The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Outros Autores: | |
Tipo de documento: | preprint |
Idioma: | por |
Título da fonte: | SciELO Preprints |
Texto Completo: | https://preprints.scielo.org/index.php/scielo/preprint/view/7835 |
Resumo: | This study aims to understand the conceptualization of the feminine in the musical genres of funk and samba from the city of Rio in the perspective of Conceptual Metaphor Theory (CMT) (LAKOFF; JOHNSON, 2002 [1980]). The study was based on the analysis of two hundred (200) songs from both musical genres in Rio de Janeiro, divided equally - one hundred songs for each genre. The songs mentioned, in the context of funk, were released to the public between 2017 and 2021, by the artists Anitta, Dennis DJ, Lexa, Ludmilla, and Pocah, all born in the state capital of Rio de Janeiro. On the samba side, 100 songs were also collected, this time released between 2018 and 2022, written by Dudu Nobre, Mart'nália, Mumuzinho, Dilsinho and Martinho da Vila. A qualitative-quantitative methodological approach was used to analyze the lexicon, with interpretative aspects and the use of AntConc software to check the frequency of specific terms. In terms of the data related to funk carioca, the lexicon related to female body parts was relevant, especially “butt”, which had an average of 13.56 occurrences. On the other hand, samba carioca showed marked differences from funk songs in terms of gender representation, the presence of body parts and the use of conceptual metaphors. A significant frequency of occurrences of the word "heart" was observed in the context of the samba. In addition, the recurrence of elements of nature, such as water, sun, day and flowers, was identified, as licensed by conceptual metaphors structuring meanings relating to love themes and descriptions of female individuals. In short, this study demonstrates the metaphorical and metonymic divergences of both Rio musical genres, and the implication of such occurrences with the Rio social context and its reading of the WOMAN category. |
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The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and FunkA Conceptualização do Feminino na Música Popular Carioca: o Samba e o FunkTeoria da Metáfora ConceptualMetonímiaMetáforaFemininoMúsica Cariocaconceptual metaphor theorymetaphormetonymyfemininityCarioca Music This study aims to understand the conceptualization of the feminine in the musical genres of funk and samba from the city of Rio in the perspective of Conceptual Metaphor Theory (CMT) (LAKOFF; JOHNSON, 2002 [1980]). The study was based on the analysis of two hundred (200) songs from both musical genres in Rio de Janeiro, divided equally - one hundred songs for each genre. The songs mentioned, in the context of funk, were released to the public between 2017 and 2021, by the artists Anitta, Dennis DJ, Lexa, Ludmilla, and Pocah, all born in the state capital of Rio de Janeiro. On the samba side, 100 songs were also collected, this time released between 2018 and 2022, written by Dudu Nobre, Mart'nália, Mumuzinho, Dilsinho and Martinho da Vila. A qualitative-quantitative methodological approach was used to analyze the lexicon, with interpretative aspects and the use of AntConc software to check the frequency of specific terms. In terms of the data related to funk carioca, the lexicon related to female body parts was relevant, especially “butt”, which had an average of 13.56 occurrences. On the other hand, samba carioca showed marked differences from funk songs in terms of gender representation, the presence of body parts and the use of conceptual metaphors. A significant frequency of occurrences of the word "heart" was observed in the context of the samba. In addition, the recurrence of elements of nature, such as water, sun, day and flowers, was identified, as licensed by conceptual metaphors structuring meanings relating to love themes and descriptions of female individuals. In short, this study demonstrates the metaphorical and metonymic divergences of both Rio musical genres, and the implication of such occurrences with the Rio social context and its reading of the WOMAN category. No presente artigo, apresentamos estudo que buscou compreender a conceptualização do feminino nos gêneros musicais do funk e do samba cariocas à luz da Teoria da Metáfora Conceptual (LAKOFF; JOHNSON, 2002 [1980]). Para tanto, com base em metodologia de caráter qualiquantitativo, analisou-se, incialmente, o léxico relativo ao feminino em 100 canções pertencente ao funk carioca, produzidas por Anitta, Dennis DJ, Lexa, Ludmilla e Pocah no período de 2017 a 2021. Em seguida, para confirmação da prevalência da metonímia conceptual MULHER É BUNDA encontrada nas 100 canções pertencentes ao funk carioca, investigou-se o mencionado léxico em 100 canções do samba carioca, produzidas por Dudu Nobre, Mart'nália, Mumuzinho, Dilsinho e Martinho da Vila, no período de 2018 a 2022.Os dados indicaram a relevância da metonímia PARTE E TODO na conceptualização de feminino em ambas as canções, tendo em vista que: o item lexical ‘bunda’ obteve média de 13,56 ocorrências contra uma média de 1,95 – mão e cara - nas 100 canções pertencentes ao funk carioca; ‘boca’ e ‘coração’ obtiveram 56 e 54 ocorrências respectivamente contra 12 ocorrências de ‘mão’, 06 de ‘pé’, 04 de ‘peito’ e ‘rosto’, 03 de ‘braço’ e 02 de ‘cabelo’ e ‘língua’ nas 100 canções pertencentes ao samba carioca. Além disso, foi observada a relevância das metáforas conceptuais MULHER É ÁGUA, MULHER É DIA, MULHER É SOL e MULHER É FLOR nas cem canções pertencentes ao samba carioca. Concluiu-se que o conjunto de valores e crenças - hegemônico ou não - é relevante para estruturação do conceito de feminino no âmbito da sociedade carioca, já que foi possível observar, de um lado, a influência da nova moralidade advinda do culto ao corpo idealizado (GOLDENBERG, 2002) na emergência da metonímia conceptual MULHER É BUNDA encontrada nas 100 canções analisadas do funk carioca; e, de outro lado, a influência de valores da cultura afro-brasileira motivando as metáforas conceptuais MULHER É ÁGUA, MULHER É DIA, MULHER É SOL e MULHER É FLOR.SciELO PreprintsSciELO PreprintsSciELO Preprints2024-01-08info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/783510.1590/SciELOPreprints.7835porhttps://preprints.scielo.org/index.php/scielo/article/view/7835/14657Copyright (c) 2024 Laura da Costa, Fernanda Cavalcantihttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Laura daCavalcanti, Fernandareponame:SciELO Preprintsinstname:Scientific Electronic Library Online (SCIELO)instacron:SCI2024-01-04T18:38:39Zoai:ops.preprints.scielo.org:preprint/7835Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2024-01-04T18:38:39SciELO Preprints - Scientific Electronic Library Online (SCIELO)false |
dc.title.none.fl_str_mv |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk A Conceptualização do Feminino na Música Popular Carioca: o Samba e o Funk |
title |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
spellingShingle |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk Costa, Laura da Teoria da Metáfora Conceptual Metonímia Metáfora Feminino Música Carioca conceptual metaphor theory metaphor metonymy femininity Carioca Music |
title_short |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
title_full |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
title_fullStr |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
title_full_unstemmed |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
title_sort |
The Conceptualization of Femininity in Rio de Janeiro's Popular Music: Samba and Funk |
author |
Costa, Laura da |
author_facet |
Costa, Laura da Cavalcanti, Fernanda |
author_role |
author |
author2 |
Cavalcanti, Fernanda |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Laura da Cavalcanti, Fernanda |
dc.subject.por.fl_str_mv |
Teoria da Metáfora Conceptual Metonímia Metáfora Feminino Música Carioca conceptual metaphor theory metaphor metonymy femininity Carioca Music |
topic |
Teoria da Metáfora Conceptual Metonímia Metáfora Feminino Música Carioca conceptual metaphor theory metaphor metonymy femininity Carioca Music |
description |
This study aims to understand the conceptualization of the feminine in the musical genres of funk and samba from the city of Rio in the perspective of Conceptual Metaphor Theory (CMT) (LAKOFF; JOHNSON, 2002 [1980]). The study was based on the analysis of two hundred (200) songs from both musical genres in Rio de Janeiro, divided equally - one hundred songs for each genre. The songs mentioned, in the context of funk, were released to the public between 2017 and 2021, by the artists Anitta, Dennis DJ, Lexa, Ludmilla, and Pocah, all born in the state capital of Rio de Janeiro. On the samba side, 100 songs were also collected, this time released between 2018 and 2022, written by Dudu Nobre, Mart'nália, Mumuzinho, Dilsinho and Martinho da Vila. A qualitative-quantitative methodological approach was used to analyze the lexicon, with interpretative aspects and the use of AntConc software to check the frequency of specific terms. In terms of the data related to funk carioca, the lexicon related to female body parts was relevant, especially “butt”, which had an average of 13.56 occurrences. On the other hand, samba carioca showed marked differences from funk songs in terms of gender representation, the presence of body parts and the use of conceptual metaphors. A significant frequency of occurrences of the word "heart" was observed in the context of the samba. In addition, the recurrence of elements of nature, such as water, sun, day and flowers, was identified, as licensed by conceptual metaphors structuring meanings relating to love themes and descriptions of female individuals. In short, this study demonstrates the metaphorical and metonymic divergences of both Rio musical genres, and the implication of such occurrences with the Rio social context and its reading of the WOMAN category. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-01-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/preprint info:eu-repo/semantics/publishedVersion |
format |
preprint |
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publishedVersion |
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https://preprints.scielo.org/index.php/scielo/preprint/view/7835 10.1590/SciELOPreprints.7835 |
url |
https://preprints.scielo.org/index.php/scielo/preprint/view/7835 |
identifier_str_mv |
10.1590/SciELOPreprints.7835 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://preprints.scielo.org/index.php/scielo/article/view/7835/14657 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Laura da Costa, Fernanda Cavalcanti https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Laura da Costa, Fernanda Cavalcanti https://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
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SciELO Preprints SciELO Preprints SciELO Preprints |
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SciELO Preprints SciELO Preprints SciELO Preprints |
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