Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/11208 |
Resumo: | The present study addresses an analytical look at the creative work of American director Terrence Malick, the modes of materialization of his technical-stylistic resources (photography, sound, assembly of plans, among other characteristics) that provide meanings beyond the semantic content of cinematography. As a particular way of constructing a film, we think about the way these features configure the characters and their actions, observing in how the dramaturgy is thought through the available bibliography, in order to problematize what are the possible potencies implied in the creation of a proper style of dramaturgy in contemporary American cinema. From the point of view of the observer, we seek to promote meanings that emerge from the interaction between image and sound, questioning in what measure this relation is capable of articulating a unity through the discursive fragmentation present in the work The Tree of Life, (2011), our main object of study. In this film, the narrative does not seem to contain a factual, but rather discontinuous, order of presenting itself in a way that can be understood as fragmented. Such a contingent feature transgresses the classical structuring of dramaturgy and opens space for a certain similarity to the surrealist universe. |
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Bonini, Guilherme AugustoMonzani, Josette Maria Alves de Souzahttp://lattes.cnpq.br/0505156751073470http://lattes.cnpq.br/3830728656628846c5b270b1-b0cf-499c-84fe-f17509f2c4562019-04-10T19:23:44Z2019-04-10T19:23:44Z2018-12-03BONINI, Guilherme Augusto. Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida. 2018. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/11208.https://repositorio.ufscar.br/handle/ufscar/11208The present study addresses an analytical look at the creative work of American director Terrence Malick, the modes of materialization of his technical-stylistic resources (photography, sound, assembly of plans, among other characteristics) that provide meanings beyond the semantic content of cinematography. As a particular way of constructing a film, we think about the way these features configure the characters and their actions, observing in how the dramaturgy is thought through the available bibliography, in order to problematize what are the possible potencies implied in the creation of a proper style of dramaturgy in contemporary American cinema. From the point of view of the observer, we seek to promote meanings that emerge from the interaction between image and sound, questioning in what measure this relation is capable of articulating a unity through the discursive fragmentation present in the work The Tree of Life, (2011), our main object of study. In this film, the narrative does not seem to contain a factual, but rather discontinuous, order of presenting itself in a way that can be understood as fragmented. Such a contingent feature transgresses the classical structuring of dramaturgy and opens space for a certain similarity to the surrealist universe.O presente estudo aborda um olhar analítico sobre o fazer criativo do diretor norte-americano Terrence Malick, os modos de materialização de seus recursos técnico-estilísticos (fotografia, som, montagem de planos, entre outras características) que proporcionam significados para além do conteúdo semântico de cinematografia. Como forma particular de construção de um filme, pensamos no modo como aqueles recursos configuram os personagens e suas ações, observando em como a dramaturgia é pensada através da bibliografia disponível, no intuito de problematizar quais são as possíveis potências implicadas na criação de um estilo próprio de dramaturgia no cinema contemporâneo norte-americano. Pelo ponto de vista do observador, buscamos promover significações que emergem da interação entre a imagem e o som, questionando em que medidas tal relação é capaz de articular uma unidade através da fragmentação discursiva presente na obra A Árvore da Vida, (2011), nosso objeto de estudo. Neste filme, a narrativa não contêm uma ordem lógica factual, e sim descontínua, por se apresentar de forma passível de ser entendida como fragmentada. Tal característica contingente transgride a estruturação clássica de dramaturgia e abre espaço para certa similaridade ao universo surrealista.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)CAPES: 1604661porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarFragmentação narrativaAnalogiaA Árvore da VidaNarrative fragmentationAnalogyTerrence MalickThe Tree of LifeLINGUISTICA, LETRAS E ARTES::ARTES::CINEMATeia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vidaWeb of senses: a look at the creation of Terrence Malick in The tree of lifeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline600600783fbbc1-af12-4b4e-9699-e69e7658e5feinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdfDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdfDissertação finalapplication/pdf35114640https://repositorio.ufscar.br/bitstream/ufscar/11208/1/DISSERTA%c3%87%c3%83O%20Guilherme%20Bonini%20_%20UFSCar.pdf511a62d536fa6247c064d0b92c198976MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/11208/3/license.txtae0398b6f8b235e40ad82cba6c50031dMD53TEXTDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdf.txtDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdf.txtExtracted texttext/plain447810https://repositorio.ufscar.br/bitstream/ufscar/11208/4/DISSERTA%c3%87%c3%83O%20Guilherme%20Bonini%20_%20UFSCar.pdf.txt354b4f6f0e20eb4d680f59424eaeaf3fMD54THUMBNAILDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdf.jpgDISSERTAÇÃO Guilherme Bonini _ UFSCar.pdf.jpgIM Thumbnailimage/jpeg5525https://repositorio.ufscar.br/bitstream/ufscar/11208/5/DISSERTA%c3%87%c3%83O%20Guilherme%20Bonini%20_%20UFSCar.pdf.jpg3aecc547822b7d1a990e49199af8f094MD55ufscar/112082023-09-18 18:31:49.709oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:49Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
dc.title.alternative.eng.fl_str_mv |
Web of senses: a look at the creation of Terrence Malick in The tree of life |
title |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
spellingShingle |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida Bonini, Guilherme Augusto Fragmentação narrativa Analogia A Árvore da Vida Narrative fragmentation Analogy Terrence Malick The Tree of Life LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
title_full |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
title_fullStr |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
title_full_unstemmed |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
title_sort |
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida |
author |
Bonini, Guilherme Augusto |
author_facet |
Bonini, Guilherme Augusto |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/3830728656628846 |
dc.contributor.author.fl_str_mv |
Bonini, Guilherme Augusto |
dc.contributor.advisor1.fl_str_mv |
Monzani, Josette Maria Alves de Souza |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0505156751073470 |
dc.contributor.authorID.fl_str_mv |
c5b270b1-b0cf-499c-84fe-f17509f2c456 |
contributor_str_mv |
Monzani, Josette Maria Alves de Souza |
dc.subject.por.fl_str_mv |
Fragmentação narrativa Analogia A Árvore da Vida |
topic |
Fragmentação narrativa Analogia A Árvore da Vida Narrative fragmentation Analogy Terrence Malick The Tree of Life LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.eng.fl_str_mv |
Narrative fragmentation Analogy Terrence Malick The Tree of Life |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
The present study addresses an analytical look at the creative work of American director Terrence Malick, the modes of materialization of his technical-stylistic resources (photography, sound, assembly of plans, among other characteristics) that provide meanings beyond the semantic content of cinematography. As a particular way of constructing a film, we think about the way these features configure the characters and their actions, observing in how the dramaturgy is thought through the available bibliography, in order to problematize what are the possible potencies implied in the creation of a proper style of dramaturgy in contemporary American cinema. From the point of view of the observer, we seek to promote meanings that emerge from the interaction between image and sound, questioning in what measure this relation is capable of articulating a unity through the discursive fragmentation present in the work The Tree of Life, (2011), our main object of study. In this film, the narrative does not seem to contain a factual, but rather discontinuous, order of presenting itself in a way that can be understood as fragmented. Such a contingent feature transgresses the classical structuring of dramaturgy and opens space for a certain similarity to the surrealist universe. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-12-03 |
dc.date.accessioned.fl_str_mv |
2019-04-10T19:23:44Z |
dc.date.available.fl_str_mv |
2019-04-10T19:23:44Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
BONINI, Guilherme Augusto. Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida. 2018. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/11208. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/11208 |
identifier_str_mv |
BONINI, Guilherme Augusto. Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida. 2018. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2018. Disponível em: https://repositorio.ufscar.br/handle/ufscar/11208. |
url |
https://repositorio.ufscar.br/handle/ufscar/11208 |
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openAccess |
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Universidade Federal de São Carlos Câmpus São Carlos |
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Programa de Pós-Graduação em Imagem e Som - PPGIS |
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UFSCar |
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Universidade Federal de São Carlos Câmpus São Carlos |
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