History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue

Detalhes bibliográficos
Autor(a) principal: Soares, Camilo
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/891
Resumo: In his recent documentary Swimming Out Till the Sea Turns Blue (2020), Chinese director Jia Zhangke once again confirms his delicate and multifaceted writing by bringing together the life and work of writers from different generations and the history of the People's Republic of China. Through the formal aspects of the film, we observe how Jia articulates cinema, literature, painting and calligraphy from a perspective proposed by the landscape. We try to understand this contemplative look through the lines of the ancient Chinese aesthetic tradition and through a sedimentary historical perspective, in order to verify the construction of this rich cinematographic approach on the complexity of contemporary China.
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spelling History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns BluePaisaje, poética e historia en el documental de Jia Zhangke: Filmar literatura en Nadar hasta que el mar se vuelva azul História, literatura e paisagem no documentário de Jia Zhangke: O olhar-paisagem em Nadando Até o Mar se Tornar AzulDocumentaryLandscapeChinaHistoryDocumentaryLandscapeHistoryChinaDocumentárioPaisagemChinaHistóriaDocumentalPaisajeChinaHistoriaIn his recent documentary Swimming Out Till the Sea Turns Blue (2020), Chinese director Jia Zhangke once again confirms his delicate and multifaceted writing by bringing together the life and work of writers from different generations and the history of the People's Republic of China. Through the formal aspects of the film, we observe how Jia articulates cinema, literature, painting and calligraphy from a perspective proposed by the landscape. We try to understand this contemplative look through the lines of the ancient Chinese aesthetic tradition and through a sedimentary historical perspective, in order to verify the construction of this rich cinematographic approach on the complexity of contemporary China.En su reciente documental Nadar hasta que el mar se vuelva azul (2020), el director chino Jia Zhangke reafirma una vez más su escritura delicada y multifacética al acercar la vida y obra de escritores de diferentes generaciones a la historia de la República Popular China. Observamos, a través de los aspectos formales de la película, cómo Jia articula cine, literatura, pintura y caligrafía desde una perspectiva que propone el paisaje. Intentamos comprender esta mirada contemplativa a través de las líneas de la antigua tradición estética china y a través de una perspectiva histórica sedimentaria, a fin de verificar la construcción de este rico acercamiento cinematográfico sobre la complejidad de la China contemporánea.Em seu recente documentário Nadando até o Mar se tornar azul (2020), o diretor chinês Jia Zhangke confirma mais uma vez sua escrita delicada e multifacetada ao reunir vida e obra de escritores de diferentes gerações à história da República Popular da China. Observamos, através dos aspectos formais do filme, como Jia articula cinema, literatura, pintura e caligrafia a partir de um olhar proposto pela paisagem. Tentamos entender esse olhar contemplativo pelas linhas da tradição estética milenar chinesa e por uma perspectiva histórica sedimentar, a fim de verificar a construção dessa rica abordagem cinematográfica sobre a complexidade da China contemporânea.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-07-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoArtigo avaliado pelos paresTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/89110.22475/rebeca.v12n1.891Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 232316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/891/554Copyright (c) 2023 Camilo Soareshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSoares, Camilo2023-07-30T18:45:48Zoai:ojs.emnuvens.com.br:article/891Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-07-30T18:45:48Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
Paisaje, poética e historia en el documental de Jia Zhangke: Filmar literatura en Nadar hasta que el mar se vuelva azul
História, literatura e paisagem no documentário de Jia Zhangke: O olhar-paisagem em Nadando Até o Mar se Tornar Azul
title History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
spellingShingle History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
Soares, Camilo
Documentary
Landscape
China
History
Documentary
Landscape
History
China
Documentário
Paisagem
China
História
Documental
Paisaje
China
Historia
title_short History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
title_full History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
title_fullStr History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
title_full_unstemmed History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
title_sort History, literature and landscape in Jia Zhangke's documentary: The landscape-gaze in Swimming Out Till the Sea Turns Blue
author Soares, Camilo
author_facet Soares, Camilo
author_role author
dc.contributor.author.fl_str_mv Soares, Camilo
dc.subject.por.fl_str_mv Documentary
Landscape
China
History
Documentary
Landscape
History
China
Documentário
Paisagem
China
História
Documental
Paisaje
China
Historia
topic Documentary
Landscape
China
History
Documentary
Landscape
History
China
Documentário
Paisagem
China
História
Documental
Paisaje
China
Historia
description In his recent documentary Swimming Out Till the Sea Turns Blue (2020), Chinese director Jia Zhangke once again confirms his delicate and multifaceted writing by bringing together the life and work of writers from different generations and the history of the People's Republic of China. Through the formal aspects of the film, we observe how Jia articulates cinema, literature, painting and calligraphy from a perspective proposed by the landscape. We try to understand this contemplative look through the lines of the ancient Chinese aesthetic tradition and through a sedimentary historical perspective, in order to verify the construction of this rich cinematographic approach on the complexity of contemporary China.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Artigo avaliado pelos pares
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/891
10.22475/rebeca.v12n1.891
url https://rebeca.socine.org.br/1/article/view/891
identifier_str_mv 10.22475/rebeca.v12n1.891
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/891/554
dc.rights.driver.fl_str_mv Copyright (c) 2023 Camilo Soares
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Camilo Soares
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 23
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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