Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict

Detalhes bibliográficos
Autor(a) principal: Gomes Barbosa, Karina
Data de Publicação: 2024
Outros Autores: Castro, Rodrigo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/1094
Resumo: This paper seeks to understand how Palestinian filmmaker Larissa Sansour mobilizes the Palestinian anti-colonialist struggle against a Zionist occupation, through the film analysis of Patrimônio Nacional (2013). In addition to reflecting on the interactions between the film's images within the narrative itself, we relate the work to the categories of violence, territory, temporality and traces; interviews with the filmmaker about her work and a situation in Palestine; and with the recent events after October 7, 2023. Furthermore, we investigated how Sansour appropriates the science fiction genre and its tropes as constituent elements to create a manifesto film based on decolonial theories from authors such as Achille Mbembe (2018), Ilan Pappé (2016) and Edward Said (2012), tensioning their concepts and notes together with the filmic narrative, especially those that refer to the prolonged effects of colonization processes such as the one established by Israel in Palestine since 1948. More than reflecting on the colonization, we understand that Larissa Sansour, through Patrimonio Nacional, establishes herself as an anti-colonial force, delivering a scathing critique of Zionism and the capitalist enterprises that accompany processes of coloniality like this.
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spelling Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflictEl cine de Larissa Sansour y la solución de un solo Estado al conflicto palestino-israelíO cinema de Larissa Sansour e a solução de um Estado no conflito Israel-PalestinaLarissa SansourPalestinian cinemaAnti-colonialismScience fictionPalestinian cinemaLarissa SansourCine palestinoAnticolonialismoCiencia ficciónCine palestinoLarissa SansourCinema palestinoAnticolonialismoFicção científicaCinema palestinoThis paper seeks to understand how Palestinian filmmaker Larissa Sansour mobilizes the Palestinian anti-colonialist struggle against a Zionist occupation, through the film analysis of Patrimônio Nacional (2013). In addition to reflecting on the interactions between the film's images within the narrative itself, we relate the work to the categories of violence, territory, temporality and traces; interviews with the filmmaker about her work and a situation in Palestine; and with the recent events after October 7, 2023. Furthermore, we investigated how Sansour appropriates the science fiction genre and its tropes as constituent elements to create a manifesto film based on decolonial theories from authors such as Achille Mbembe (2018), Ilan Pappé (2016) and Edward Said (2012), tensioning their concepts and notes together with the filmic narrative, especially those that refer to the prolonged effects of colonization processes such as the one established by Israel in Palestine since 1948. More than reflecting on the colonization, we understand that Larissa Sansour, through Patrimonio Nacional, establishes herself as an anti-colonial force, delivering a scathing critique of Zionism and the capitalist enterprises that accompany processes of coloniality like this.Este artículo busca comprender cómo la cineasta palestina Larissa Sansour moviliza la lucha anticolonialista palestina contra una ocupación sionista a través del análisis cinematográfico de Patrimônio Nacional (2013). Además de reflexionar sobre las interacciones entre las imágenes de la película dentro de la propia narrativa, relacionamos la obra con las categorías de violencia, territorio, temporalidad y huellas; entrevistas con la cineasta sobre su trabajo y la situación en Palestina; y con los acontecimientos recientes posteriores al 7 de octubre de 2023. Además, investigamos cómo Sansour se apropia del género de ciencia ficción y sus tropos y elementos constitutivos para crear una película manifiesto basada en teorías decoloniales de autores como Achille Mbembe (2018), Ilan Pappé (2016) y Edward Said (2012), tensionando sus conceptos y apuntes junto con la narrativa fílmica, especialmente aquellos que hacen referencia a los efectos prolongados de procesos de colonización como el establecido por Israel en Palestina desde 1948. Más que reflexionar sobre la colonización, entendemos que Larissa Sansour, a través de Patrimonio nacional, se establece como una fuerza anticolonial, lanzando una crítica mordaz al sionismo y a las empresas capitalistas que acompañan  procesos de colonialidad como este.Este artigo busca compreender como a cineasta palestina Larissa Sansour mobiliza a luta anticolonialista palestina contra a ocupação sionista através da análise fílmica de Patrimônio Nacional (2013). Além de refletir a respeito das interações entre as imagens do filme dentro da própria narrativa, relacionamos a obra com as categorias violência, território, temporalidade e vestígios; entrevistas da cineasta sobre seu trabalho e a situação da Palestina; e com os recentes acontecimentos pós 7 de outubro de 2023. Além disso, investigamos como Sansour se apropria do gênero da ficção científica e seus tropos, como elementos constitutivos para criar um filme-manifesto baseado nas teorias decoloniais de autores como Achille Mbembe (2018), Ilan Pappé (2016) e Edward Said (2012), tensionando os conceitos e apontamentos deles junto à narrativa fílmica, principalmente os que se referem aos efeitos prolongados de processos de colonização como o estabelecido por Israel na Palestina desde 1948. Mais do que refletir sobre a colonização, entendemos que Larissa Sansour, através de Patrimonio Nacional, se estabelece como uma força anticolonial, endereçando uma contundente crítica ao sionismo e aos empreendimentos capitalistas que acompanham processos de colonialidade como este.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/109410.22475/rebeca.v13n1.1094Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 252316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/1094/631Copyright (c) 2024 Karina Gomes Barbosa, Rodrigo Castrohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGomes Barbosa, KarinaCastro, Rodrigo2024-07-02T23:33:28Zoai:ojs.emnuvens.com.br:article/1094Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-07-02T23:33:28Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
El cine de Larissa Sansour y la solución de un solo Estado al conflicto palestino-israelí
O cinema de Larissa Sansour e a solução de um Estado no conflito Israel-Palestina
title Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
spellingShingle Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
Gomes Barbosa, Karina
Larissa Sansour
Palestinian cinema
Anti-colonialism
Science fiction
Palestinian cinema
Larissa Sansour
Cine palestino
Anticolonialismo
Ciencia ficción
Cine palestino
Larissa Sansour
Cinema palestino
Anticolonialismo
Ficção científica
Cinema palestino
title_short Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
title_full Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
title_fullStr Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
title_full_unstemmed Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
title_sort Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict
author Gomes Barbosa, Karina
author_facet Gomes Barbosa, Karina
Castro, Rodrigo
author_role author
author2 Castro, Rodrigo
author2_role author
dc.contributor.author.fl_str_mv Gomes Barbosa, Karina
Castro, Rodrigo
dc.subject.por.fl_str_mv Larissa Sansour
Palestinian cinema
Anti-colonialism
Science fiction
Palestinian cinema
Larissa Sansour
Cine palestino
Anticolonialismo
Ciencia ficción
Cine palestino
Larissa Sansour
Cinema palestino
Anticolonialismo
Ficção científica
Cinema palestino
topic Larissa Sansour
Palestinian cinema
Anti-colonialism
Science fiction
Palestinian cinema
Larissa Sansour
Cine palestino
Anticolonialismo
Ciencia ficción
Cine palestino
Larissa Sansour
Cinema palestino
Anticolonialismo
Ficção científica
Cinema palestino
description This paper seeks to understand how Palestinian filmmaker Larissa Sansour mobilizes the Palestinian anti-colonialist struggle against a Zionist occupation, through the film analysis of Patrimônio Nacional (2013). In addition to reflecting on the interactions between the film's images within the narrative itself, we relate the work to the categories of violence, territory, temporality and traces; interviews with the filmmaker about her work and a situation in Palestine; and with the recent events after October 7, 2023. Furthermore, we investigated how Sansour appropriates the science fiction genre and its tropes as constituent elements to create a manifesto film based on decolonial theories from authors such as Achille Mbembe (2018), Ilan Pappé (2016) and Edward Said (2012), tensioning their concepts and notes together with the filmic narrative, especially those that refer to the prolonged effects of colonization processes such as the one established by Israel in Palestine since 1948. More than reflecting on the colonization, we understand that Larissa Sansour, through Patrimonio Nacional, establishes herself as an anti-colonial force, delivering a scathing critique of Zionism and the capitalist enterprises that accompany processes of coloniality like this.
publishDate 2024
dc.date.none.fl_str_mv 2024-07-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/1094
10.22475/rebeca.v13n1.1094
url https://rebeca.socine.org.br/1/article/view/1094
identifier_str_mv 10.22475/rebeca.v13n1.1094
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/1094/631
dc.rights.driver.fl_str_mv Copyright (c) 2024 Karina Gomes Barbosa, Rodrigo Castro
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Karina Gomes Barbosa, Rodrigo Castro
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 25
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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