A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino

Detalhes bibliográficos
Autor(a) principal: Souza, Nathan Bastos de
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFSCAR
Texto Completo: https://repositorio.ufscar.br/handle/ufscar/9655
Resumo: This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive.
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spelling Souza, Nathan Bastos deMiotello, Valdemirhttp://lattes.cnpq.br/9131819326282708http://lattes.cnpq.br/459234823176268215e87998-4227-4b19-afb0-e336d3fcdd392018-04-03T19:34:35Z2018-04-03T19:34:35Z2017-11-14SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655.https://repositorio.ufscar.br/handle/ufscar/9655This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive.O objetivo desta dissertação é investigar como se materializam no discurso identitário do cancioneiro folclórico de Soledad Pastorutti os índices de contradição que apontam para a alteridade por meio de uma análise das relações dialógicas do cancioneiro com seu contexto de produção, da narrativa da indústria discográfica, de alguns relatos biográficos e de algumas canções. A abordagem teórica é advinda da teoria bakhtiniana e se concentra principalmente nas categorias de análise da contradição, da ambivalência e da bivocalidade. A metodologia de análise se pauta na noção de cotejamento de texto e toma os signos ideológicos como materialização na linguagem das valorações sociais. Os resultados comprovam a tese de que o discurso identitário no cancioneiro folclórico de Soledad Pastorutti se constrói sob os auspícios da própria contradição, visto que nos limites de uma só e mesma unidade linguística – às vezes uma palavra, às vezes uma oração completa – se escutam duas vozes, a primeira, mais evidente, que defende o discurso identitário atacando o “outro” e a segunda, menos aparente, que demonstra o tanto que a identidade se constitui em relação com a alteridade. Em outras palavras, a resistência à alteridade é ambivalente, bivocal e contraditória porque o discurso que conjura o ataque se constitui na diferença. É um discurso identitário que se funda na contradição de repelir o que é constitutivo.Não recebi financiamentoporUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Linguística - PPGLUFSCarContradiçãoAmbivalênciaBivocalidadeFolclore argentinoBivocalidadContradictionAmbivalenceBivocalitySoledad PastoruttiArgentine FolkloreContradicciónLINGUISTICA, LETRAS E ARTES::LINGUISTICALINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICAA construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentinoLa construcción contradictoria del discurso identitario en el cancionero de Soledad Pastorutti en el contexto del folclore argentinoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline600600cb0ca99c-bdbb-48f1-a624-fba7a81eb5c1info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARLICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/9655/3/license.txtae0398b6f8b235e40ad82cba6c50031dMD53ORIGINALSOUZA_Nathan_2018.pdfSOUZA_Nathan_2018.pdfapplication/pdf2203695https://repositorio.ufscar.br/bitstream/ufscar/9655/4/SOUZA_Nathan_2018.pdf8693f736d691da72ab6c8bd1eb7775d6MD54TEXTSOUZA_Nathan_2018.pdf.txtSOUZA_Nathan_2018.pdf.txtExtracted texttext/plain381409https://repositorio.ufscar.br/bitstream/ufscar/9655/7/SOUZA_Nathan_2018.pdf.txt4de5dbd5bb09be655852da7bc624f2dfMD57THUMBNAILSOUZA_Nathan_2018.pdf.jpgSOUZA_Nathan_2018.pdf.jpgIM Thumbnailimage/jpeg10755https://repositorio.ufscar.br/bitstream/ufscar/9655/8/SOUZA_Nathan_2018.pdf.jpgc32c1aaac6a5912edc0b3a61b3b2126bMD58ufscar/96552023-09-18 18:30:39.307oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:30:39Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
dc.title.alternative.spa.fl_str_mv La construcción contradictoria del discurso identitario en el cancionero de Soledad Pastorutti en el contexto del folclore argentino
title A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
spellingShingle A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
Souza, Nathan Bastos de
Contradição
Ambivalência
Bivocalidade
Folclore argentino
Bivocalidad
Contradiction
Ambivalence
Bivocality
Soledad Pastorutti
Argentine Folklore
Contradicción
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA
title_short A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
title_full A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
title_fullStr A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
title_full_unstemmed A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
title_sort A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino
author Souza, Nathan Bastos de
author_facet Souza, Nathan Bastos de
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/4592348231762682
dc.contributor.author.fl_str_mv Souza, Nathan Bastos de
dc.contributor.advisor1.fl_str_mv Miotello, Valdemir
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9131819326282708
dc.contributor.authorID.fl_str_mv 15e87998-4227-4b19-afb0-e336d3fcdd39
contributor_str_mv Miotello, Valdemir
dc.subject.por.fl_str_mv Contradição
Ambivalência
Bivocalidade
Folclore argentino
Bivocalidad
topic Contradição
Ambivalência
Bivocalidade
Folclore argentino
Bivocalidad
Contradiction
Ambivalence
Bivocality
Soledad Pastorutti
Argentine Folklore
Contradicción
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA
dc.subject.eng.fl_str_mv Contradiction
Ambivalence
Bivocality
dc.subject.spa.fl_str_mv Soledad Pastorutti
Argentine Folklore
Contradicción
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LINGUISTICA
LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA
description This dissertation aims to investigate the presence of contradiction indexes that materialize themselves in Soledad Pastorutti’s identity discourse, within her folk music body of work (corpus), while pointing toward otherness, through an analysis of the dialogic relations between folk corpora, their context of production, the music industry narrative, a few biographical reports, and a few songs. This dissertation’s theoretical approach is taken from bakhtinian theory and focuses mainly on the subjects of analysis of contradiction, ambivalence, and bivocality. The methodology of the analysis is based on the notion of text comparison and takes ideological signs as the materialization of social value attribution in language. The results confirm the thesis that the identity discourse in Soledad Pastorutti’s folk music corpus is built under the auspices of self-contradiction, given that within the limits of a single linguistic unit – sometimes a word, sometimes a whole sentence – two voices can be heard: a first one, more apparent, which defends the identity discourse while attacking the “other”, and a second one, less apparent, which shows how far identity constitutes itself in relation to otherness. In other words, the resistance to otherness is ambivalent, bivocal, and contradictory, inasmuch as the discourse that attacks others constitutes itself in difference. It is an identity discourse founded on the contradiction of repealing what is actually constitutive.
publishDate 2017
dc.date.issued.fl_str_mv 2017-11-14
dc.date.accessioned.fl_str_mv 2018-04-03T19:34:35Z
dc.date.available.fl_str_mv 2018-04-03T19:34:35Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/9655
identifier_str_mv SOUZA, Nathan Bastos de. A construção contraditória do discurso identitário no cancioneiro de Soledad Pastorutti no contexto do folclore argentino. 2017. Dissertação (Mestrado em Linguística) – Universidade Federal de São Carlos, São Carlos, 2017. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9655.
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Câmpus São Carlos
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Câmpus São Carlos
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