A morada do artista
Autor(a) principal: | |
---|---|
Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UNICAP |
Texto Completo: | http://tede2.unicap.br:8080/handle/tede/989 |
Resumo: | In this dissertation we have realized a reflective study over some of the reasons for the existence of the creative impulse and of Art. We had as a general goal to investigate the motivations for production and appreciation of art through theories of psychanalyses, philosophy and immersion in the artistic universe of Francisco Brennand. From psychanalyses, we’ve studied the concepts of pulsion, phantasy and sublimation in Sigmund Freud, the bond between sexuality and regression to the motherly womb in Sándor Ferenczi and the theory of creativity of Donald Woods Winnicott. From philosophy, we’ve used the concept of will from Arthur Schopenhauer, the subjective experience of spaces in the theory of Gaston Bachelard and the transcendence phenomena under the prism of Plato. Concerning the field research, we’ve investigated the creative aspects of Francisco Brennand and his relations with his atelier through personal contact and an interview with the artist, visits to the Oficina Brennand and access to the artistic and bibliographical collection of the place, as well as through texts and videos published in the media. Having collected the data, we’ve stablished connections between his artistic production with the theories studied and we’ve developed some thought and intuitions. We’ve oriented the research from dimensions, three spaces, the intrapsychic, intersubjective and transcendence, and to facilitate the understanding of our purpose we’ve created a metaphorical image, The Tree of Existence, which, respecting this tripartition, organizes our theoretical writings and offers a general view of the existing dynamics between the dimensions. We’ve considered the presence of a feeling of existential discomfort due to the interaction between those dimensions, and the existence of a conflict of opposing forces, each plane seeking to impose itself over the other and be dominant. Then we followed the guiding hypothesis that through the fruition of art, its creation and contemplation, there would be a reduction in the feeling of discomfort, and that this decrease would happen through two main experiences, two phenomena, the existential increase due to the achievement of metaphysical planes and the movement of return to a mythical past of fusion and completeness – the fire. This fact showed resemblances between the path and destiny of sexuality and art, sex and the divine, chaos and the superior world. The present text sought to explore some of these purposes and their means of realization. |
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Donard, Véronique118.847.664-55http://lattes.cnpq.br/8052734442799527Matteo, Vincenzo Di095.801.314-49http://lattes.cnpq.br/1400820708762238Francisco, Ana Lúcia344.829.897-20http://lattes.cnpq.br/5002638100198759052.943.224-20http://lattes.cnpq.br/1034040958024486Oliveira Neto, Mario Cysneiros de2018-05-18T17:44:21Z2018-04-04OLIVEIRA NETO, Mario Cysneiros de; DONARD, Véronique. (Ths). A morada do artista. 2018. 119 f. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-Reitoria Acadêmica. Coordenação Geral de Pós-Graduação. Mestrado em Psicologia Clínica. 2018.http://tede2.unicap.br:8080/handle/tede/989In this dissertation we have realized a reflective study over some of the reasons for the existence of the creative impulse and of Art. We had as a general goal to investigate the motivations for production and appreciation of art through theories of psychanalyses, philosophy and immersion in the artistic universe of Francisco Brennand. From psychanalyses, we’ve studied the concepts of pulsion, phantasy and sublimation in Sigmund Freud, the bond between sexuality and regression to the motherly womb in Sándor Ferenczi and the theory of creativity of Donald Woods Winnicott. From philosophy, we’ve used the concept of will from Arthur Schopenhauer, the subjective experience of spaces in the theory of Gaston Bachelard and the transcendence phenomena under the prism of Plato. Concerning the field research, we’ve investigated the creative aspects of Francisco Brennand and his relations with his atelier through personal contact and an interview with the artist, visits to the Oficina Brennand and access to the artistic and bibliographical collection of the place, as well as through texts and videos published in the media. Having collected the data, we’ve stablished connections between his artistic production with the theories studied and we’ve developed some thought and intuitions. We’ve oriented the research from dimensions, three spaces, the intrapsychic, intersubjective and transcendence, and to facilitate the understanding of our purpose we’ve created a metaphorical image, The Tree of Existence, which, respecting this tripartition, organizes our theoretical writings and offers a general view of the existing dynamics between the dimensions. We’ve considered the presence of a feeling of existential discomfort due to the interaction between those dimensions, and the existence of a conflict of opposing forces, each plane seeking to impose itself over the other and be dominant. Then we followed the guiding hypothesis that through the fruition of art, its creation and contemplation, there would be a reduction in the feeling of discomfort, and that this decrease would happen through two main experiences, two phenomena, the existential increase due to the achievement of metaphysical planes and the movement of return to a mythical past of fusion and completeness – the fire. This fact showed resemblances between the path and destiny of sexuality and art, sex and the divine, chaos and the superior world. The present text sought to explore some of these purposes and their means of realization.Realizamos nesta dissertação um estudo reflexivo sobre algumas razões da existência do impulso criativo e da Arte. Tivemos como objetivo geral investigar as motivações da produção e apreciação da arte através de teorias da psicanálise, filosofia e imersão no universo artístico de Francisco Brennand. Da psicanálise, estudamos os conceitos pulsão, fantasia e sublimação em Sigmund Freud, o vínculo entre sexualidade e regressão ao útero materno em Sándor Ferenczi e a teoria da criatividade de Donald Woods Winnicott. Da filosofia, utilizamos o conceito de vontade de Arthur Schopenhauer, a vivência subjetiva dos espaços na teoria de Gaston Bachelard e os fenômenos da transcendência sob o prisma de Platão. Sobre a pesquisa de campo, investigamos os aspectos criativos de Francisco Brennand e sua relação com seu atelier a partir do contato pessoal e entrevista com o artista, por meio de visitas à Oficina Brennand e acesso ao acervo artístico e bibliográfico do local, por textos e vídeos publicados na mídia. Colhidos os dados, estabelecemos conexões entre sua produção artística com as teorias estudadas e desenvolvemos algumas intuições e reflexões. Orientamos a pesquisa a partir de dimensões, três espaços, o intrapsíquico, intersubjetivo e transcendência, e para facilitar o entendimento de nosso propósito criamos uma imagem metafórica, A Árvore da existência, que, respeitando essa tripartição, organiza nosso escrito teórico e oferta um panorama geral da dinâmica entre as dimensões. Consideramos a presença de um sentimento de mal-estar existencial decorrente da interação entre tais dimensões, por existir um conflito de forças opostas, cada plano buscando se impor aos demais e ser predominante. Então seguimos a hipótese norteadora de que pela fruição da arte, sua criação e contemplação, haveria a diminuição do mal-estar; e que tal minoração de desconforto ocorreria a partir de duas experiências principais, dois fenômenos, a ampliação existencial com alcance de planos metafísicos e o movimento de retorno a um passado mítico de fusão e completude – o fogo. Tal fato demonstrou semelhanças entre os caminhos e destinos da sexualidade e arte, o sexo e o divino, o caos e o mundo superior. E o presente texto buscou explorar alguns desses propósitos e suas vias de realização.Submitted by Biblioteca Central (biblioteca@unicap.br) on 2018-05-18T17:44:21Z No. of bitstreams: 2 Mario_Cysneiros_Oliveira_Neto.pdf: 2118291 bytes, checksum: 07d525c3215463d95e9b1db52a2e8914 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-05-18T17:44:21Z (GMT). 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dc.title.por.fl_str_mv |
A morada do artista |
title |
A morada do artista |
spellingShingle |
A morada do artista Oliveira Neto, Mario Cysneiros de Psychoanalysis and art Art - Psychological Aspects Philosophy Creativity - Psychological Aspects Dissertations Psicanálise e arte Arte - Aspectos psicológicos Filosofia Criatividade - Aspectos psicológicos Dissertações CIENCIAS HUMANAS::PSICOLOGIA# #3411867255817377423# #600 |
title_short |
A morada do artista |
title_full |
A morada do artista |
title_fullStr |
A morada do artista |
title_full_unstemmed |
A morada do artista |
title_sort |
A morada do artista |
author |
Oliveira Neto, Mario Cysneiros de |
author_facet |
Oliveira Neto, Mario Cysneiros de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Donard, Véronique |
dc.contributor.advisor1ID.fl_str_mv |
118.847.664-55 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8052734442799527 |
dc.contributor.referee1.fl_str_mv |
Matteo, Vincenzo Di |
dc.contributor.referee1ID.fl_str_mv |
095.801.314-49 |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/1400820708762238 |
dc.contributor.referee2.fl_str_mv |
Francisco, Ana Lúcia |
dc.contributor.referee2ID.fl_str_mv |
344.829.897-20 |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/5002638100198759 |
dc.contributor.authorID.fl_str_mv |
052.943.224-20 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1034040958024486 |
dc.contributor.author.fl_str_mv |
Oliveira Neto, Mario Cysneiros de |
contributor_str_mv |
Donard, Véronique Matteo, Vincenzo Di Francisco, Ana Lúcia |
dc.subject.eng.fl_str_mv |
Psychoanalysis and art Art - Psychological Aspects Philosophy Creativity - Psychological Aspects Dissertations |
topic |
Psychoanalysis and art Art - Psychological Aspects Philosophy Creativity - Psychological Aspects Dissertations Psicanálise e arte Arte - Aspectos psicológicos Filosofia Criatividade - Aspectos psicológicos Dissertações CIENCIAS HUMANAS::PSICOLOGIA# #3411867255817377423# #600 |
dc.subject.por.fl_str_mv |
Psicanálise e arte Arte - Aspectos psicológicos Filosofia Criatividade - Aspectos psicológicos Dissertações |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::PSICOLOGIA# #3411867255817377423# #600 |
description |
In this dissertation we have realized a reflective study over some of the reasons for the existence of the creative impulse and of Art. We had as a general goal to investigate the motivations for production and appreciation of art through theories of psychanalyses, philosophy and immersion in the artistic universe of Francisco Brennand. From psychanalyses, we’ve studied the concepts of pulsion, phantasy and sublimation in Sigmund Freud, the bond between sexuality and regression to the motherly womb in Sándor Ferenczi and the theory of creativity of Donald Woods Winnicott. From philosophy, we’ve used the concept of will from Arthur Schopenhauer, the subjective experience of spaces in the theory of Gaston Bachelard and the transcendence phenomena under the prism of Plato. Concerning the field research, we’ve investigated the creative aspects of Francisco Brennand and his relations with his atelier through personal contact and an interview with the artist, visits to the Oficina Brennand and access to the artistic and bibliographical collection of the place, as well as through texts and videos published in the media. Having collected the data, we’ve stablished connections between his artistic production with the theories studied and we’ve developed some thought and intuitions. We’ve oriented the research from dimensions, three spaces, the intrapsychic, intersubjective and transcendence, and to facilitate the understanding of our purpose we’ve created a metaphorical image, The Tree of Existence, which, respecting this tripartition, organizes our theoretical writings and offers a general view of the existing dynamics between the dimensions. We’ve considered the presence of a feeling of existential discomfort due to the interaction between those dimensions, and the existence of a conflict of opposing forces, each plane seeking to impose itself over the other and be dominant. Then we followed the guiding hypothesis that through the fruition of art, its creation and contemplation, there would be a reduction in the feeling of discomfort, and that this decrease would happen through two main experiences, two phenomena, the existential increase due to the achievement of metaphysical planes and the movement of return to a mythical past of fusion and completeness – the fire. This fact showed resemblances between the path and destiny of sexuality and art, sex and the divine, chaos and the superior world. The present text sought to explore some of these purposes and their means of realization. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-05-18T17:44:21Z |
dc.date.issued.fl_str_mv |
2018-04-04 |
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OLIVEIRA NETO, Mario Cysneiros de; DONARD, Véronique. (Ths). A morada do artista. 2018. 119 f. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-Reitoria Acadêmica. Coordenação Geral de Pós-Graduação. Mestrado em Psicologia Clínica. 2018. |
dc.identifier.uri.fl_str_mv |
http://tede2.unicap.br:8080/handle/tede/989 |
identifier_str_mv |
OLIVEIRA NETO, Mario Cysneiros de; DONARD, Véronique. (Ths). A morada do artista. 2018. 119 f. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-Reitoria Acadêmica. Coordenação Geral de Pós-Graduação. Mestrado em Psicologia Clínica. 2018. |
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