About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/384 |
Resumo: | Since 1973, takes place in Burkina Faso, West Africa, the Pan-African Film and Television Festival of Ouagadougou (FESPACO). It is the largest and oldest audiovisual event in Africa, including the exhibition, awards and discussion of films produced throughout the African continent and its diasporic territories. It is a ritual event conceived by Burkinabé leaders of the anti colonial revolution of the 1960s, who perceived in the cinema like a form of struggle and liberation. The maintenance of a festival with all this expansion is justified, according to organizers of FESPACO, due to the enormous need that the African countries feel of deconstruction the images and memories produced by the colonial-capitalist world system, on Africa and its populations. Imaginary perpetrated by the perverse and solid emotional and sensorial legacy created by the colonial system. Therefore, in this article, I present the discussion that I have been developing since 2014, as a PhD research project in Sociology of Cinema, in which I investigate the role of FESPACO in the process of strengthening an African cinema that proposes to decolonize representations and discourses produced about the continent. |
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About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinemaSobre a colonialidade do pensamento em imagens e a reinvenção da negritude no Fespaco: maior festival de cinema africanoCinema NegroTeoria DecolonialAutorrepresentaçãoPan-AfricanismoSince 1973, takes place in Burkina Faso, West Africa, the Pan-African Film and Television Festival of Ouagadougou (FESPACO). It is the largest and oldest audiovisual event in Africa, including the exhibition, awards and discussion of films produced throughout the African continent and its diasporic territories. It is a ritual event conceived by Burkinabé leaders of the anti colonial revolution of the 1960s, who perceived in the cinema like a form of struggle and liberation. The maintenance of a festival with all this expansion is justified, according to organizers of FESPACO, due to the enormous need that the African countries feel of deconstruction the images and memories produced by the colonial-capitalist world system, on Africa and its populations. Imaginary perpetrated by the perverse and solid emotional and sensorial legacy created by the colonial system. Therefore, in this article, I present the discussion that I have been developing since 2014, as a PhD research project in Sociology of Cinema, in which I investigate the role of FESPACO in the process of strengthening an African cinema that proposes to decolonize representations and discourses produced about the continent.Desde 1973, acontece em Burkina Faso, África Ocidental, o Festival Pan-Africano de Cinema e Televisão de Ouagadougou (FESPACO). Trata-se do maior e mais antigo evento audiovisual que ocorre em África, incluindo a exposição, premiação e discussão de filmes produzidos em todo o continente africano e seus territórios diaspóricos. Tal evento-ritual foi concebido por líderes burkinabés da revolução anticolonial dos anos 1960, que perceberam no cinema uma forma de luta e libertação. A manutenção de um festival tão grande se justifica, segundo organizadores do FESPACO, em função da enorme necessidade que os países africanos sentem de desconstrução das imagens e memórias produzidas pelo sistema-mundo colonial capitalista sobre a África e suas populações. Imaginário perpetrado diante do perverso e sólido legado afetivo e sensorial criado pelo sistema colonial. Portanto, neste artigo, apresento a discussão que venho desenvolvendo desde 2014, como projeto de pesquisa de doutorado em Sociologia do Cinema, na qual investigo o papel do FESPACO no processo de fortalecimento de um cinema africano que se propõe a descolonizar representações e discursos produzidos sobre o continente.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2017-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/38410.22475/rebeca.v5n2.384REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 102316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/384/232Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessde Oliveira, Maíra Zenun2017-03-31T19:03:56Zoai:ojs.emnuvens.com.br:article/384Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2017-03-31T19:03:56Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema Sobre a colonialidade do pensamento em imagens e a reinvenção da negritude no Fespaco: maior festival de cinema africano |
title |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
spellingShingle |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema de Oliveira, Maíra Zenun Cinema Negro Teoria Decolonial Autorrepresentação Pan-Africanismo |
title_short |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
title_full |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
title_fullStr |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
title_full_unstemmed |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
title_sort |
About the coloniality of the thought in images and the reinvention of the negritude in the FESPACO: the major African festival cinema |
author |
de Oliveira, Maíra Zenun |
author_facet |
de Oliveira, Maíra Zenun |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Oliveira, Maíra Zenun |
dc.subject.por.fl_str_mv |
Cinema Negro Teoria Decolonial Autorrepresentação Pan-Africanismo |
topic |
Cinema Negro Teoria Decolonial Autorrepresentação Pan-Africanismo |
description |
Since 1973, takes place in Burkina Faso, West Africa, the Pan-African Film and Television Festival of Ouagadougou (FESPACO). It is the largest and oldest audiovisual event in Africa, including the exhibition, awards and discussion of films produced throughout the African continent and its diasporic territories. It is a ritual event conceived by Burkinabé leaders of the anti colonial revolution of the 1960s, who perceived in the cinema like a form of struggle and liberation. The maintenance of a festival with all this expansion is justified, according to organizers of FESPACO, due to the enormous need that the African countries feel of deconstruction the images and memories produced by the colonial-capitalist world system, on Africa and its populations. Imaginary perpetrated by the perverse and solid emotional and sensorial legacy created by the colonial system. Therefore, in this article, I present the discussion that I have been developing since 2014, as a PhD research project in Sociology of Cinema, in which I investigate the role of FESPACO in the process of strengthening an African cinema that proposes to decolonize representations and discourses produced about the continent. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-03-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/384 10.22475/rebeca.v5n2.384 |
url |
https://rebeca.socine.org.br/1/article/view/384 |
identifier_str_mv |
10.22475/rebeca.v5n2.384 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/384/232 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10 REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 10 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
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1809730936990859264 |