The construction of dialogues in Wes Anderson

Detalhes bibliográficos
Autor(a) principal: Bolzan Quaioti, Henrique
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/953
Resumo: This article aims to understand the construction of dialogues in the movie The Grand Budapest Hotel (2014), by director Wes Anderson. We analyze the rhythm of the characters’ dialogues, particularly the interaction between M. Gustave H. and Zero. Our intention with this article is the stylistic analysis of sound as a rhythm control tool through dialogue. The film analysis method focused on the characters’ dialogues can help providing acting analysis tools. For the analysis of the dialogues, we use two approaches: one proposed by Lea Jacobs (1998), of counting words per second, and another proposed by Débora Regina Opolski (2018), of the style of the spoken voice in fiction cinema. As a result, the article points out that Anderson works the dialogues of his films in an artificial and implausible way.
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spelling The construction of dialogues in Wes Anderson La construcción de diálogos en Wes Anderson A construção de diálogos em Wes AndersonWes AndersonThe Grand Budapest HotelDialogueActingWes AndersonThe Grand Budapest HotelDialogueActingWes AndersonEl Gran Hotel BudapestdiálogoactuaciónWes AndersonEl Gran Hotel BudapestDiálogoActuaciónWes AndersonO Grande Hotel BudapesteDiálogo AtuaçãoWes AndersonO Grande Hotel BudapesteDiálogoAtuaçãoThis article aims to understand the construction of dialogues in the movie The Grand Budapest Hotel (2014), by director Wes Anderson. We analyze the rhythm of the characters’ dialogues, particularly the interaction between M. Gustave H. and Zero. Our intention with this article is the stylistic analysis of sound as a rhythm control tool through dialogue. The film analysis method focused on the characters’ dialogues can help providing acting analysis tools. For the analysis of the dialogues, we use two approaches: one proposed by Lea Jacobs (1998), of counting words per second, and another proposed by Débora Regina Opolski (2018), of the style of the spoken voice in fiction cinema. As a result, the article points out that Anderson works the dialogues of his films in an artificial and implausible way.La intención de este artículo es comprender la construcción de diálogos en la película El Gran Hotel Budapest (2014), del director Wes Anderson. Analizo el ritmo de los diálogos de los personajes, sobre todo la interacción entre Monsieur Gustave H. y Zero. Mi intención con este artículo es el análisis estilístico del sonido como herramienta de control del ritmo a través del diálogo. El método de análisis fílmico centrado en los diálogos de los personajes puede ayudar a proporcionar herramientas de análisis de la actuación. Para el análisis de los diálogos utilizo dos enfoques: uno propuesto por Lea Jacobs (1998), de contar palabras por segundo, y otro propuesto por Débora Regina Opolski (2018), del estilo de la voz hablada en el cine de ficción. En consecuencia, el artículo señala que Anderson trabaja los diálogos de sus películas de manera artificial e inverosímil.O objetivo deste artigo é entender a construção de diálogos do filme O Grande Hotel Budapeste (The Grand Budapest Hotel, 2014), do diretor Wes Anderson. Analiso o ritmo dos diálogos dos personagens, principalmente a interação entre M. Gustave H. e Zero. O meu intuito com este artigo é a análise estilística do som como ferramenta de controle de ritmo através do diálogo. O método de análise fílmica focado nos diálogos dos personagens pode ajudar a fornecer ferramentas de análise de atuação. Para a análise dos diálogos, uso duas abordagens: uma proposta por Lea Jacobs (1998), de contagem de palavras por segundo, e outra proposta por Débora Regina Opolski (2018), do estilo da voz falada no cinema de ficção. Como resultado, o artigo aponta que Anderson trabalha os diálogos dos seus filmes de forma artificiosa e inverossímil.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-01-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoArtigo avaliado pelos paresTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/95310.22475/rebeca.v12n2.953Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 242316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/953/580Copyright (c) 2023 Henrique Bolzan Quaiotihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBolzan Quaioti, Henrique2024-01-13T13:45:45Zoai:ojs.emnuvens.com.br:article/953Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-01-13T13:45:45Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv The construction of dialogues in Wes Anderson
La construcción de diálogos en Wes Anderson
A construção de diálogos em Wes Anderson
title The construction of dialogues in Wes Anderson
spellingShingle The construction of dialogues in Wes Anderson
Bolzan Quaioti, Henrique
Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
El Gran Hotel Budapest
diálogo
actuación
Wes Anderson
El Gran Hotel Budapest
Diálogo
Actuación
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
title_short The construction of dialogues in Wes Anderson
title_full The construction of dialogues in Wes Anderson
title_fullStr The construction of dialogues in Wes Anderson
title_full_unstemmed The construction of dialogues in Wes Anderson
title_sort The construction of dialogues in Wes Anderson
author Bolzan Quaioti, Henrique
author_facet Bolzan Quaioti, Henrique
author_role author
dc.contributor.author.fl_str_mv Bolzan Quaioti, Henrique
dc.subject.por.fl_str_mv Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
El Gran Hotel Budapest
diálogo
actuación
Wes Anderson
El Gran Hotel Budapest
Diálogo
Actuación
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
topic Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
The Grand Budapest Hotel
Dialogue
Acting
Wes Anderson
El Gran Hotel Budapest
diálogo
actuación
Wes Anderson
El Gran Hotel Budapest
Diálogo
Actuación
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
Wes Anderson
O Grande Hotel Budapeste
Diálogo
Atuação
description This article aims to understand the construction of dialogues in the movie The Grand Budapest Hotel (2014), by director Wes Anderson. We analyze the rhythm of the characters’ dialogues, particularly the interaction between M. Gustave H. and Zero. Our intention with this article is the stylistic analysis of sound as a rhythm control tool through dialogue. The film analysis method focused on the characters’ dialogues can help providing acting analysis tools. For the analysis of the dialogues, we use two approaches: one proposed by Lea Jacobs (1998), of counting words per second, and another proposed by Débora Regina Opolski (2018), of the style of the spoken voice in fiction cinema. As a result, the article points out that Anderson works the dialogues of his films in an artificial and implausible way.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Artigo avaliado pelos pares
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/953
10.22475/rebeca.v12n2.953
url https://rebeca.socine.org.br/1/article/view/953
identifier_str_mv 10.22475/rebeca.v12n2.953
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/953/580
dc.rights.driver.fl_str_mv Copyright (c) 2023 Henrique Bolzan Quaioti
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Henrique Bolzan Quaioti
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 24
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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