The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
Texto Completo: | https://revista.classica.org.br/classica/article/view/619 |
Resumo: | Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings. |
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Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
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The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek potteryGreek Archaeologypotteryiconography of deathprothesis scenes.Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings.Sociedade Brasileira de Estudos Clássicos (SBEC)2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revista.classica.org.br/classica/article/view/61910.24277/classica.v31i1.619Classica; Vol. 31 No. 1 (2018); 61-87Classica - Revista Brasileira de Estudos Clássicos; v. 31 n. 1 (2018); 61-872176-64360103-431610.24277/classica.v31i1reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECenghttps://revista.classica.org.br/classica/article/view/619/656Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Diasinfo:eu-repo/semantics/openAccessSouza, Camila Diogo deDias, Carolina Kesser Barcellos2019-03-03T06:00:52Zoai:ojs.emnuvens.com.br:article/619Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2019-03-03T06:00:52Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false |
dc.title.none.fl_str_mv |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
title |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
spellingShingle |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery Souza, Camila Diogo de Greek Archaeology pottery iconography of death prothesis scenes. |
title_short |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
title_full |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
title_fullStr |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
title_full_unstemmed |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
title_sort |
The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery |
author |
Souza, Camila Diogo de |
author_facet |
Souza, Camila Diogo de Dias, Carolina Kesser Barcellos |
author_role |
author |
author2 |
Dias, Carolina Kesser Barcellos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Souza, Camila Diogo de Dias, Carolina Kesser Barcellos |
dc.subject.por.fl_str_mv |
Greek Archaeology pottery iconography of death prothesis scenes. |
topic |
Greek Archaeology pottery iconography of death prothesis scenes. |
description |
Prothesis scenes have been a controversial and debated theme of iconographical approaches to Greek pottery analyses. Focused on meaning and historical references these studies usually have considered pictorial elements isolated in a particular pottery production and style, Attic Geometric for instance. This paper intends to analyze and discuss some iconographical elements such as technique of production, style, motifs and gestures taking into account a broader perspective and chronology, including vases and terracotta pinakes from the Geometric to the Classical Period. This approach to prothesis ritual scenes allow us to point out continuities and changes in the funerary ritual iconographic representation itself and its social and cultural meanings. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revista.classica.org.br/classica/article/view/619 10.24277/classica.v31i1.619 |
url |
https://revista.classica.org.br/classica/article/view/619 |
identifier_str_mv |
10.24277/classica.v31i1.619 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revista.classica.org.br/classica/article/view/619/656 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Dias info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Camila Diogo de Souza, Carolina Kesser Barcellos Dias |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Sociedade Brasileira de Estudos Clássicos (SBEC) |
publisher.none.fl_str_mv |
Sociedade Brasileira de Estudos Clássicos (SBEC) |
dc.source.none.fl_str_mv |
Classica; Vol. 31 No. 1 (2018); 61-87 Classica - Revista Brasileira de Estudos Clássicos; v. 31 n. 1 (2018); 61-87 2176-6436 0103-4316 10.24277/classica.v31i1 reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online) instname:Sociedade Brasileira de Estudos Clássicos (SBEC) instacron:SBEC |
instname_str |
Sociedade Brasileira de Estudos Clássicos (SBEC) |
instacron_str |
SBEC |
institution |
SBEC |
reponame_str |
Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
collection |
Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
repository.name.fl_str_mv |
Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC) |
repository.mail.fl_str_mv |
editor@classica.org.br||revistaclassica@classica.org.br |
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1797239838812930048 |