An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/937 |
Resumo: | This essay presents a critical reading of the film The Northman (2022) considering the characteristics of its genre (epic) in cinema and ways to redefine its codes, as well as the dialogues established with it. We propose that Robert Eggers' film accomplishes this through the construction of an atmosphere on horror. We also consider the dialogue with the history of drama as a way to contribute to this atmosphere by exploring some characters and characteristic moments of the terrifying pathos in drama (from the classical Greek period to Shakespeare), at the same time that the old archetypes are challenged with new developments of differentiated places of meaning for the characters. |
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An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphereUna epopeya de terror en el cine contemporáneo: The Northman (2022) y la construcción de la atmósferaUm épico de terror no cinema contemporâneo: The Northman (2022) e a construção de atmosferaCinema épicoTerrorRobert EggersDramaCinema contemporâneoCinema épicoCinema de terrorCinema norte-americanoEpic cinemaHorrorRobert EggersDramaCine épicoHorrorRobert EggersDramaThis essay presents a critical reading of the film The Northman (2022) considering the characteristics of its genre (epic) in cinema and ways to redefine its codes, as well as the dialogues established with it. We propose that Robert Eggers' film accomplishes this through the construction of an atmosphere on horror. We also consider the dialogue with the history of drama as a way to contribute to this atmosphere by exploring some characters and characteristic moments of the terrifying pathos in drama (from the classical Greek period to Shakespeare), at the same time that the old archetypes are challenged with new developments of differentiated places of meaning for the characters.Este ensayo presenta una lectura crítica de la película The Northman (2022) considerando las características de su género (épico) en el cine y formas de redefinir sus códigos, así como los diálogos que se establecen con ella, tal como proponemos que la película de Robert Eggers logra a través de la construcción de una atmósfera de terror. También consideramos el diálogo con la historia de la dramaturgia como una forma de contribuir a este ambiente explorando algunos personajes y momentos característicos del pathos aterrador en el drama (desde el período clásico griego hasta Shakespeare), al mismo tiempo que se recuperan los viejos arquetipos. desafiado con nuevos desarrollos de lugares diferenciados de significado para los personajes.Este ensaio apresenta uma leitura crítica do filme The Northman (2022) considerando as características próprias de seu gênero (épico) no cinema e maneiras de redefinir seus códigos, bem como os diálogos estabelecidos com ele, conforme propomos que o filme de Robert Eggers realiza através da construção de uma atmosfera de terror. Consideramos também o diálogo com a história da dramaturgia como maneira de contribuir para essa atmosfera pela exploração de algumas figuras e momentos característicos do pathos aterrorizante no drama (do período grego clássico a Shakespeare), ao mesmo tempo em que os velhos arquétipos são desafiados a novos desenvolvimentos de lugares de significação diferenciados para os personagens.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/93710.22475/rebeca.v13n1.937Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 252316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/937/616Copyright (c) 2024 Luis Guilherme Comar Frezahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessComar Freza, Luis Guilherme2024-07-02T23:33:35Zoai:ojs.emnuvens.com.br:article/937Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-07-02T23:33:35Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere Una epopeya de terror en el cine contemporáneo: The Northman (2022) y la construcción de la atmósfera Um épico de terror no cinema contemporâneo: The Northman (2022) e a construção de atmosfera |
title |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
spellingShingle |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere Comar Freza, Luis Guilherme Cinema épico Terror Robert Eggers Drama Cinema contemporâneo Cinema épico Cinema de terror Cinema norte-americano Epic cinema Horror Robert Eggers Drama Cine épico Horror Robert Eggers Drama |
title_short |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
title_full |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
title_fullStr |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
title_full_unstemmed |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
title_sort |
An epic of terror in contemporary cinema: The Northman (2022) and the construction of atmosphere |
author |
Comar Freza, Luis Guilherme |
author_facet |
Comar Freza, Luis Guilherme |
author_role |
author |
dc.contributor.author.fl_str_mv |
Comar Freza, Luis Guilherme |
dc.subject.por.fl_str_mv |
Cinema épico Terror Robert Eggers Drama Cinema contemporâneo Cinema épico Cinema de terror Cinema norte-americano Epic cinema Horror Robert Eggers Drama Cine épico Horror Robert Eggers Drama |
topic |
Cinema épico Terror Robert Eggers Drama Cinema contemporâneo Cinema épico Cinema de terror Cinema norte-americano Epic cinema Horror Robert Eggers Drama Cine épico Horror Robert Eggers Drama |
description |
This essay presents a critical reading of the film The Northman (2022) considering the characteristics of its genre (epic) in cinema and ways to redefine its codes, as well as the dialogues established with it. We propose that Robert Eggers' film accomplishes this through the construction of an atmosphere on horror. We also consider the dialogue with the history of drama as a way to contribute to this atmosphere by exploring some characters and characteristic moments of the terrifying pathos in drama (from the classical Greek period to Shakespeare), at the same time that the old archetypes are challenged with new developments of differentiated places of meaning for the characters. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-07-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/937 10.22475/rebeca.v13n1.937 |
url |
https://rebeca.socine.org.br/1/article/view/937 |
identifier_str_mv |
10.22475/rebeca.v13n1.937 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/937/616 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Luis Guilherme Comar Freza http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Luis Guilherme Comar Freza http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 25 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
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1809730936159338496 |