The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales

Detalhes bibliográficos
Autor(a) principal: Soria, Carolina
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/216
Resumo: The aim of this article is to analyze the dramatic text Fractal. Una especulación científica (2000) —a collective creative work carried out under the direction of Rafael Spregelburd— in the context of the productiveness of the Argentine theater of the nineties in contemporary cinema, considering the work as hinge between the two art forms. On the one hand, because it condenses many of the procedures used in the so-called theater of disintegration (PELLETTIERI, 2000; RODRÍGUEZ, 2000) which involves a certain conception of the practice stage, the construction process and the link between theater and reality. Such procedures are alienation and concern for the language, the disintegration of the traditional conception of the character, iteration, not defend a realistic thesis and the use of absurdist elements. On the other hand, because we believe it is a key precedent of what we decide to call postdramatic or situational cinema, by the repetition, on another scale, of narrative and structural operations, the status of the characters and the iterative construction or butterfly effect of the scenes, focusing on the film Viola (2012, Matías Piñeiro).
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spelling The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scalesLa dimensión fractal del teatro en el cine argentino contemporáneo: formas que se asemejan en diferentes escalasLa dimensión fractal del teatro en el cine argentino contemporáneo: formas que se asemejan en diferentes escalasCine y TeatroProductividadPersonajesNarraciónThe aim of this article is to analyze the dramatic text Fractal. Una especulación científica (2000) —a collective creative work carried out under the direction of Rafael Spregelburd— in the context of the productiveness of the Argentine theater of the nineties in contemporary cinema, considering the work as hinge between the two art forms. On the one hand, because it condenses many of the procedures used in the so-called theater of disintegration (PELLETTIERI, 2000; RODRÍGUEZ, 2000) which involves a certain conception of the practice stage, the construction process and the link between theater and reality. Such procedures are alienation and concern for the language, the disintegration of the traditional conception of the character, iteration, not defend a realistic thesis and the use of absurdist elements. On the other hand, because we believe it is a key precedent of what we decide to call postdramatic or situational cinema, by the repetition, on another scale, of narrative and structural operations, the status of the characters and the iterative construction or butterfly effect of the scenes, focusing on the film Viola (2012, Matías Piñeiro).En este artículo proponemos analizar el texto dramático Fractal. Una especulación científica (2000) —obra de creación colectiva llevada a cabo bajo la dramaturgia y dirección de Rafael Spregelburd— en el contexto de la productividad del teatro de los noventa en el cine argentino contemporáneo, en tanto la consideramos una obra bisagra entre las dos manifestaciones artísticas. Por un lado, porque condensa gran parte de los procedimientos empleados en el teatro de los noventa que entrañan una determinada concepción de la práctica escénica, del proceso de construcción y del vínculo entre el teatro y la realidad que caracterizan específicamente al denominado teatro de la desintegración (PELLETTIERI, 2000; RODRÍGUEZ, 2000). Tales procedimientos son el enajenamiento y la preocupación por el lenguaje, la desintegración de la concepción tradicional del personaje, la iteración, no defender una tesis realista y emplear elementos absurdistas. Por otro lado, porque creemos que constituye un precedente clave del cine que denominamos de situación o cine posdramático, por la repetición, en otra escala, de las operaciones narrativas y estructurales, el estatuto de los personajes y la construcción iterativa o efecto mariposa de las escenas, elementos que analizaremos en el film Viola (2012, Matías Piñeiro).O objetivo deste artigo é analisar o texto dramático Fractal. Una especulación científica (2000) - trabalho de criação coletiva escrito e dirigido por Rafael Spregelburd - no contexto de produção do teatro dos anos noventa no cinema argentino contemporâneo, considerando-o como uma articulação entre as duas formas de arte. Por um lado, porque condensa muito dos procedimentos utilizados no teatro da década de noventa que entranham uma determinada concepção de prática cênica, do processo de construção e da relação entre teatro e realidade que caracterizam especificamente o chamado teatro de desintegração (PELLETTIERI, 2000; RODRÍGUEZ, 2000). Tais procedimentos são a alienação e a preocupação com a linguagem, a desintegração da concepção tradicional do personagem, a interação, não defender uma tese realista e empregar elementos absurdos. Por outro lado, porque acreditamos que é um precedente chave do cinema que chamamos pós-dramático pela repetição, em outra escala, das operações narrativas e estruturais, o status dos personagens e a construção interativa ou efeito borboleta das cenas, elementos a serem discutidos no filme Viola (2012, Matías Piñeiro).SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2017-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionavaliado por pares, temas livresapplication/pdfhttps://rebeca.socine.org.br/1/article/view/21610.22475/rebeca.v5n2.216REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 102316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEspahttps://rebeca.socine.org.br/1/article/view/216/235Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessSoria, Carolina2017-03-31T19:03:56Zoai:ojs.emnuvens.com.br:article/216Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2017-03-31T19:03:56Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
La dimensión fractal del teatro en el cine argentino contemporáneo: formas que se asemejan en diferentes escalas
La dimensión fractal del teatro en el cine argentino contemporáneo: formas que se asemejan en diferentes escalas
title The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
spellingShingle The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
Soria, Carolina
Cine y Teatro
Productividad
Personajes
Narración
title_short The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
title_full The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
title_fullStr The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
title_full_unstemmed The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
title_sort The fractal dimension of theater in contemporary Argentine cinema: Forms that resemble in different scales
author Soria, Carolina
author_facet Soria, Carolina
author_role author
dc.contributor.author.fl_str_mv Soria, Carolina
dc.subject.por.fl_str_mv Cine y Teatro
Productividad
Personajes
Narración
topic Cine y Teatro
Productividad
Personajes
Narración
description The aim of this article is to analyze the dramatic text Fractal. Una especulación científica (2000) —a collective creative work carried out under the direction of Rafael Spregelburd— in the context of the productiveness of the Argentine theater of the nineties in contemporary cinema, considering the work as hinge between the two art forms. On the one hand, because it condenses many of the procedures used in the so-called theater of disintegration (PELLETTIERI, 2000; RODRÍGUEZ, 2000) which involves a certain conception of the practice stage, the construction process and the link between theater and reality. Such procedures are alienation and concern for the language, the disintegration of the traditional conception of the character, iteration, not defend a realistic thesis and the use of absurdist elements. On the other hand, because we believe it is a key precedent of what we decide to call postdramatic or situational cinema, by the repetition, on another scale, of narrative and structural operations, the status of the characters and the iterative construction or butterfly effect of the scenes, focusing on the film Viola (2012, Matías Piñeiro).
publishDate 2017
dc.date.none.fl_str_mv 2017-03-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
avaliado por pares, temas livres
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/216
10.22475/rebeca.v5n2.216
url https://rebeca.socine.org.br/1/article/view/216
identifier_str_mv 10.22475/rebeca.v5n2.216
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/216/235
dc.rights.driver.fl_str_mv Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 10
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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