Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century

Detalhes bibliográficos
Autor(a) principal: Brandão, Alessandra Soares
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/267
Resumo: This article aims at mapping out narratives of traveling and the politics of displacement that have emerged in Latin American cinema since the passage from the 20th to the 21st century. Many of the films in this context seem to respond to a current transnational impulse, and they seem to offer a critical position for questions related to transit, human mobility, and their political implications. These films question what is at stake in transit: the political and aesthetic forms that stem from their narratives of displacement; the negotiations that originate from the passages; and the way they invite to affect and put a pressure on borders and frontiers. The political implications are manifold and demand the reconfigurations of the notions of home, nomadism and belonging and a escape from paralyzing and homogenizing reductions of identity in order to trace the singularities that glimmer in the journeys of recent Latin American cinema. In the nomadic trajectory of these films, cinema’s deterritorializing force constructs affiliations and offers a space of imagination for a cartography of Latin America that is expanded in re/deterritorializations where what is shared is an irreducible heterogeinity that emanates from the very force of these singularities.
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spelling Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first centuryViagens, passagens, errâncias: notas sobre certo cinema latino-americano na virada do século XXILatin American cinemajourneypassages21st Centurycinema latino-americanoviagempassagemséculo XXIThis article aims at mapping out narratives of traveling and the politics of displacement that have emerged in Latin American cinema since the passage from the 20th to the 21st century. Many of the films in this context seem to respond to a current transnational impulse, and they seem to offer a critical position for questions related to transit, human mobility, and their political implications. These films question what is at stake in transit: the political and aesthetic forms that stem from their narratives of displacement; the negotiations that originate from the passages; and the way they invite to affect and put a pressure on borders and frontiers. The political implications are manifold and demand the reconfigurations of the notions of home, nomadism and belonging and a escape from paralyzing and homogenizing reductions of identity in order to trace the singularities that glimmer in the journeys of recent Latin American cinema. In the nomadic trajectory of these films, cinema’s deterritorializing force constructs affiliations and offers a space of imagination for a cartography of Latin America that is expanded in re/deterritorializations where what is shared is an irreducible heterogeinity that emanates from the very force of these singularities.Este artigo busca mapear narrativas de viagem e as políticas do deslocamento que aparecem de forma significativa no cinema latino-americano na passagem do século XX para o século XXI. Parte-se de uma perspectiva de que muitos dos filmes desse contexto parecem responder a um impulso transnacional corrente e oferecem uma possibilidade crítica para questões relacionadas ao trânsito, à mobilidade humana e às suas implicações políticas. São filmes que problematizam justamente o que está em jogo no trânsito: as formas políticas e estéticas que afloram de suas narrativas de deslocamento; as negociações que surgem dessas passagens; e o modo com que convidam ao afeto e tensionam os limiares, as fronteiras. As implicações políticas são múltiplas e ensejam reconfigurações de noções como casa, nomadismo e per tencimento, além de uma mirada que escapa às reduções paralisantes e homogeneizadoras das identidades, para buscar o lastro das singularidades que lampejam nas viagens do cinema latino-americano recente. Na trajetória nomádica desses filmes, a força desterritorializadora do cinema constrói afiliações e oferece um espaço de imaginação para uma cartografia da América Latina que se expande em des/reterritorializações, nas quais o que se partilha é, justamente, uma heterogeneidade irredutível que emana da força mesma de suas singularidades.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2016-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/26710.22475/rebeca.v1n1.267REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 1 No. 1 (2012): REBECA 1; 27REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 1 Núm. 1 (2012): REBECA 1; 27Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 1 n. 1 (2012): REBECA 1; 272316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/267/88Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessBrandão, Alessandra Soares2016-07-25T22:53:12Zoai:ojs.emnuvens.com.br:article/267Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2016-07-25T22:53:12Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
Viagens, passagens, errâncias: notas sobre certo cinema latino-americano na virada do século XXI
title Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
spellingShingle Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
Brandão, Alessandra Soares
Latin American cinema
journey
passages
21st Century
cinema latino-americano
viagem
passagem
século XXI
title_short Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
title_full Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
title_fullStr Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
title_full_unstemmed Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
title_sort Travels, passages, wanderings: notes on some Latin American film at the turn of the twenty-first century
author Brandão, Alessandra Soares
author_facet Brandão, Alessandra Soares
author_role author
dc.contributor.author.fl_str_mv Brandão, Alessandra Soares
dc.subject.por.fl_str_mv Latin American cinema
journey
passages
21st Century
cinema latino-americano
viagem
passagem
século XXI
topic Latin American cinema
journey
passages
21st Century
cinema latino-americano
viagem
passagem
século XXI
description This article aims at mapping out narratives of traveling and the politics of displacement that have emerged in Latin American cinema since the passage from the 20th to the 21st century. Many of the films in this context seem to respond to a current transnational impulse, and they seem to offer a critical position for questions related to transit, human mobility, and their political implications. These films question what is at stake in transit: the political and aesthetic forms that stem from their narratives of displacement; the negotiations that originate from the passages; and the way they invite to affect and put a pressure on borders and frontiers. The political implications are manifold and demand the reconfigurations of the notions of home, nomadism and belonging and a escape from paralyzing and homogenizing reductions of identity in order to trace the singularities that glimmer in the journeys of recent Latin American cinema. In the nomadic trajectory of these films, cinema’s deterritorializing force constructs affiliations and offers a space of imagination for a cartography of Latin America that is expanded in re/deterritorializations where what is shared is an irreducible heterogeinity that emanates from the very force of these singularities.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/267
10.22475/rebeca.v1n1.267
url https://rebeca.socine.org.br/1/article/view/267
identifier_str_mv 10.22475/rebeca.v1n1.267
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/267/88
dc.rights.driver.fl_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 1 No. 1 (2012): REBECA 1; 27
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 1 Núm. 1 (2012): REBECA 1; 27
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 1 n. 1 (2012): REBECA 1; 27
2316-9230
reponame:Rebeca (São Paulo)
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instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
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reponame_str Rebeca (São Paulo)
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