Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma

Detalhes bibliográficos
Autor(a) principal: Carreiro, Rodrigo
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/270
Resumo: Most 1960s and 1970s film critics minimized or dismissed the aesthetic value of the films linked to the spaghetti Western cycle, produced at that time in the Italy-Spain axis. However, Sergio Leone, aleading film maker to emerge from the cycle, broke this barrier and became an influential director over the years. This article aims tomaphow this trajectory occurred and to assess the reasons why this change took place in the statute of value linked to the work of Leone, takingas a case study a collection of all the texts published in the journal Cahiers du Cinema - an obligatory reference in inter- national film criticism -, since 1964, about the director’s films.
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spelling Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du CinémaEra uma vez... a revolução: a trajetória de Sergio Leone nas páginas da Cahiers du Cinémafilm historyfilm criticismWesternhistória do cinemacrítica de cinemawesternMost 1960s and 1970s film critics minimized or dismissed the aesthetic value of the films linked to the spaghetti Western cycle, produced at that time in the Italy-Spain axis. However, Sergio Leone, aleading film maker to emerge from the cycle, broke this barrier and became an influential director over the years. This article aims tomaphow this trajectory occurred and to assess the reasons why this change took place in the statute of value linked to the work of Leone, takingas a case study a collection of all the texts published in the journal Cahiers du Cinema - an obligatory reference in inter- national film criticism -, since 1964, about the director’s films.A maior parte dos críticos cinematográficos dos anos 1960-70 minimizou ou despre- zou o valor estético dos filmes vinculados ao ciclo de spaghetti westerns, produzidos naquela época no eixo Itália-Espanha. No entanto, Sergio Leone, principal cineasta a emergir do ciclo, rompeu essa barreira ao longo dos anos e se tornou um diretor respeitado pela crítica. Mapear como ocorreu essa trajetória e avaliar os motivos que levaram a essa mudança no estatuto de valor associado ao trabalho de Leone são os objetivos deste artigo, que toma como estudo de caso a coleção de todos os textos sobre os filmes do diretor publicados, a partir de 1964, na revista Cahiers du Cinéma, referência obrigatória na crítica cinematográfica internacional.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2016-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionavaliado por pares, temas livresapplication/pdfhttps://rebeca.socine.org.br/1/article/view/27010.22475/rebeca.v1n1.270REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 1 No. 1 (2012): REBECA 1; 27REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 1 Núm. 1 (2012): REBECA 1; 27Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 1 n. 1 (2012): REBECA 1; 272316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/270/73Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessCarreiro, Rodrigo2016-07-25T22:53:12Zoai:ojs.emnuvens.com.br:article/270Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2016-07-25T22:53:12Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
Era uma vez... a revolução: a trajetória de Sergio Leone nas páginas da Cahiers du Cinéma
title Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
spellingShingle Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
Carreiro, Rodrigo
film history
film criticism
Western
história do cinema
crítica de cinema
western
title_short Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
title_full Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
title_fullStr Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
title_full_unstemmed Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
title_sort Once upon a time... the revolution: the trajectory of Sergio Leone in the pages of Cahiers du Cinéma
author Carreiro, Rodrigo
author_facet Carreiro, Rodrigo
author_role author
dc.contributor.author.fl_str_mv Carreiro, Rodrigo
dc.subject.por.fl_str_mv film history
film criticism
Western
história do cinema
crítica de cinema
western
topic film history
film criticism
Western
história do cinema
crítica de cinema
western
description Most 1960s and 1970s film critics minimized or dismissed the aesthetic value of the films linked to the spaghetti Western cycle, produced at that time in the Italy-Spain axis. However, Sergio Leone, aleading film maker to emerge from the cycle, broke this barrier and became an influential director over the years. This article aims tomaphow this trajectory occurred and to assess the reasons why this change took place in the statute of value linked to the work of Leone, takingas a case study a collection of all the texts published in the journal Cahiers du Cinema - an obligatory reference in inter- national film criticism -, since 1964, about the director’s films.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
avaliado por pares, temas livres
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/270
10.22475/rebeca.v1n1.270
url https://rebeca.socine.org.br/1/article/view/270
identifier_str_mv 10.22475/rebeca.v1n1.270
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/270/73
dc.rights.driver.fl_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 1 No. 1 (2012): REBECA 1; 27
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 1 Núm. 1 (2012): REBECA 1; 27
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 1 n. 1 (2012): REBECA 1; 27
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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