Cinema and/as convergence
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/478 |
Resumo: | Considering that we are living in an age of convergences – the technological convergence around the screen, and the spatial and temporal convergence that we see in terms of film content – I wish to argue today that these are based upon a more fundamental convergence, which is the convergence of the world in cinema. Furthermore, I shall argue that this convergence is itself predicated upon an ongoing ideology of divergence, of division, of separation, and of hierarchisation. In short, cinema continues to be business as usual. But perhaps more importantly, business as usual is increasingly becoming cinema. |
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Cinema and/as convergenceConvergencehierarquisationnon-cinemaConsidering that we are living in an age of convergences – the technological convergence around the screen, and the spatial and temporal convergence that we see in terms of film content – I wish to argue today that these are based upon a more fundamental convergence, which is the convergence of the world in cinema. Furthermore, I shall argue that this convergence is itself predicated upon an ongoing ideology of divergence, of division, of separation, and of hierarchisation. In short, cinema continues to be business as usual. But perhaps more importantly, business as usual is increasingly becoming cinema.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2018-05-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/47810.22475/rebeca.v6n1.478REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 6 No. 1 (2017): REBECA 11REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 6 Núm. 1 (2017): REBECA 11Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 6 n. 1 (2017): REBECA 112316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEenghttps://rebeca.socine.org.br/1/article/view/478/259Copyright (c) 2018 William Browninfo:eu-repo/semantics/openAccessBrown, William2018-05-13T23:25:14Zoai:ojs.emnuvens.com.br:article/478Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2018-05-13T23:25:14Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
Cinema and/as convergence |
title |
Cinema and/as convergence |
spellingShingle |
Cinema and/as convergence Brown, William Convergence hierarquisation non-cinema |
title_short |
Cinema and/as convergence |
title_full |
Cinema and/as convergence |
title_fullStr |
Cinema and/as convergence |
title_full_unstemmed |
Cinema and/as convergence |
title_sort |
Cinema and/as convergence |
author |
Brown, William |
author_facet |
Brown, William |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brown, William |
dc.subject.por.fl_str_mv |
Convergence hierarquisation non-cinema |
topic |
Convergence hierarquisation non-cinema |
description |
Considering that we are living in an age of convergences – the technological convergence around the screen, and the spatial and temporal convergence that we see in terms of film content – I wish to argue today that these are based upon a more fundamental convergence, which is the convergence of the world in cinema. Furthermore, I shall argue that this convergence is itself predicated upon an ongoing ideology of divergence, of division, of separation, and of hierarchisation. In short, cinema continues to be business as usual. But perhaps more importantly, business as usual is increasingly becoming cinema. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/478 10.22475/rebeca.v6n1.478 |
url |
https://rebeca.socine.org.br/1/article/view/478 |
identifier_str_mv |
10.22475/rebeca.v6n1.478 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/478/259 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 William Brown info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 William Brown |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 6 No. 1 (2017): REBECA 11 REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 6 Núm. 1 (2017): REBECA 11 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 6 n. 1 (2017): REBECA 11 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
_version_ |
1809730937042239488 |