"GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD

Detalhes bibliográficos
Autor(a) principal: Camargo, Mabiana
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNICENTRO
Texto Completo: http://localhost:8080/tede/handle/tede/78
Resumo: The Handmaid`s Tale (1985), a novel by the Canadian author Margaret Atwood, allows important reflections on the representation of motherhood as a multifaceted social, cultural and political process. In Atwood`s narrative, motherhood is presented frighteningly through the perspective of a handmaid who is obliged to procreate for the governing elite in a world where most women are infertile. Considering The Handmaid`s Tale also as a work which belongs to the literary mode science fiction (SF), this thesis aims to analyze it from the characteristics of SF and observe how certain categories operate in the novel, for example, the novum, which is the conducting thread of the plot. Thus, it is considered as an assumption that motherhood is the novum in the novel and surrounding it, other themes operate, such as totalitarianism, patriarchy and feminisms. Nevertheless, through the discussion of motherhood it is concluded that there are postmodern impulses in this work as well. To accomplish this discussion, Chapters I, entitled "Science fiction, motherhood: theoretical aspects" talks about the literary mode SF and its corresponding features, approaching its (in)definitions based on theoretical texts by Isaac Asimov, James Gunn, Paul Kincaid, and Samuel Delany and it also brings into light a theoretical review on motherhood, which presents itself as a complex and contradictory process. In this second part the authors who guide the discussion are Simone de Beauvoir, Elisabeth Badinter, Gilles Lipovetsky, Sharon Hays, Nancy Chodorow, and Sara Ruddick. Chapter II, called "The Handmaid`s Tale: motherhood as the novum", consists on the analysis of the The Handmaid`s Tale, observing how the issues of motherhood as the novum are developed and also how they raise other themes addressed by Atwood. Chapter III, called "Final remarks", presents the final ideas, synthesizing and concluding what has been presented in the previous chapters.
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spelling Pinheiro, Neide GarciaCPF:57647856437856http://lattes.cnpq.br/9762373144174729CPF:08068211918http://lattes.cnpq.br/7103161876028408Camargo, Mabiana2016-09-20T12:12:16Z2016-02-052015-08-27CAMARGO, Mabiana. "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD. 2015. 103 f. Dissertação (Mestrado em Inglês e Literatura Correspondente) - UNICENTRO - Universidade Estadual do Centro Oeste, Guarapuava, 2015.http://localhost:8080/tede/handle/tede/78The Handmaid`s Tale (1985), a novel by the Canadian author Margaret Atwood, allows important reflections on the representation of motherhood as a multifaceted social, cultural and political process. In Atwood`s narrative, motherhood is presented frighteningly through the perspective of a handmaid who is obliged to procreate for the governing elite in a world where most women are infertile. Considering The Handmaid`s Tale also as a work which belongs to the literary mode science fiction (SF), this thesis aims to analyze it from the characteristics of SF and observe how certain categories operate in the novel, for example, the novum, which is the conducting thread of the plot. Thus, it is considered as an assumption that motherhood is the novum in the novel and surrounding it, other themes operate, such as totalitarianism, patriarchy and feminisms. Nevertheless, through the discussion of motherhood it is concluded that there are postmodern impulses in this work as well. To accomplish this discussion, Chapters I, entitled "Science fiction, motherhood: theoretical aspects" talks about the literary mode SF and its corresponding features, approaching its (in)definitions based on theoretical texts by Isaac Asimov, James Gunn, Paul Kincaid, and Samuel Delany and it also brings into light a theoretical review on motherhood, which presents itself as a complex and contradictory process. In this second part the authors who guide the discussion are Simone de Beauvoir, Elisabeth Badinter, Gilles Lipovetsky, Sharon Hays, Nancy Chodorow, and Sara Ruddick. Chapter II, called "The Handmaid`s Tale: motherhood as the novum", consists on the analysis of the The Handmaid`s Tale, observing how the issues of motherhood as the novum are developed and also how they raise other themes addressed by Atwood. Chapter III, called "Final remarks", presents the final ideas, synthesizing and concluding what has been presented in the previous chapters.O romance The Handmaid`s Tale (1985) da escritora canadense Margaret Atwood possibilita refletir sobre a temática da maternidade como um processo social, cultural e político multifacetado. Na narrativa de Atwood, a maternidade é apresentada assustadoramente pela perspectiva de uma aia, escrava sexual a serviço do governo, que tem como papel procriar para as mulheres inférteis da elite. Considerando The Handmaid`s Tale também como uma obra pertencente ao modo literário ficção científica (FC), esta dissertação tem como objetivo analisá-lo partindo das características da FC e observar como determinadas categorias operam no romance, como, por exemplo, o novum, o qual é o fio condutor da trama. Desta forma, parte-se do pressuposto que a maternidade é o novum no romance e circundando-o, operam-se outras temáticas, como o totalitarismo, o patriarcalismo e os feminismos. Não obstante, através da discussão sobre a maternidade conclui-se que também há impulsos pós-modernos na obra. Para que esta discussão possa ser realizada, o Capítulo I, intitulado "Ficção Científica, maternidade: aspectos teóricos" discorre sobre o modo literário FC e seus correlatos, abordando suas (in)definições, através do aporte teórico de autores como Isaac Asimov, James Gunn, Paul Kincaid e Samuel Delany, bem como traz uma revisão teórica sobre a própria maternidade que se apresenta ser um processo complexo, permeado de diversas contradições. Nessa segunda parte os autores que norteiam a discussão são Simone de Beauvoir, Elisabeth Badinter, Gilles Lipovetsky, Sharon Hays, Nancy Chodorow e Sara Ruddick. O Capítulo II, intitulado "The Handmaid`s Tale: a maternidade como novum" consiste na análise de The Handmaid`s Tale (1985), observando como as questões do novum maternidade se delineiam e ainda suscitam outras temáticas abordadas por Atwood. O Capítulo III, intitulado "Considerações Finais" apresenta as ideias finais, sintetizando e concluindo o que foi apresentado nos capítulos anteriores.Made available in DSpace on 2016-09-20T12:12:16Z (GMT). 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dc.title.por.fl_str_mv "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
dc.title.alternative.eng.fl_str_mv "GIVE ME CHILDREN OR ELSE I DIE" : MOTHERHOOD AS THE NOVUM IN THE SCIENCE FICTION NOVEL THE HANDMAID`S TALE (1985) BY MARGARET ATWOOD
title "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
spellingShingle "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
Camargo, Mabiana
The Handmaid`s Tale (1985)
ficção científica
novum
maternidade
science fiction, novum
motherhood
LINGUISTICA, LETRAS E ARTES::LETRAS
title_short "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
title_full "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
title_fullStr "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
title_full_unstemmed "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
title_sort "GIVE ME CHILDREN OR ELSE I DIE" : A MATERNIDADE COMO NOVUM NA FICÇÃO CIENTÍFICA THE HANDMAID`S TALE (1985) DE MARGARET ATWOOD
author Camargo, Mabiana
author_facet Camargo, Mabiana
author_role author
dc.contributor.advisor1.fl_str_mv Pinheiro, Neide Garcia
dc.contributor.advisor1ID.fl_str_mv CPF:57647856437856
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9762373144174729
dc.contributor.authorID.fl_str_mv CPF:08068211918
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7103161876028408
dc.contributor.author.fl_str_mv Camargo, Mabiana
contributor_str_mv Pinheiro, Neide Garcia
dc.subject.por.fl_str_mv The Handmaid`s Tale (1985)
ficção científica
novum
maternidade
topic The Handmaid`s Tale (1985)
ficção científica
novum
maternidade
science fiction, novum
motherhood
LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv science fiction, novum
motherhood
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS
description The Handmaid`s Tale (1985), a novel by the Canadian author Margaret Atwood, allows important reflections on the representation of motherhood as a multifaceted social, cultural and political process. In Atwood`s narrative, motherhood is presented frighteningly through the perspective of a handmaid who is obliged to procreate for the governing elite in a world where most women are infertile. Considering The Handmaid`s Tale also as a work which belongs to the literary mode science fiction (SF), this thesis aims to analyze it from the characteristics of SF and observe how certain categories operate in the novel, for example, the novum, which is the conducting thread of the plot. Thus, it is considered as an assumption that motherhood is the novum in the novel and surrounding it, other themes operate, such as totalitarianism, patriarchy and feminisms. Nevertheless, through the discussion of motherhood it is concluded that there are postmodern impulses in this work as well. To accomplish this discussion, Chapters I, entitled "Science fiction, motherhood: theoretical aspects" talks about the literary mode SF and its corresponding features, approaching its (in)definitions based on theoretical texts by Isaac Asimov, James Gunn, Paul Kincaid, and Samuel Delany and it also brings into light a theoretical review on motherhood, which presents itself as a complex and contradictory process. In this second part the authors who guide the discussion are Simone de Beauvoir, Elisabeth Badinter, Gilles Lipovetsky, Sharon Hays, Nancy Chodorow, and Sara Ruddick. Chapter II, called "The Handmaid`s Tale: motherhood as the novum", consists on the analysis of the The Handmaid`s Tale, observing how the issues of motherhood as the novum are developed and also how they raise other themes addressed by Atwood. Chapter III, called "Final remarks", presents the final ideas, synthesizing and concluding what has been presented in the previous chapters.
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