FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNICENTRO |
Texto Completo: | http://tede.unicentro.br:8080/jspui/handle/jspui/1650 |
Resumo: | This study aims to analyze selected poems by Assionara Souza, published between the years 2014 and 2019 in different digital media. Having published four books of short stories and only one of poetry, it can be seen that the poet's preference is to publish her poems within cyberspace, using several platforms. Among them are her personal blog "Cecília não é um cachimbo", the collective blog "Escritoras suicídas" and her personal Facebook profile. In view of this, the main objective of this research is to analyze those selected poems considering how the poet's voice and speech present themselves in different facets of her poetry. In this way, the work is organized into three chapters that seek to establish which tools make this multiplicity possible in Assionara's poetics. Firstly, it seeks to contextualize the poet herself and the contemporary movement in which she participates. Thus, concepts from different theorists are used, including among them: Giorgio Agamben, (2002; 2007a; 2007b; 2008; 2009; 2014) and Susana Scramim (2007; 2016) that seek to elucidate what is the contemporary. At this moment, we seek to do a briefly contextualization of the written production done by women in Brazil and in Paraná and the relationship between this production and the publication of works in digital environments, checking which possible reason leads Assionara to publish in these spaces. There is also the analysis of “being a poet”, observing how the writer sees the function of the poem and the poet, and for this purpose, among the theoretical anchors, studies by Walter Benjamin (1987a, 1987b, 1987c) and Jacques Derrida (2001) are used. Secondly, as we delve into the lyrical of Assionara, it is seen how the contemporary poem can be multiple, unfoldable, plural. Thus, reflections arise covering the poem as an enigma, as a non-specific form. It is noticed that this poetics dialogues with different forms and means, such as cinema, works of art and political positions. To this end, the readings are based on the reflections of Florencia Garramuño (2014a; 2014b), Ana Kiffer (2014) and Josefina Ludmer (2010). Thirdly, and lastly, it is identified that this non-specificity, or expansiveness, brings to the poetry of Assionara voices of other poets and writers, becoming a space full of references, which change the meaning of her writing, as well as the structures of the poem. In this way it is possible to perceive affective and addressing issues in the construction of the lyric. For this moment, the analyzes come from the studies of Rita Lenira de Freitas Bittencourt (2013; 2016; 2017; 2020), Luciana Di Leone (2014) and Celia Pedrosa (2014; 2018). |
id |
UCEN_a308db3348984b55c8b53eee06047d3b |
---|---|
oai_identifier_str |
oai:localhost:jspui/1650 |
network_acronym_str |
UCEN |
network_name_str |
Biblioteca Digital de Teses e Dissertações do UNICENTRO |
repository_id_str |
|
spelling |
Valdati, Nilcéiahttp://lattes.cnpq.br/3535139037449628http://lattes.cnpq.br/5359598564861987090.135.929-70Pszdzimirski, Brunna2021-06-08T11:27:19Z2021-02-23Pszdzimirski, Brunna. FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO. 2021. 114 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava-PR.http://tede.unicentro.br:8080/jspui/handle/jspui/1650This study aims to analyze selected poems by Assionara Souza, published between the years 2014 and 2019 in different digital media. Having published four books of short stories and only one of poetry, it can be seen that the poet's preference is to publish her poems within cyberspace, using several platforms. Among them are her personal blog "Cecília não é um cachimbo", the collective blog "Escritoras suicídas" and her personal Facebook profile. In view of this, the main objective of this research is to analyze those selected poems considering how the poet's voice and speech present themselves in different facets of her poetry. In this way, the work is organized into three chapters that seek to establish which tools make this multiplicity possible in Assionara's poetics. Firstly, it seeks to contextualize the poet herself and the contemporary movement in which she participates. Thus, concepts from different theorists are used, including among them: Giorgio Agamben, (2002; 2007a; 2007b; 2008; 2009; 2014) and Susana Scramim (2007; 2016) that seek to elucidate what is the contemporary. At this moment, we seek to do a briefly contextualization of the written production done by women in Brazil and in Paraná and the relationship between this production and the publication of works in digital environments, checking which possible reason leads Assionara to publish in these spaces. There is also the analysis of “being a poet”, observing how the writer sees the function of the poem and the poet, and for this purpose, among the theoretical anchors, studies by Walter Benjamin (1987a, 1987b, 1987c) and Jacques Derrida (2001) are used. Secondly, as we delve into the lyrical of Assionara, it is seen how the contemporary poem can be multiple, unfoldable, plural. Thus, reflections arise covering the poem as an enigma, as a non-specific form. It is noticed that this poetics dialogues with different forms and means, such as cinema, works of art and political positions. To this end, the readings are based on the reflections of Florencia Garramuño (2014a; 2014b), Ana Kiffer (2014) and Josefina Ludmer (2010). Thirdly, and lastly, it is identified that this non-specificity, or expansiveness, brings to the poetry of Assionara voices of other poets and writers, becoming a space full of references, which change the meaning of her writing, as well as the structures of the poem. In this way it is possible to perceive affective and addressing issues in the construction of the lyric. For this moment, the analyzes come from the studies of Rita Lenira de Freitas Bittencourt (2013; 2016; 2017; 2020), Luciana Di Leone (2014) and Celia Pedrosa (2014; 2018).Este estudo se propõe a analisar poemas selecionados da escritora Assionara Souza, publicados entre os anos de 2014 a 2019 em diferentes meios digitais. Tendo quatro livros de contos publicados e apenas um de poesia, observa-se a preferência da poeta em publicar seus poemas dentro do ciberespaço, utilizando várias plataformas. Dentre elas: o blog pessoal Cecília não é um cachimbo, o blog coletivo Escritoras suicidas e sua página pessoal no Facebook. À vista disso, o objetivo central desta pesquisa é analisar os poemas selecionados considerando como a voz e o discurso da poeta se apresentam em diferentes faces da sua poesia. Deste modo, o trabalho organiza-se em três capítulos que buscam estabelecer quais ferramentas tornam possível essa multiplicidade na poética de Assionara. Em primeiro momento busca-se contextualizar a poeta e o movimento contemporâneo a qual ela participa. Assim, utilizam-se conceitos advindos de diversos teóricos, entre eles: Giorgio Agamben, (2002; 2007a; 2007b; 2008; 2009; 2014) e Susana Scramim (2007; 2016) que buscam delimitar o que é o contemporâneo. Neste momento procura-se fazer uma breve contextualização da produção de escrita feita por mulheres no Brasil e no Paraná e a relação entre essa produção e a publicação de obras em ambientes digitais, verificando qual possível motivo leva Assionara a publicar nestes espaços. Há ainda a análise do “ser poeta”, observando como a escritora encara a função do poema e do poeta, para tal utiliza-se, entre as âncoras teóricas, estudos de Walter Benjamin (1987a, 1987b, 1987c) e Jacques Derrida (2001). Em segundo momento, ao aprofundar-se dentro da lírica de Assionara, percebe-se como o poema contemporâneo pode ser múltiplo, desdobrável, plural. Assim, surgem reflexões abrangendo o poema enquanto enigma, enquanto forma inespecífica. Analisa-se que essa poética dialoga com diferentes formas e meios, tais como o cinema, obras de artes e posicionamentos políticos. Para tal, as leituras apoiam-se nas reflexões de Florencia Garramuño (2014a; 2014b), Ana Kiffer (2014) e Josefina Ludmer (2010). Em terceiro, e último momento, identifica-se que essa inespecificidade, ou expansividade, traz à poesia de Assionara vozes de outros poetas e escritores, tornando-se um espaço carregado de referências, que alteram a significação de sua escrita, bem como as estruturas do poema. Desta forma é possível perceber questões afetivas e de endereçamento na construção da lírica. Para esse momento, as análises advêm dos estudos de Rita Lenira de Freitas Bittencourt (2013; 2016; 2017; 2020), Luciana Di Leone (2014) e Celia Pedrosa (2014; 2018).Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2021-06-08T11:27:19Z No. of bitstreams: 1 Dissertação BRUNNA PSZDZIMIRSKI.pdf: 1533743 bytes, checksum: cbc67f5d6469d684dbd22bac80865012 (MD5)Made available in DSpace on 2021-06-08T11:27:19Z (GMT). No. of bitstreams: 1 Dissertação BRUNNA PSZDZIMIRSKI.pdf: 1533743 bytes, checksum: cbc67f5d6469d684dbd22bac80865012 (MD5) Previous issue date: 2021-02-23Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.unicentro.br:8080/jspui/retrieve/6908/Disserta%c3%a7%c3%a3o%20BRUNNA%20PSZDZIMIRSKI.pdf.jpghttp://tede.unicentro.br:8080/jspui/retrieve/6910/Disserta%c3%a7%c3%a3o%20BRUNNA%20PSZDZIMIRSKI.pdf.jpgporUniversidade Estadual do Centro-OestePrograma de Pós-Graduação em Letras (Mestrado)UNICENTROBrasilUnicentro::Departamento de LetrasAssionara SouzaPoesia contemporâneaCiberespaçoMulherAssionara SouzaContemporary poetryCyberspaceWomanLINGUISTICA, LETRAS E ARTESFACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇOinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-3679012702791039282600600600600692844587350403589348280260230440179922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNICENTROinstname:Universidade Estadual do Centro-Oeste (UNICENTRO)instacron:UNICENTROTHUMBNAILDissertação BRUNNA PSZDZIMIRSKI.pdf.jpgDissertação BRUNNA PSZDZIMIRSKI.pdf.jpgimage/jpeg1954http://localhost:8080/tede/bitstream/jspui/1650/4/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.jpg964cb2eeee73f08d47f715f8a8973b03MD54TEXTDissertação BRUNNA PSZDZIMIRSKI.pdf.txtDissertação BRUNNA PSZDZIMIRSKI.pdf.txttext/plain259995http://localhost:8080/tede/bitstream/jspui/1650/3/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.txt1ca9161c103f93f71d2cd15bd270f00cMD53THUMBNAILDissertação BRUNNA PSZDZIMIRSKI.pdf.jpgDissertação BRUNNA PSZDZIMIRSKI.pdf.jpgimage/jpeg1954http://localhost:8080/tede/bitstream/jspui/1650/4/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.jpg964cb2eeee73f08d47f715f8a8973b03MD54TEXTDissertação BRUNNA PSZDZIMIRSKI.pdf.txtDissertação BRUNNA PSZDZIMIRSKI.pdf.txttext/plain259995http://localhost:8080/tede/bitstream/jspui/1650/3/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.txt1ca9161c103f93f71d2cd15bd270f00cMD53ORIGINALDissertação BRUNNA PSZDZIMIRSKI.pdfDissertação BRUNNA PSZDZIMIRSKI.pdfapplication/pdf1533743http://localhost:8080/tede/bitstream/jspui/1650/2/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdfcbc67f5d6469d684dbd22bac80865012MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82003http://localhost:8080/tede/bitstream/jspui/1650/1/license.txt6544a715df32d52b08aa3def94c4dddeMD51jspui/16502021-11-25 13:22:47.907oai:localhost: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unicentro.br:8080/jspui/PUBhttp://tede.unicentro.br/tde_oai/oai3.phprepositorio@unicentro.br||fabianoqueiroz@yahoo.com.bropendoar:2021-11-25T15:22:47Biblioteca Digital de Teses e Dissertações do UNICENTRO - Universidade Estadual do Centro-Oeste (UNICENTRO)false |
dc.title.por.fl_str_mv |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
title |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
spellingShingle |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO Pszdzimirski, Brunna Assionara Souza Poesia contemporânea Ciberespaço Mulher Assionara Souza Contemporary poetry Cyberspace Woman LINGUISTICA, LETRAS E ARTES |
title_short |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
title_full |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
title_fullStr |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
title_full_unstemmed |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
title_sort |
FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO |
author |
Pszdzimirski, Brunna |
author_facet |
Pszdzimirski, Brunna |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Valdati, Nilcéia |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3535139037449628 |
dc.contributor.authorID.fl_str_mv |
http://lattes.cnpq.br/5359598564861987 |
dc.contributor.authorLattes.fl_str_mv |
090.135.929-70 |
dc.contributor.author.fl_str_mv |
Pszdzimirski, Brunna |
contributor_str_mv |
Valdati, Nilcéia |
dc.subject.por.fl_str_mv |
Assionara Souza Poesia contemporânea Ciberespaço Mulher |
topic |
Assionara Souza Poesia contemporânea Ciberespaço Mulher Assionara Souza Contemporary poetry Cyberspace Woman LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Assionara Souza Contemporary poetry Cyberspace Woman |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
This study aims to analyze selected poems by Assionara Souza, published between the years 2014 and 2019 in different digital media. Having published four books of short stories and only one of poetry, it can be seen that the poet's preference is to publish her poems within cyberspace, using several platforms. Among them are her personal blog "Cecília não é um cachimbo", the collective blog "Escritoras suicídas" and her personal Facebook profile. In view of this, the main objective of this research is to analyze those selected poems considering how the poet's voice and speech present themselves in different facets of her poetry. In this way, the work is organized into three chapters that seek to establish which tools make this multiplicity possible in Assionara's poetics. Firstly, it seeks to contextualize the poet herself and the contemporary movement in which she participates. Thus, concepts from different theorists are used, including among them: Giorgio Agamben, (2002; 2007a; 2007b; 2008; 2009; 2014) and Susana Scramim (2007; 2016) that seek to elucidate what is the contemporary. At this moment, we seek to do a briefly contextualization of the written production done by women in Brazil and in Paraná and the relationship between this production and the publication of works in digital environments, checking which possible reason leads Assionara to publish in these spaces. There is also the analysis of “being a poet”, observing how the writer sees the function of the poem and the poet, and for this purpose, among the theoretical anchors, studies by Walter Benjamin (1987a, 1987b, 1987c) and Jacques Derrida (2001) are used. Secondly, as we delve into the lyrical of Assionara, it is seen how the contemporary poem can be multiple, unfoldable, plural. Thus, reflections arise covering the poem as an enigma, as a non-specific form. It is noticed that this poetics dialogues with different forms and means, such as cinema, works of art and political positions. To this end, the readings are based on the reflections of Florencia Garramuño (2014a; 2014b), Ana Kiffer (2014) and Josefina Ludmer (2010). Thirdly, and lastly, it is identified that this non-specificity, or expansiveness, brings to the poetry of Assionara voices of other poets and writers, becoming a space full of references, which change the meaning of her writing, as well as the structures of the poem. In this way it is possible to perceive affective and addressing issues in the construction of the lyric. For this moment, the analyzes come from the studies of Rita Lenira de Freitas Bittencourt (2013; 2016; 2017; 2020), Luciana Di Leone (2014) and Celia Pedrosa (2014; 2018). |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-06-08T11:27:19Z |
dc.date.issued.fl_str_mv |
2021-02-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Pszdzimirski, Brunna. FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO. 2021. 114 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava-PR. |
dc.identifier.uri.fl_str_mv |
http://tede.unicentro.br:8080/jspui/handle/jspui/1650 |
identifier_str_mv |
Pszdzimirski, Brunna. FACES DA POESIA DE ASSIONARA SOUZA: MULHER, ESTÉTICA, CIBERESPAÇO. 2021. 114 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava-PR. |
url |
http://tede.unicentro.br:8080/jspui/handle/jspui/1650 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-3679012702791039282 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
6928445873504035893 |
dc.relation.cnpq.fl_str_mv |
4828026023044017992 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual do Centro-Oeste |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Letras (Mestrado) |
dc.publisher.initials.fl_str_mv |
UNICENTRO |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Unicentro::Departamento de Letras |
publisher.none.fl_str_mv |
Universidade Estadual do Centro-Oeste |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do UNICENTRO instname:Universidade Estadual do Centro-Oeste (UNICENTRO) instacron:UNICENTRO |
instname_str |
Universidade Estadual do Centro-Oeste (UNICENTRO) |
instacron_str |
UNICENTRO |
institution |
UNICENTRO |
reponame_str |
Biblioteca Digital de Teses e Dissertações do UNICENTRO |
collection |
Biblioteca Digital de Teses e Dissertações do UNICENTRO |
bitstream.url.fl_str_mv |
http://localhost:8080/tede/bitstream/jspui/1650/4/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.jpg http://localhost:8080/tede/bitstream/jspui/1650/3/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.txt http://localhost:8080/tede/bitstream/jspui/1650/4/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.jpg http://localhost:8080/tede/bitstream/jspui/1650/3/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf.txt http://localhost:8080/tede/bitstream/jspui/1650/2/Disserta%C3%A7%C3%A3o+BRUNNA+PSZDZIMIRSKI.pdf http://localhost:8080/tede/bitstream/jspui/1650/1/license.txt |
bitstream.checksum.fl_str_mv |
964cb2eeee73f08d47f715f8a8973b03 1ca9161c103f93f71d2cd15bd270f00c 964cb2eeee73f08d47f715f8a8973b03 1ca9161c103f93f71d2cd15bd270f00c cbc67f5d6469d684dbd22bac80865012 6544a715df32d52b08aa3def94c4ddde |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do UNICENTRO - Universidade Estadual do Centro-Oeste (UNICENTRO) |
repository.mail.fl_str_mv |
repositorio@unicentro.br||fabianoqueiroz@yahoo.com.br |
_version_ |
1811733823352733696 |