Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/8281 |
Resumo: | This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of its own characteristics, highlighting non traditional subsidezed funds, exhibition and distribution options on alternative channels, such as the internet, film clubs and festivals, as well as aesthetic aspects of its production. Their movies can be understood as peripheric as they may be found outside the scope that includes instutionalized cinema. So 'Cartão Postal' (Josinaldo Medeiros and Wagner Novais, 2011) will be our study case, since it is a movie that can be called peripheric and it is also fit in a specific genre of movie that has been produced on favelas, called cinema de periferia. This movie will be studied on its formal aesthetic dimension as well as on its production strategies, observing how it can fit into some of the main characteristics of this new Brazilian scene. |
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Santos, Yasmin Bidim Pereira dosSá Neto, Arthur Autran Franco dehttp://lattes.cnpq.br/5055550097454248http://lattes.cnpq.br/47580600171380026adb0ee2-1700-4732-83ba-01f613b596642016-11-08T18:43:32Z2016-11-08T18:43:32Z2015-12-01SANTOS, Yasmin Bidim Pereira dos. Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal. 2015. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8281.https://repositorio.ufscar.br/handle/ufscar/8281This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of its own characteristics, highlighting non traditional subsidezed funds, exhibition and distribution options on alternative channels, such as the internet, film clubs and festivals, as well as aesthetic aspects of its production. Their movies can be understood as peripheric as they may be found outside the scope that includes instutionalized cinema. So 'Cartão Postal' (Josinaldo Medeiros and Wagner Novais, 2011) will be our study case, since it is a movie that can be called peripheric and it is also fit in a specific genre of movie that has been produced on favelas, called cinema de periferia. This movie will be studied on its formal aesthetic dimension as well as on its production strategies, observing how it can fit into some of the main characteristics of this new Brazilian scene.Este trabalho tem como foco o cenário contemporâneo do cinema independente brasileiro e as novas formas que os cineastas, sobretudo os jovens, vêm utilizando para realizar filmes. A proposta é observar essa nova cena do cinema brasileiro contemporânea e algumas características que a envolvem, destacando-se aqui as alternativas de financiamento frente aos modelos de leis de incentivo e editais, as opções de exibição e distribuição de seus filmes em canais alternativos, como a internet, os cineclubes e os festivais, e também aspectos estéticos dessa produção. São filmes que podem ser entendidos como periféricos na medida em que encontram-se fora do escopo que compreende o cinema institucionalizado. Será utilizado como estudo de caso o longa-metragem Cartão Postal (Josinaldo Medeiros e Wagner Novais, 2011), filme que enquadra-se nesse escopo dos filmes periféricos e também é representante de um nicho de produções que vêm sendo realizadas nas favelas brasileiras, identificado como cinema de periferia. O filme será analisado tanto em suas dimensões estéticas e formais quanto em suas estratégias de realização, observando como que as características dessa nova cena e do cinema periférico manifestam-se nesses aspectos.Não recebi financiamentoporUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarCinema periféricoCinema brasileiro contemporâneoFilmes de periferiaPeripheric cinemaContemporary brazilian cinemaLINGUISTICA, LETRAS E ARTESFilmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postalinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline6006009ff01ed0-dc13-4aac-9758-bdc08021a20finfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDissYBPS.pdfDissYBPS.pdfapplication/pdf1936799https://repositorio.ufscar.br/bitstream/ufscar/8281/1/DissYBPS.pdf2e9bb4515f7b7eedcdef59dec6a6e926MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/8281/2/license.txtae0398b6f8b235e40ad82cba6c50031dMD52TEXTDissYBPS.pdf.txtDissYBPS.pdf.txtExtracted texttext/plain314037https://repositorio.ufscar.br/bitstream/ufscar/8281/3/DissYBPS.pdf.txt8ba70804a350dfd2e85cbb8f29ae68a0MD53THUMBNAILDissYBPS.pdf.jpgDissYBPS.pdf.jpgIM Thumbnailimage/jpeg4605https://repositorio.ufscar.br/bitstream/ufscar/8281/4/DissYBPS.pdf.jpgc8dc4eb452a1dd92d0691cb70acc790fMD54ufscar/82812023-09-18 18:31:04.241oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:04Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
title |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
spellingShingle |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal Santos, Yasmin Bidim Pereira dos Cinema periférico Cinema brasileiro contemporâneo Filmes de periferia Peripheric cinema Contemporary brazilian cinema LINGUISTICA, LETRAS E ARTES |
title_short |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
title_full |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
title_fullStr |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
title_full_unstemmed |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
title_sort |
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal |
author |
Santos, Yasmin Bidim Pereira dos |
author_facet |
Santos, Yasmin Bidim Pereira dos |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/4758060017138002 |
dc.contributor.author.fl_str_mv |
Santos, Yasmin Bidim Pereira dos |
dc.contributor.advisor1.fl_str_mv |
Sá Neto, Arthur Autran Franco de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5055550097454248 |
dc.contributor.authorID.fl_str_mv |
6adb0ee2-1700-4732-83ba-01f613b59664 |
contributor_str_mv |
Sá Neto, Arthur Autran Franco de |
dc.subject.por.fl_str_mv |
Cinema periférico Cinema brasileiro contemporâneo Filmes de periferia |
topic |
Cinema periférico Cinema brasileiro contemporâneo Filmes de periferia Peripheric cinema Contemporary brazilian cinema LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Peripheric cinema Contemporary brazilian cinema |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of its own characteristics, highlighting non traditional subsidezed funds, exhibition and distribution options on alternative channels, such as the internet, film clubs and festivals, as well as aesthetic aspects of its production. Their movies can be understood as peripheric as they may be found outside the scope that includes instutionalized cinema. So 'Cartão Postal' (Josinaldo Medeiros and Wagner Novais, 2011) will be our study case, since it is a movie that can be called peripheric and it is also fit in a specific genre of movie that has been produced on favelas, called cinema de periferia. This movie will be studied on its formal aesthetic dimension as well as on its production strategies, observing how it can fit into some of the main characteristics of this new Brazilian scene. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-12-01 |
dc.date.accessioned.fl_str_mv |
2016-11-08T18:43:32Z |
dc.date.available.fl_str_mv |
2016-11-08T18:43:32Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Yasmin Bidim Pereira dos. Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal. 2015. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8281. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/8281 |
identifier_str_mv |
SANTOS, Yasmin Bidim Pereira dos. Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal. 2015. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/8281. |
url |
https://repositorio.ufscar.br/handle/ufscar/8281 |
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por |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de São Carlos Câmpus São Carlos |
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Programa de Pós-Graduação em Imagem e Som - PPGIS |
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UFSCar |
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Universidade Federal de São Carlos Câmpus São Carlos |
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