AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNICENTRO |
Texto Completo: | http://tede.unicentro.br:8080/jspui/handle/jspui/1887 |
Resumo: | The present work seeks to discuss the concepts of identity in performance and representation from the ambivalence of the character Grace Marks, protagonist of the miniseries Alias Grace, adaptation for the Netflix platform of the work Vulgo Grace, by Margaret Atwood. Sentenced to life in prison for complicity in two murders. The character, object of this study, claimed not to remember the events that occurred on the day of the crime, which made her move for 15 years between prisons and asylums in a silence that places her as a victim of the patriarchal society of the 19th century. Within this narrative context, the different representations constructed about the young woman were observed – in the clinical discourse, with the objective of analyzing the feminine identity positions constructed from this. The theoretical problematization focuses on the concepts of representation, identity and performance, reflecting on how social groups project social places to women. The analysis took place through discussions of performance by Butler (2003) and Silva (2000), on representation, with Hall (2016) and Chartier (1990), and on aspects of female history and madness in the 19th century, according to Fraisse and Perrot (1994) and Foucault (2006). The filmic analysis of the serial narrative resulted in the understanding of the religious, moral and medical influence that delineated Grace Marks as crazy, celebrity, criminal and hostage to the constituent aspects of Victorian Era society. The construction of different facets of identity based on representations breaks with the idea of a fixed and palpable identity, as the protagonist performs according to the social space she occupies and with different purposes. |
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Pegoraro, Éverlyhttp://lattes.cnpq.br/9340856019120479089.557.389-00http://lattes.cnpq.br/1707607192247669SILVA, SABRINA FERRARI DA2022-03-23T19:28:10Z2022-02-23SILVA, SABRINA FERRARI DA. AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS. 2022. 76 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava.http://tede.unicentro.br:8080/jspui/handle/jspui/1887The present work seeks to discuss the concepts of identity in performance and representation from the ambivalence of the character Grace Marks, protagonist of the miniseries Alias Grace, adaptation for the Netflix platform of the work Vulgo Grace, by Margaret Atwood. Sentenced to life in prison for complicity in two murders. The character, object of this study, claimed not to remember the events that occurred on the day of the crime, which made her move for 15 years between prisons and asylums in a silence that places her as a victim of the patriarchal society of the 19th century. Within this narrative context, the different representations constructed about the young woman were observed – in the clinical discourse, with the objective of analyzing the feminine identity positions constructed from this. The theoretical problematization focuses on the concepts of representation, identity and performance, reflecting on how social groups project social places to women. The analysis took place through discussions of performance by Butler (2003) and Silva (2000), on representation, with Hall (2016) and Chartier (1990), and on aspects of female history and madness in the 19th century, according to Fraisse and Perrot (1994) and Foucault (2006). The filmic analysis of the serial narrative resulted in the understanding of the religious, moral and medical influence that delineated Grace Marks as crazy, celebrity, criminal and hostage to the constituent aspects of Victorian Era society. The construction of different facets of identity based on representations breaks with the idea of a fixed and palpable identity, as the protagonist performs according to the social space she occupies and with different purposes.O presente trabalho busca discutir os conceitos de identidade em performance e representação a partir das ambivalências da personagem Grace Marks, protagonista da minissérie Alias Grace, adaptação para a plataforma Netflix da obra Vulgo Grace, de Margaret Atwood.A narrativa expõe a história da jovem mulher condenada à prisão perpétua por cumplicidade em dois assassinatos. A personagem, objeto deste estudo, afirmava não se lembrar dos fatos ocorridos no dia do crime, o que a fez transitar durante 15 anos entre prisões e manicômios em um silenciamento que a situa como vítima da sociedade patriarcal do século XIX. Dentro dessa conjuntura narrativa, foram observadas as diferentes representações construídas acerca da jovem – no recorte do discurso clínico, com o objetivo de analisar os posicionamentos identitários femininos construídos a partir disso. A problematização teórica centra-se nos conceitos de representação, identidade e performance, refletindo sobre como grupos sociais projetam lugares sociais à mulher. A análise deu-se por meio de discussões de performance de Butler (2003) e Silva (2000), sobre representação, com Hall (2016) e Chartier (1990), e sobre os aspectos da história feminina e da loucura no século XIX, conforme Fraisse e Perrot (1994) e Foucault (2006). A análise fílmica da narrativa seriada resultou na compreensão da influência religiosa, moral e médica que delinearam Grace Marks como louca, celebridade, criminosa e refém dos aspectos constituintes da sociedade da Era Vitoriana. A construção das diferentes facetas identitárias baseada em representações rompe com a ideia de identidade fixa e palpável, pois a protagonista perfomatiza conforme o espaço social que ocupa e com diferentes propósitos.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2022-03-23T19:28:10Z No. of bitstreams: 1 Dissertação Sabrina.pdf: 1785596 bytes, checksum: 7643debe6d7d4b8c82c4c0a2a3c223ae (MD5)Made available in DSpace on 2022-03-23T19:28:10Z (GMT). No. of bitstreams: 1 Dissertação Sabrina.pdf: 1785596 bytes, checksum: 7643debe6d7d4b8c82c4c0a2a3c223ae (MD5) Previous issue date: 2022-02-23Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.unicentro.br:8080/jspui/retrieve/8155/Disserta%c3%a7%c3%a3o%20Sabrina.pdf.jpgporUniversidade Estadual do Centro-OestePrograma de Pós-Graduação em Letras (Mestrado)UNICENTROBrasilUnicentro::Departamento de Letras de IratiEstudos CulturaisRepresentaçãoIdentidadeSéries de ÉpocaCultural StudiesRepresentationIdentitySeason SeriesLINGUISTICA, LETRAS E ARTES::LETRASAMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKSinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-3679012702791039282600600600600264897767292698720-54094192628864980882075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNICENTROinstname:Universidade Estadual do Centro-Oeste (UNICENTRO)instacron:UNICENTROTHUMBNAILDissertação Sabrina.pdf.jpgDissertação Sabrina.pdf.jpgimage/jpeg1964http://localhost:8080/tede/bitstream/jspui/1887/4/Disserta%C3%A7%C3%A3o+Sabrina.pdf.jpg910a895a26c861ec827b8112d3f58babMD54TEXTDissertação Sabrina.pdf.txtDissertação Sabrina.pdf.txttext/plain158341http://localhost:8080/tede/bitstream/jspui/1887/3/Disserta%C3%A7%C3%A3o+Sabrina.pdf.txt8f589c39d0db18812a23d1be5db8009cMD53ORIGINALDissertação Sabrina.pdfDissertação Sabrina.pdfapplication/pdf1785596http://localhost:8080/tede/bitstream/jspui/1887/2/Disserta%C3%A7%C3%A3o+Sabrina.pdf7643debe6d7d4b8c82c4c0a2a3c223aeMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82003http://localhost:8080/tede/bitstream/jspui/1887/1/license.txt6544a715df32d52b08aa3def94c4dddeMD51jspui/18872022-03-24 01:00:06.617oai:localhost: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unicentro.br:8080/jspui/PUBhttp://tede.unicentro.br/tde_oai/oai3.phprepositorio@unicentro.br||fabianoqueiroz@yahoo.com.bropendoar:2022-03-24T04:00:06Biblioteca Digital de Teses e Dissertações do UNICENTRO - Universidade Estadual do Centro-Oeste (UNICENTRO)false |
dc.title.por.fl_str_mv |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
title |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
spellingShingle |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS SILVA, SABRINA FERRARI DA Estudos Culturais Representação Identidade Séries de Época Cultural Studies Representation Identity Season Series LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
title_full |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
title_fullStr |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
title_full_unstemmed |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
title_sort |
AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS |
author |
SILVA, SABRINA FERRARI DA |
author_facet |
SILVA, SABRINA FERRARI DA |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pegoraro, Éverly |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9340856019120479 |
dc.contributor.authorID.fl_str_mv |
089.557.389-00 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1707607192247669 |
dc.contributor.author.fl_str_mv |
SILVA, SABRINA FERRARI DA |
contributor_str_mv |
Pegoraro, Éverly |
dc.subject.por.fl_str_mv |
Estudos Culturais Representação Identidade Séries de Época |
topic |
Estudos Culturais Representação Identidade Séries de Época Cultural Studies Representation Identity Season Series LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Cultural Studies Representation Identity Season Series |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The present work seeks to discuss the concepts of identity in performance and representation from the ambivalence of the character Grace Marks, protagonist of the miniseries Alias Grace, adaptation for the Netflix platform of the work Vulgo Grace, by Margaret Atwood. Sentenced to life in prison for complicity in two murders. The character, object of this study, claimed not to remember the events that occurred on the day of the crime, which made her move for 15 years between prisons and asylums in a silence that places her as a victim of the patriarchal society of the 19th century. Within this narrative context, the different representations constructed about the young woman were observed – in the clinical discourse, with the objective of analyzing the feminine identity positions constructed from this. The theoretical problematization focuses on the concepts of representation, identity and performance, reflecting on how social groups project social places to women. The analysis took place through discussions of performance by Butler (2003) and Silva (2000), on representation, with Hall (2016) and Chartier (1990), and on aspects of female history and madness in the 19th century, according to Fraisse and Perrot (1994) and Foucault (2006). The filmic analysis of the serial narrative resulted in the understanding of the religious, moral and medical influence that delineated Grace Marks as crazy, celebrity, criminal and hostage to the constituent aspects of Victorian Era society. The construction of different facets of identity based on representations breaks with the idea of a fixed and palpable identity, as the protagonist performs according to the social space she occupies and with different purposes. |
publishDate |
2022 |
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2022-03-23T19:28:10Z |
dc.date.issued.fl_str_mv |
2022-02-23 |
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dc.identifier.citation.fl_str_mv |
SILVA, SABRINA FERRARI DA. AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS. 2022. 76 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava. |
dc.identifier.uri.fl_str_mv |
http://tede.unicentro.br:8080/jspui/handle/jspui/1887 |
identifier_str_mv |
SILVA, SABRINA FERRARI DA. AMBIGUIDADES E POSICIONAMENTOS FEMININOS EM ALIAS GRACE: AS PERFORMANCES DE GRACE MARKS. 2022. 76 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava. |
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