Artifacts and bodily acts of memory: art and life to think the fine line of the present
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | preprint |
Idioma: | por |
Título da fonte: | SciELO Preprints |
Texto Completo: | https://preprints.scielo.org/index.php/scielo/preprint/view/5454 |
Resumo: | A comparative analysis of artistic productions, called artifacts and bodily acts of memory, is proposed, which have in common the expression of Latin American collective traumas, from the physical and cultural genocide promoted by colonization to military dictatorships, passing through the contemporary migration crisis. One of the assumptions made is that both the archive (book literature, for example) and the repertoire (incorporated practices) constitute legitimate modes of memory transmission. Meruane's novel, Sistema nervioso (2019), Guzmán's documentary, Nostalgia de la luz (2010), poems and performances by Vicuña and Galindo, Fontes' sculpture are considered, as well the act of searching for bones in the desert by the women of Calama is incorporated to the analysis as performance. It is presented as a second assumption that these artifacts and bodily acts of memory challenge the real in a forceful way and that they contribute to elaborate collective traumas, or, to “get out of the crypt”: to untie the knots of memory and socially experience mourning. |
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Artifacts and bodily acts of memory: art and life to think the fine line of the presentArtefactos y actos corporales de memoria: arte y vida para pensar la línea delgada del presenteArtefatos e atos corporais de memória: arte e vida para pensar a fina linha do presentePoesiaPerformanceMemóriaTraumaAmérica LatinaPoetryPerformanceMemoryTraumaLatin AmericaPoesíaPerformanceMemoriaTraumaAmérica LatinaA comparative analysis of artistic productions, called artifacts and bodily acts of memory, is proposed, which have in common the expression of Latin American collective traumas, from the physical and cultural genocide promoted by colonization to military dictatorships, passing through the contemporary migration crisis. One of the assumptions made is that both the archive (book literature, for example) and the repertoire (incorporated practices) constitute legitimate modes of memory transmission. Meruane's novel, Sistema nervioso (2019), Guzmán's documentary, Nostalgia de la luz (2010), poems and performances by Vicuña and Galindo, Fontes' sculpture are considered, as well the act of searching for bones in the desert by the women of Calama is incorporated to the analysis as performance. It is presented as a second assumption that these artifacts and bodily acts of memory challenge the real in a forceful way and that they contribute to elaborate collective traumas, or, to “get out of the crypt”: to untie the knots of memory and socially experience mourning.Se propone un análisis comparativo de producciones artísticas, llamadas artefactos y actos corporales de memoria, que tienen en común la expresión de traumas colectivos latinoamericanos, desde el genocidio físico y cultural llevado a cabo por la colonización a las dictaduras militares, pasando por la crisis de migraciones contemporánea. Una de las hipótesis presentadas es la de que tanto el archivo (la literatura en libro, p.e.) como el repertorio (las prácticas incorporadas) constituyen modos legítimos de transmisión de memoria. Se piensan la novela de Meruane, Sistema nervioso (2019), el documental de Guzmán, Nostalgia de la luz (2010), poemas y performances de Vicuña y Galindo, la escultura de Fontes y el acto de búsqueda de huesos en el desierto por la mujeres de Calama como performance. Se presenta una segunda hipótesis: esos artefactos y actos corporales de memoria interpelan lo real de manera contundente y contribuyen para elaborar traumas colectivos, o, para “salir de la cripta”: desatar los nudos de memoria y vivir socialmente el luto.Propõe-se uma análise comparativa de produções artísticas, chamadas artefatos e atos corporais de memória, que possuem em comum a expressão de traumas coletivos latino-americanos, desde o genocídio físico e cultural promovido pela colonização às ditaduras militares, passando pela crise de migrações contemporânea. Um dos pressupostos apresentados é o de que tanto o arquivo (a literatura em livro, p.e.) quanto o repertório (as práticas incorporadas) constituem modos legítimos de transmissão de memória. São pensados o romance de Meruane, Sistema nervioso (2019), o documentário de Guzmán, Nostalgia de la luz (2010), poemas e performances de Vicuña e Galindo, a escultura de Fontes e o ato de busca de ossos no deserto pelas mulheres de Calama como performance. Apresenta-se como segundo pressuposto o de que estes artefatos e atos corporais de memória interpelam o real de modo contundente e que contribuem para elaborar traumas coletivos, ou, para “sair da cripta”: desatar os nós de memória e vivenciar socialmente o luto.SciELO PreprintsSciELO PreprintsSciELO Preprints2023-01-20info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/545410.1590/SciELOPreprints.5454porhttps://preprints.scielo.org/index.php/scielo/article/view/5454/10528Copyright (c) 2023 Eleonora Frenkel Barrettohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBarretto, Eleonora Frenkelreponame:SciELO Preprintsinstname:Scientific Electronic Library Online (SCIELO)instacron:SCI2023-01-18T00:32:27Zoai:ops.preprints.scielo.org:preprint/5454Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2023-01-18T00:32:27SciELO Preprints - Scientific Electronic Library Online (SCIELO)false |
dc.title.none.fl_str_mv |
Artifacts and bodily acts of memory: art and life to think the fine line of the present Artefactos y actos corporales de memoria: arte y vida para pensar la línea delgada del presente Artefatos e atos corporais de memória: arte e vida para pensar a fina linha do presente |
title |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
spellingShingle |
Artifacts and bodily acts of memory: art and life to think the fine line of the present Barretto, Eleonora Frenkel Poesia Performance Memória Trauma América Latina Poetry Performance Memory Trauma Latin America Poesía Performance Memoria Trauma América Latina |
title_short |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
title_full |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
title_fullStr |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
title_full_unstemmed |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
title_sort |
Artifacts and bodily acts of memory: art and life to think the fine line of the present |
author |
Barretto, Eleonora Frenkel |
author_facet |
Barretto, Eleonora Frenkel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barretto, Eleonora Frenkel |
dc.subject.por.fl_str_mv |
Poesia Performance Memória Trauma América Latina Poetry Performance Memory Trauma Latin America Poesía Performance Memoria Trauma América Latina |
topic |
Poesia Performance Memória Trauma América Latina Poetry Performance Memory Trauma Latin America Poesía Performance Memoria Trauma América Latina |
description |
A comparative analysis of artistic productions, called artifacts and bodily acts of memory, is proposed, which have in common the expression of Latin American collective traumas, from the physical and cultural genocide promoted by colonization to military dictatorships, passing through the contemporary migration crisis. One of the assumptions made is that both the archive (book literature, for example) and the repertoire (incorporated practices) constitute legitimate modes of memory transmission. Meruane's novel, Sistema nervioso (2019), Guzmán's documentary, Nostalgia de la luz (2010), poems and performances by Vicuña and Galindo, Fontes' sculpture are considered, as well the act of searching for bones in the desert by the women of Calama is incorporated to the analysis as performance. It is presented as a second assumption that these artifacts and bodily acts of memory challenge the real in a forceful way and that they contribute to elaborate collective traumas, or, to “get out of the crypt”: to untie the knots of memory and socially experience mourning. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/preprint info:eu-repo/semantics/publishedVersion |
format |
preprint |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://preprints.scielo.org/index.php/scielo/preprint/view/5454 10.1590/SciELOPreprints.5454 |
url |
https://preprints.scielo.org/index.php/scielo/preprint/view/5454 |
identifier_str_mv |
10.1590/SciELOPreprints.5454 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://preprints.scielo.org/index.php/scielo/article/view/5454/10528 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Eleonora Frenkel Barretto https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Eleonora Frenkel Barretto https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SciELO Preprints SciELO Preprints SciELO Preprints |
publisher.none.fl_str_mv |
SciELO Preprints SciELO Preprints SciELO Preprints |
dc.source.none.fl_str_mv |
reponame:SciELO Preprints instname:Scientific Electronic Library Online (SCIELO) instacron:SCI |
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Scientific Electronic Library Online (SCIELO) |
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SCI |
institution |
SCI |
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SciELO Preprints |
collection |
SciELO Preprints |
repository.name.fl_str_mv |
SciELO Preprints - Scientific Electronic Library Online (SCIELO) |
repository.mail.fl_str_mv |
scielo.submission@scielo.org |
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1797047810515795968 |