The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery

Detalhes bibliográficos
Autor(a) principal: Souza, Camila Diogo de
Data de Publicação: 2018
Outros Autores: Dias, Carolina Kesser Barcellos
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
Texto Completo: https://revista.classica.org.br/classica/article/view/619
Resumo: Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings.
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spelling The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek potteryGreek Archaeologypotteryiconography of deathprothesis scenes.Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings.Sociedade Brasileira de Estudos Clássicos (SBEC)2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revista.classica.org.br/classica/article/view/61910.24277/classica.v31i1.619Classica; Vol. 31 No. 1 (2018); 61-87Classica - Revista Brasileira de Estudos Clássicos; v. 31 n. 1 (2018); 61-872176-64360103-431610.24277/classica.v31i1reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECenghttps://revista.classica.org.br/classica/article/view/619/656Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Diasinfo:eu-repo/semantics/openAccessSouza, Camila Diogo deDias, Carolina Kesser Barcellos2019-03-03T06:00:52Zoai:ojs.emnuvens.com.br:article/619Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2019-03-03T06:00:52Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false
dc.title.none.fl_str_mv The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
title The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
spellingShingle The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
Souza, Camila Diogo de
Greek Archaeology
pottery
iconography of death
prothesis scenes.
title_short The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
title_full The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
title_fullStr The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
title_full_unstemmed The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
title_sort The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
author Souza, Camila Diogo de
author_facet Souza, Camila Diogo de
Dias, Carolina Kesser Barcellos
author_role author
author2 Dias, Carolina Kesser Barcellos
author2_role author
dc.contributor.author.fl_str_mv Souza, Camila Diogo de
Dias, Carolina Kesser Barcellos
dc.subject.por.fl_str_mv Greek Archaeology
pottery
iconography of death
prothesis scenes.
topic Greek Archaeology
pottery
iconography of death
prothesis scenes.
description Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings.
publishDate 2018
dc.date.none.fl_str_mv 2018-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revista.classica.org.br/classica/article/view/619
10.24277/classica.v31i1.619
url https://revista.classica.org.br/classica/article/view/619
identifier_str_mv 10.24277/classica.v31i1.619
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revista.classica.org.br/classica/article/view/619/656
dc.rights.driver.fl_str_mv Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Dias
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Dias
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
publisher.none.fl_str_mv Sociedade Brasileira de Estudos Clássicos (SBEC)
dc.source.none.fl_str_mv Classica; Vol. 31 No. 1 (2018); 61-87
Classica - Revista Brasileira de Estudos Clássicos; v. 31 n. 1 (2018); 61-87
2176-6436
0103-4316
10.24277/classica.v31i1
reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)
instname:Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron:SBEC
instname_str Sociedade Brasileira de Estudos Clássicos (SBEC)
instacron_str SBEC
institution SBEC
reponame_str Classica (Sociedade Brasileira de Estudos Clássicos. Online)
collection Classica (Sociedade Brasileira de Estudos Clássicos. Online)
repository.name.fl_str_mv Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)
repository.mail.fl_str_mv editor@classica.org.br||revistaclassica@classica.org.br
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