which it was composed, as well as the author’s commitment and its size. The literary critic has both denied and redeemed this author over the centuries. I will point out how the author employed the memory to reveal the grandeur of the roman citizen and that of the nature herself. First, I will show some definitions of history and memory, chiefly citing Le Goff’s work (2000). Next, I proceed to analyze memory in contrast with Plinian writing in general, to continue, then, the analysis of the constitution of the book XXX, whose subject is the History of Magic, as an example for the study of memory. Finally, I cite how the author uses the word memoria along his work to evoke Roman’s past history.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-13
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url https://revista.classica.org.br/classica/article/view/1043
identifier_str_mv 10.24277/classica.v36.2023.1043
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dc.relation.none.fl_str_mv https://revista.classica.org.br/classica/article/view/1043/1088
https://revista.classica.org.br/classica/article/view/1043/1127
dc.rights.driver.fl_str_mv Copyright (c) 2023 Ana Thereza Basilio Vieira
http://creativecommons.org/licenses/by/4.0
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rights_invalid_str_mv Copyright (c) 2023 Ana Thereza Basilio Vieira
http://creativecommons.org/licenses/by/4.0
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dc.publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
dc.source.none.fl_str_mv Classica; Vol. 36 (2023): Publicação contínua; 1-17
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