A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/9655 |
Resumo: | This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive. |
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Souza, Nathan Bastos deMiotello, Valdemirhttp://lattes.cnpq.br/9131819326282708http://lattes.cnpq.br/459234823176268215e87998-4227-4b19-afb0-e336d3fcdd392018-04-03T19:34:35Z2018-04-03T19:34:35Z2017-11-14SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655.https://repositorio.ufscar.br/handle/ufscar/9655This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive.O objetivo desta dissertação é investigar como se materializam no discurso identitário do cancioneiro folclórico de Soledad Pastorutti os índices de contradição que apontam para a alteridade por meio de uma análise das relações dialógicas do cancioneiro com seu contexto de produção, da narrativa da indústria discográfica, de alguns relatos biográficos e de algumas canções. A abordagem teórica é advinda da teoria bakhtiniana e se concentra principalmente nas categorias de análise da contradição, da ambivalência e da bivocalidade. A metodologia de análise se pauta na noção de cotejamento de texto e toma os signos ideológicos como materialização na linguagem das valorações sociais. Os resultados comprovam a tese de que o discurso identitário no cancioneiro folclórico de Soledad Pastorutti se constrói sob os auspícios da própria contradição, visto que nos limites de uma só e mesma unidade linguística – às vezes uma palavra, às vezes uma oração completa – se escutam duas vozes, a primeira, mais evidente, que defende o discurso identitário atacando o “outro” e a segunda, menos aparente, que demonstra o tanto que a identidade se constitui em relação com a alteridade. Em outras palavras, a resistência à alteridade é ambivalente, bivocal e contraditória porque o discurso que conjura o ataque se constitui na diferença. É um discurso identitário que se funda na contradição de repelir o que é constitutivo.Não recebi financiamentoporUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Linguística - PPGLUFSCarContradiçãoAmbivalênciaBivocalidadeFolclore argentinoBivocalidadContradictionAmbivalenceBivocalitySoledad PastoruttiArgentine FolkloreContradicciónLINGUISTICA, LETRAS E ARTES::LINGUISTICALINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICAA construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentinoLa construcción contradictoria del discurso identitario en el cancionero de Soledad Pastorutti en el contexto del folclore argentinoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline600600cb0ca99c-bdbb-48f1-a624-fba7a81eb5c1info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARLICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/9655/3/license.txtae0398b6f8b235e40ad82cba6c50031dMD53ORIGINALSOUZA_Nathan_2018.pdfSOUZA_Nathan_2018.pdfapplication/pdf2203695https://repositorio.ufscar.br/bitstream/ufscar/9655/4/SOUZA_Nathan_2018.pdf8693f736d691da72ab6c8bd1eb7775d6MD54TEXTSOUZA_Nathan_2018.pdf.txtSOUZA_Nathan_2018.pdf.txtExtracted texttext/plain381409https://repositorio.ufscar.br/bitstream/ufscar/9655/7/SOUZA_Nathan_2018.pdf.txt4de5dbd5bb09be655852da7bc624f2dfMD57THUMBNAILSOUZA_Nathan_2018.pdf.jpgSOUZA_Nathan_2018.pdf.jpgIM Thumbnailimage/jpeg10755https://repositorio.ufscar.br/bitstream/ufscar/9655/8/SOUZA_Nathan_2018.pdf.jpgc32c1aaac6a5912edc0b3a61b3b2126bMD58ufscar/96552023-09-18 18:30:39.307oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:30:39Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
dc.title.alternative.spa.fl_str_mv |
La construcción contradictoria del discurso identitario en el cancionero de Soledad Pastorutti en el contexto del folclore argentino |
title |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
spellingShingle |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino Souza, Nathan Bastos de Contradição Ambivalência Bivocalidade Folclore argentino Bivocalidad Contradiction Ambivalence Bivocality Soledad Pastorutti Argentine Folklore Contradicción LINGUISTICA, LETRAS E ARTES::LINGUISTICA LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA |
title_short |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
title_full |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
title_fullStr |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
title_full_unstemmed |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
title_sort |
A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino |
author |
Souza, Nathan Bastos de |
author_facet |
Souza, Nathan Bastos de |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/4592348231762682 |
dc.contributor.author.fl_str_mv |
Souza, Nathan Bastos de |
dc.contributor.advisor1.fl_str_mv |
Miotello, Valdemir |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9131819326282708 |
dc.contributor.authorID.fl_str_mv |
15e87998-4227-4b19-afb0-e336d3fcdd39 |
contributor_str_mv |
Miotello, Valdemir |
dc.subject.por.fl_str_mv |
Contradição Ambivalência Bivocalidade Folclore argentino Bivocalidad |
topic |
Contradição Ambivalência Bivocalidade Folclore argentino Bivocalidad Contradiction Ambivalence Bivocality Soledad Pastorutti Argentine Folklore Contradicción LINGUISTICA, LETRAS E ARTES::LINGUISTICA LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA |
dc.subject.eng.fl_str_mv |
Contradiction Ambivalence Bivocality |
dc.subject.spa.fl_str_mv |
Soledad Pastorutti Argentine Folklore Contradicción |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LINGUISTICA LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA |
description |
This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-11-14 |
dc.date.accessioned.fl_str_mv |
2018-04-03T19:34:35Z |
dc.date.available.fl_str_mv |
2018-04-03T19:34:35Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/9655 |
identifier_str_mv |
SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655. |
url |
https://repositorio.ufscar.br/handle/ufscar/9655 |
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Universidade Federal de São Carlos Câmpus São Carlos |
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Programa de Pós-Graduação em Linguística - PPGL |
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UFSCar |
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Universidade Federal de São Carlos Câmpus São Carlos |
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