Arte sonora: nomadismo, escutas e processos criativos
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/16864 |
Resumo: | The present work proposes to investigate the poetic aspects intrinsic to the Sound Art, taking the nomadism notion as the principal reference. Starting from the relationship between the pieces, the listening modes and the interactive processes, the dissertation approaches how the choices of materials, technologies and the formation of sound artists are important elements in the creative process. The sound artist transits between different means, knowledges, technologies and art languages to propose their own pieces. This research conducts a mapping of píeces and sound artists, tracing a broad dialogue with the investigated bibliography. The researched Sound Art pieces are found as sound installations, site-specific, sound sculptures and interactive environments. The Sound Art explores the potential of listening and the use of sound as a way of interacting with the pieces. In this way, the research points out that this artistic genre is characterized by its hybridism, revealing some historical approximations between music and the contemporary plastic arts. Furthermore, it is of great importance for the conception of Sound Art the influence of the experimental pieces of John Cage and the Fluxus group. From Cox's theory (2004; 2009) about the notions of becoming and duration, the virtual and the actual; and from Santos's theory (2000; 2004; 2006) about nomadic listening, it was concluded that Sound Art enables a listening in movement, dialoguing with the spectator’s memories on aesthetic enjoyment in sculptures, installations and architectonic spaces. So the sound artist is observed as a proposer of pieces and the creation arises from experiences in process. |
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Ramos, Alex SuratyNespoli, Eduardohttp://lattes.cnpq.br/0482744763085170http://lattes.cnpq.br/8414390712773145c934f590-528d-4cca-9d1e-fd997b22c1772022-10-14T08:37:54Z2022-10-14T08:37:54Z2022-08-18RAMOS, Alex Suraty. Arte sonora: nomadismo, escutas e processos criativos. 2022. Dissertação (Mestrado em Ciência, Tecnologia e Sociedade) – Universidade Federal de São Carlos, São Carlos, 2022. Disponível em: https://repositorio.ufscar.br/handle/ufscar/16864.https://repositorio.ufscar.br/handle/ufscar/16864The present work proposes to investigate the poetic aspects intrinsic to the Sound Art, taking the nomadism notion as the principal reference. Starting from the relationship between the pieces, the listening modes and the interactive processes, the dissertation approaches how the choices of materials, technologies and the formation of sound artists are important elements in the creative process. The sound artist transits between different means, knowledges, technologies and art languages to propose their own pieces. This research conducts a mapping of píeces and sound artists, tracing a broad dialogue with the investigated bibliography. The researched Sound Art pieces are found as sound installations, site-specific, sound sculptures and interactive environments. The Sound Art explores the potential of listening and the use of sound as a way of interacting with the pieces. In this way, the research points out that this artistic genre is characterized by its hybridism, revealing some historical approximations between music and the contemporary plastic arts. Furthermore, it is of great importance for the conception of Sound Art the influence of the experimental pieces of John Cage and the Fluxus group. From Cox's theory (2004; 2009) about the notions of becoming and duration, the virtual and the actual; and from Santos's theory (2000; 2004; 2006) about nomadic listening, it was concluded that Sound Art enables a listening in movement, dialoguing with the spectator’s memories on aesthetic enjoyment in sculptures, installations and architectonic spaces. So the sound artist is observed as a proposer of pieces and the creation arises from experiences in process.O presente trabalho propõe investigar aspectos poéticos inerentes à Arte Sonora, tomando como referência principal a noção de nomadismo. Partindo da relação entre as obras, os modos de escuta e os processos interativos, a dissertação aborda como as escolhas dos materiais, das tecnologias e a formação dos artistas são elementos importantes no processo criativo. O artista sonoro transita entre diferentes meios, conhecimentos, tecnologias e linguagens artísticas para propor suas obras. A pesquisa realizou um mapeamento de obras e artistas sonoros, traçando um amplo diálogo com a bibliografia investigada. As obras de Arte Sonora pesquisadas encontram-se na forma de instalações sonoras, site-specific, esculturas sonoras e ambientes interativos. A Arte Sonora explora a potencialidade da escuta e a utilização do som como forma de interação com as obras. A pesquisa assinala que esse gênero artístico caracteriza-se por seu hibridismo, revelando aproximações históricas com a música e as artes plásticas contemporâneas. Neste sentido, é de grande importância para a concepção da Arte Sonora a influência advinda dos trabalhos experimentais de John Cage e do grupo Fluxus. A partir da teoria de Cox (2004; 2009) acerca das noções de devir e duração, virtual e atual; e da teoria de Santos (2000; 2004; 2006) sobre a escuta nômade, conclui-se que a Arte Sonora possibilita uma escuta em movimento, dialogando com as memórias do espectador na fruição estética de esculturas, instalações e espaços arquitetônicos. O artista sonoro é observado então enquanto um propositor de obras e a criação se dá por experiências em processo.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)Portaria da Capes nº. 76, de 14/04/2010 e respectivo Anexo, Portaria Conjunta Capes/CNPq, no. 1, de 15/07/2010 e Resolução CoPG/UFSCar 01/2010.porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Ciência, Tecnologia e Sociedade - PPGCTSUFSCarAttribution-NonCommercial-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-nd/3.0/br/info:eu-repo/semantics/openAccessArte sonoraArtista-propositorEscuta nômadeInstalação sonoraProcessos criativosSound ArtArtist-proposerNomadic listeningSound InstallationCreative processesLINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICASLINGUISTICA, LETRAS E ARTES::ARTES::MUSICAArte sonora: nomadismo, escutas e processos criativosSound Art; nomadism, listening and creative processesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis600600e8455b77-2a5b-41cc-9419-cafaeda8a7fareponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDISSERTACAO_Alex Suraty Ramos.pdfDISSERTACAO_Alex Suraty Ramos.pdfprincipalapplication/pdf3501217https://repositorio.ufscar.br/bitstream/ufscar/16864/1/DISSERTACAO_Alex%20Suraty%20Ramos.pdf34a3eb0e4812093d87bf4cab54ce8959MD51Comprovante_versao_final.pdfComprovante_versao_final.pdfCarta Comprovanteapplication/pdf759784https://repositorio.ufscar.br/bitstream/ufscar/16864/3/Comprovante_versao_final.pdf2a3f29b0fae9198a1440de9b78866468MD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8811https://repositorio.ufscar.br/bitstream/ufscar/16864/4/license_rdfe39d27027a6cc9cb039ad269a5db8e34MD54TEXTDISSERTACAO_Alex Suraty Ramos.pdf.txtDISSERTACAO_Alex Suraty Ramos.pdf.txtExtracted texttext/plain242262https://repositorio.ufscar.br/bitstream/ufscar/16864/5/DISSERTACAO_Alex%20Suraty%20Ramos.pdf.txtedc3c9f94c142d0ca822e4eb45942fd9MD55Comprovante_versao_final.pdf.txtComprovante_versao_final.pdf.txtExtracted texttext/plain1154https://repositorio.ufscar.br/bitstream/ufscar/16864/7/Comprovante_versao_final.pdf.txt7492fb38498181a14ba51fd872ac0a9dMD57THUMBNAILDISSERTACAO_Alex Suraty Ramos.pdf.jpgDISSERTACAO_Alex Suraty Ramos.pdf.jpgIM Thumbnailimage/jpeg3942https://repositorio.ufscar.br/bitstream/ufscar/16864/6/DISSERTACAO_Alex%20Suraty%20Ramos.pdf.jpg10039a4e57ef20e210c30b96af53c6d0MD56Comprovante_versao_final.pdf.jpgComprovante_versao_final.pdf.jpgIM Thumbnailimage/jpeg11353https://repositorio.ufscar.br/bitstream/ufscar/16864/8/Comprovante_versao_final.pdf.jpga49ce8a7222dec5450030d317a767d63MD58ufscar/168642023-09-18 18:32:33.154oai:repositorio.ufscar.br:ufscar/16864Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:32:33Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
Arte sonora: nomadismo, escutas e processos criativos |
dc.title.alternative.eng.fl_str_mv |
Sound Art; nomadism, listening and creative processes |
title |
Arte sonora: nomadismo, escutas e processos criativos |
spellingShingle |
Arte sonora: nomadismo, escutas e processos criativos Ramos, Alex Suraty Arte sonora Artista-propositor Escuta nômade Instalação sonora Processos criativos Sound Art Artist-proposer Nomadic listening Sound Installation Creative processes LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
title_short |
Arte sonora: nomadismo, escutas e processos criativos |
title_full |
Arte sonora: nomadismo, escutas e processos criativos |
title_fullStr |
Arte sonora: nomadismo, escutas e processos criativos |
title_full_unstemmed |
Arte sonora: nomadismo, escutas e processos criativos |
title_sort |
Arte sonora: nomadismo, escutas e processos criativos |
author |
Ramos, Alex Suraty |
author_facet |
Ramos, Alex Suraty |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/8414390712773145 |
dc.contributor.author.fl_str_mv |
Ramos, Alex Suraty |
dc.contributor.advisor1.fl_str_mv |
Nespoli, Eduardo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0482744763085170 |
dc.contributor.authorID.fl_str_mv |
c934f590-528d-4cca-9d1e-fd997b22c177 |
contributor_str_mv |
Nespoli, Eduardo |
dc.subject.por.fl_str_mv |
Arte sonora Artista-propositor Escuta nômade Instalação sonora Processos criativos |
topic |
Arte sonora Artista-propositor Escuta nômade Instalação sonora Processos criativos Sound Art Artist-proposer Nomadic listening Sound Installation Creative processes LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Sound Art Artist-proposer Nomadic listening Sound Installation Creative processes |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
description |
The present work proposes to investigate the poetic aspects intrinsic to the Sound Art, taking the nomadism notion as the principal reference. Starting from the relationship between the pieces, the listening modes and the interactive processes, the dissertation approaches how the choices of materials, technologies and the formation of sound artists are important elements in the creative process. The sound artist transits between different means, knowledges, technologies and art languages to propose their own pieces. This research conducts a mapping of píeces and sound artists, tracing a broad dialogue with the investigated bibliography. The researched Sound Art pieces are found as sound installations, site-specific, sound sculptures and interactive environments. The Sound Art explores the potential of listening and the use of sound as a way of interacting with the pieces. In this way, the research points out that this artistic genre is characterized by its hybridism, revealing some historical approximations between music and the contemporary plastic arts. Furthermore, it is of great importance for the conception of Sound Art the influence of the experimental pieces of John Cage and the Fluxus group. From Cox's theory (2004; 2009) about the notions of becoming and duration, the virtual and the actual; and from Santos's theory (2000; 2004; 2006) about nomadic listening, it was concluded that Sound Art enables a listening in movement, dialoguing with the spectator’s memories on aesthetic enjoyment in sculptures, installations and architectonic spaces. So the sound artist is observed as a proposer of pieces and the creation arises from experiences in process. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-10-14T08:37:54Z |
dc.date.available.fl_str_mv |
2022-10-14T08:37:54Z |
dc.date.issued.fl_str_mv |
2022-08-18 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
RAMOS, Alex Suraty. Arte sonora: nomadismo, escutas e processos criativos. 2022. Dissertação (Mestrado em Ciência, Tecnologia e Sociedade) – Universidade Federal de São Carlos, São Carlos, 2022. Disponível em: https://repositorio.ufscar.br/handle/ufscar/16864. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/16864 |
identifier_str_mv |
RAMOS, Alex Suraty. Arte sonora: nomadismo, escutas e processos criativos. 2022. Dissertação (Mestrado em Ciência, Tecnologia e Sociedade) – Universidade Federal de São Carlos, São Carlos, 2022. Disponível em: https://repositorio.ufscar.br/handle/ufscar/16864. |
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https://repositorio.ufscar.br/handle/ufscar/16864 |
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600 600 |
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Attribution-NonCommercial-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nc-nd/3.0/br/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivs 3.0 Brazil http://creativecommons.org/licenses/by-nc-nd/3.0/br/ |
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openAccess |
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Universidade Federal de São Carlos Câmpus São Carlos |
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Universidade Federal de São Carlos Câmpus São Carlos |
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