Cartographies of Mexican Cinema in the 21st Century
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/337 |
Resumo: | This paper provides a map of the historical shifts in Hollywood-Mexico relations, arguing that these changes have also shifted the representational paradigms of contemporary Mexican films. It traces the decentering of the geographic centers that delimited Hollywood-Mexico cinematic relations and its impact on the representational work of recent films from Mexico by Carlos Reygadas, Israel Cardenas and Laura Amelia Guzmán, and Enrique Rivero. |
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Cartographies of Mexican Cinema in the 21st CenturyCartographies of Mexican Cinema in the 21st CenturyThis paper provides a map of the historical shifts in Hollywood-Mexico relations, arguing that these changes have also shifted the representational paradigms of contemporary Mexican films. It traces the decentering of the geographic centers that delimited Hollywood-Mexico cinematic relations and its impact on the representational work of recent films from Mexico by Carlos Reygadas, Israel Cardenas and Laura Amelia Guzmán, and Enrique Rivero.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2016-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/33710.22475/rebeca.v4n1.337REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 4 No. 1 (2015): REBECA 7; 17REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 4 Núm. 1 (2015): REBECA 7; 17Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 4 n. 1 (2015): REBECA 7; 172316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEenghttps://rebeca.socine.org.br/1/article/view/337/143Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessLópez, Ana M2016-07-26T13:15:21Zoai:ojs.emnuvens.com.br:article/337Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2016-07-26T13:15:21Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
Cartographies of Mexican Cinema in the 21st Century Cartographies of Mexican Cinema in the 21st Century |
title |
Cartographies of Mexican Cinema in the 21st Century |
spellingShingle |
Cartographies of Mexican Cinema in the 21st Century López, Ana M |
title_short |
Cartographies of Mexican Cinema in the 21st Century |
title_full |
Cartographies of Mexican Cinema in the 21st Century |
title_fullStr |
Cartographies of Mexican Cinema in the 21st Century |
title_full_unstemmed |
Cartographies of Mexican Cinema in the 21st Century |
title_sort |
Cartographies of Mexican Cinema in the 21st Century |
author |
López, Ana M |
author_facet |
López, Ana M |
author_role |
author |
dc.contributor.author.fl_str_mv |
López, Ana M |
description |
This paper provides a map of the historical shifts in Hollywood-Mexico relations, arguing that these changes have also shifted the representational paradigms of contemporary Mexican films. It traces the decentering of the geographic centers that delimited Hollywood-Mexico cinematic relations and its impact on the representational work of recent films from Mexico by Carlos Reygadas, Israel Cardenas and Laura Amelia Guzmán, and Enrique Rivero. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-07-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/337 10.22475/rebeca.v4n1.337 |
url |
https://rebeca.socine.org.br/1/article/view/337 |
identifier_str_mv |
10.22475/rebeca.v4n1.337 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/337/143 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 4 No. 1 (2015): REBECA 7; 17 REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 4 Núm. 1 (2015): REBECA 7; 17 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 4 n. 1 (2015): REBECA 7; 17 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
_version_ |
1809730936687820800 |