CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA

Detalhes bibliográficos
Autor(a) principal: SILVEIRA, ANDRÉIA
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNICENTRO
Texto Completo: http://localhost:8080/tede/handle/tede/590
Resumo: This dissertation arose from an event: the19 th March Gay Pride (LGBT) on Jun 07, 2015. On this day Viviane Beleboni paraded “crucified”, showing her half-naked and transsexual body, like Christ who suffered aggressions. The image of this model diffused through the social network, becoming target of criticism and insults on FaceBook besides support and identifications materialized in comments, shares and likes. In view of this event, given to seeing, reading and knowing in the media, we aim to discuss the status of the discursive event in the field of memory; And in the field of the discursive memory of images, also to understand the power relations that are inserted in the production of the subject through analysis of discourses referring to the transsexual body that erupted in the digital media. For this reason, we base on theoretical assumptions of discourse analyses of french line, thought with and from Michel Foucault. Furthermore, we have used the Historical Semiology suggested by Jean-Jacques Courtine, in order to deal about images from memory using the concept of intericonicity. Our work is justified by the need to, in the discourse field, give visibility to what has been said about these transsexual and crucified bodies that, often, they are invisible to the society, as long as, daily violence is not considered, while the representation of this suffering from Christian iconography is discursive and turned into happening of great visibility, spectacularized on social network. The analyses, both iconography and comments, pointed to the inseparable relationship with the discursive memory, clearly due to the interconnectivity. This relation with memory provided the emergence of other images of the crucifixion, which already existed, but which come to have displaced senses faced the event, We observe the body takes the central role in the objectivation discourses of the transgender person, since the relations of power are inextricably centered in their. The transsexual body is taken as an object of knowledge of various devices: the medical, the juridical, the religious, becoming subjectivated in the material of analysis as: (i) monstrous, because it violates the standards of what is understood natural; (Ii) patient updating the memory of homosexuality / transsexuality as a disease to be cured; Iii) to be demonic, since it does not belong to any of the genres socially imposed, reinterpreting the hermaphrodite figure. However, this same body is subjectivated as a martyr of the gratuitous violence that afflicts LGBT people. Thus, in the midst of this battle of speeches about the transgender person, criticisms, attacks and insults, but also words of compassion and support for the LGBT movement, we observe important relations of power that are stablished and normalize conduct, social roles and subject.
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spelling Witzel, Denise Gabrielhttp://lattes.cnpq.br/2281147550095036http://lattes.cnpq.br/9138348548109515SILVEIRA, ANDRÉIA2017-03-16T12:35:03Z2017-02-01SILVEIRA, ANDRÉIA. CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA. 2017. 133 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.http://localhost:8080/tede/handle/tede/590This dissertation arose from an event: the19 th March Gay Pride (LGBT) on Jun 07, 2015. On this day Viviane Beleboni paraded “crucified”, showing her half-naked and transsexual body, like Christ who suffered aggressions. The image of this model diffused through the social network, becoming target of criticism and insults on FaceBook besides support and identifications materialized in comments, shares and likes. In view of this event, given to seeing, reading and knowing in the media, we aim to discuss the status of the discursive event in the field of memory; And in the field of the discursive memory of images, also to understand the power relations that are inserted in the production of the subject through analysis of discourses referring to the transsexual body that erupted in the digital media. For this reason, we base on theoretical assumptions of discourse analyses of french line, thought with and from Michel Foucault. Furthermore, we have used the Historical Semiology suggested by Jean-Jacques Courtine, in order to deal about images from memory using the concept of intericonicity. Our work is justified by the need to, in the discourse field, give visibility to what has been said about these transsexual and crucified bodies that, often, they are invisible to the society, as long as, daily violence is not considered, while the representation of this suffering from Christian iconography is discursive and turned into happening of great visibility, spectacularized on social network. The analyses, both iconography and comments, pointed to the inseparable relationship with the discursive memory, clearly due to the interconnectivity. This relation with memory provided the emergence of other images of the crucifixion, which already existed, but which come to have displaced senses faced the event, We observe the body takes the central role in the objectivation discourses of the transgender person, since the relations of power are inextricably centered in their. The transsexual body is taken as an object of knowledge of various devices: the medical, the juridical, the religious, becoming subjectivated in the material of analysis as: (i) monstrous, because it violates the standards of what is understood natural; (Ii) patient updating the memory of homosexuality / transsexuality as a disease to be cured; Iii) to be demonic, since it does not belong to any of the genres socially imposed, reinterpreting the hermaphrodite figure. However, this same body is subjectivated as a martyr of the gratuitous violence that afflicts LGBT people. Thus, in the midst of this battle of speeches about the transgender person, criticisms, attacks and insults, but also words of compassion and support for the LGBT movement, we observe important relations of power that are stablished and normalize conduct, social roles and subject.Esta dissertação parte de um acontecimento: o desfile da 19ª Parada e Orgulho LGBT de 07/06/2015 em que Viviany Beleboni desfilou “crucificada”, dando-nos a ver um corpo transexual seminu que, a exemplo de Cristo, sofrera agressões. A imagem (fotografia) dessa modelo viralizou nas redes sociais, tornando-se alvo de um sem número de críticas e insultos no Facebook, além de apoio e identificações materializados em comentários, compartilhamentos e curtidas. Em face desse acontecimento, dado a ver, a ler e a conhecer na mídia, objetivamos discutir o estatuto do acontecimento discursivo no campo da memória; e no campo da memória discursiva de imagens, também compreender as relações de poder que estão inseridas na produção do sujeito mediante análise de discursos referentes ao corpo transexual que irrompeu na mídia digital. Para isso, fundamentamo-nos nos pressupostos teóricos da Análise do Discurso de linha francesa, pensada com e a partir de Michel Foucault. Além disso, valemo-nos da Semiologia Histórica proposta por Jean-Jacques Courtine, para tratarmos da memória das imagens mediante o conceito de intericonicidade. Nosso trabalho se justifica pela necessidade de, no campo do discurso, dar visibilidade ao que se diz sobre esses corpos transexuais crucificados que, muitas vezes, estão invisíveis aos olhos da sociedade, visto que a violência diária não é considerada, enquanto que a representação desse sofrimento a partir da iconografia cristã é discursivizada e transformada em acontecimento de grande visibilidade, espetacularizada nas redes sociais. As análises, tanto da iconografia quanto dos enunciados, apontaram para a relação indissociável com a memória discursiva, notadamente em função da intericonicidade. Observamos que o corpo adquire o papel central nos discursos de objetivação do sujeito transexual, pois as relações de poder estão, incontornavelmente, centradas nele. O corpo transexual é tomado como objeto de saberes de diversos dispositivos: o médico, o jurídico, o religioso, passando a ser subjetivado no material de analise como: (i) monstruoso, porque viola os padrões do que se entende natural; (ii) doente reatualizando a memória da homossexualidade/transexualidade como doença a ser curada; (iii) ser demoníaco, por não pertencer a nenhum dos gêneros impostos socialmente, retomando a figura do hermafrodita. Entretanto, esse mesmo corpo é subjetivado como mártir da violência gratuita que atinge as pessoas LGBT. Assim, em meio a essa batalha de discursos sobre o sujeito transexual, críticas, ataques e insultos, mas também palavras de compaixão e apoio ao movimento LGBT, observamos importantes relações de poder que se estabelecem e normatizam condutas, papéis sociais e sujeitos.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2017-03-16T12:35:02Z No. of bitstreams: 1 ANDRÉIA SILVEIRA.pdf: 1935949 bytes, checksum: b97b7a3ae42e28009b9312203c025a62 (MD5)Made available in DSpace on 2017-03-16T12:35:03Z (GMT). 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dc.title.por.fl_str_mv CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
title CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
spellingShingle CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
SILVEIRA, ANDRÉIA
Corpo
Verdade
Intericonicidade
Discurso
Crucificação
Crucifixion
Truth
Intericonicity
Discourse
LINGUISTICA, LETRAS E ARTES
title_short CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
title_full CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
title_fullStr CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
title_full_unstemmed CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
title_sort CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA
author SILVEIRA, ANDRÉIA
author_facet SILVEIRA, ANDRÉIA
author_role author
dc.contributor.advisor1.fl_str_mv Witzel, Denise Gabriel
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2281147550095036
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9138348548109515
dc.contributor.author.fl_str_mv SILVEIRA, ANDRÉIA
contributor_str_mv Witzel, Denise Gabriel
dc.subject.por.fl_str_mv Corpo
Verdade
Intericonicidade
Discurso
Crucificação
Crucifixion
Truth
Intericonicity
Discourse
topic Corpo
Verdade
Intericonicidade
Discurso
Crucificação
Crucifixion
Truth
Intericonicity
Discourse
LINGUISTICA, LETRAS E ARTES
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES
description This dissertation arose from an event: the19 th March Gay Pride (LGBT) on Jun 07, 2015. On this day Viviane Beleboni paraded “crucified”, showing her half-naked and transsexual body, like Christ who suffered aggressions. The image of this model diffused through the social network, becoming target of criticism and insults on FaceBook besides support and identifications materialized in comments, shares and likes. In view of this event, given to seeing, reading and knowing in the media, we aim to discuss the status of the discursive event in the field of memory; And in the field of the discursive memory of images, also to understand the power relations that are inserted in the production of the subject through analysis of discourses referring to the transsexual body that erupted in the digital media. For this reason, we base on theoretical assumptions of discourse analyses of french line, thought with and from Michel Foucault. Furthermore, we have used the Historical Semiology suggested by Jean-Jacques Courtine, in order to deal about images from memory using the concept of intericonicity. Our work is justified by the need to, in the discourse field, give visibility to what has been said about these transsexual and crucified bodies that, often, they are invisible to the society, as long as, daily violence is not considered, while the representation of this suffering from Christian iconography is discursive and turned into happening of great visibility, spectacularized on social network. The analyses, both iconography and comments, pointed to the inseparable relationship with the discursive memory, clearly due to the interconnectivity. This relation with memory provided the emergence of other images of the crucifixion, which already existed, but which come to have displaced senses faced the event, We observe the body takes the central role in the objectivation discourses of the transgender person, since the relations of power are inextricably centered in their. The transsexual body is taken as an object of knowledge of various devices: the medical, the juridical, the religious, becoming subjectivated in the material of analysis as: (i) monstrous, because it violates the standards of what is understood natural; (Ii) patient updating the memory of homosexuality / transsexuality as a disease to be cured; Iii) to be demonic, since it does not belong to any of the genres socially imposed, reinterpreting the hermaphrodite figure. However, this same body is subjectivated as a martyr of the gratuitous violence that afflicts LGBT people. Thus, in the midst of this battle of speeches about the transgender person, criticisms, attacks and insults, but also words of compassion and support for the LGBT movement, we observe important relations of power that are stablished and normalize conduct, social roles and subject.
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dc.identifier.citation.fl_str_mv SILVEIRA, ANDRÉIA. CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA. 2017. 133 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
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identifier_str_mv SILVEIRA, ANDRÉIA. CORPO TRANSEXUAL EM (IN)VISIBILIDADES DISCURSIVAS NA MÍDIA. 2017. 133 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
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