O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNICENTRO |
Texto Completo: | http://tede.unicentro.br:8080/jspui/handle/jspui/1284 |
Resumo: | This paper consists of analyzing Grant Morrison's graphic novel "Arkham Asylum - A Serious Home in a Serious Earth", released in 1989 by DC Comics in the United States. The work became a reference in the universe of comics, working with themes such as madness, enclosure and dialogue with several elements of classical art. The proposal here is to think the comic as a source, a product of a certain historical period dialoguing with this temporality, working with his technical aspects, the construction of comics as a movement and its history, and the relevance of the authors in these processes, also thinking about the author of the work, Grant Morrison, more specifically, and how he builds his work in order to mark the comic in the artistic and intellectual field. Moreover, this work also dialogues with the materiality of the comic, making an analysis of it and its stylistic and aesthetic resources, and also with the temporality in which the comic was produced and with which it directly dialogues, thinking about the deinstitutionalization of madness, the advancement of debates on psychiatry and antipsychiatry, and how madness has become each once again a fold of the discourse of modern rationality, thinking about how the composition of the characters reflects the debate about madness, and how the author points out that madness is on the same axis as reason, questioning the duality hitherto established. |
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Olinto, Beatriz AnselmoSouza, Vanderlei Sebastião de091.000.399-85http://lattes.cnpq.br/1961888731423782Rachelle, Felipe Raul2020-02-27T19:36:45Z2019-09-13Rachelle, Felipe Raul. O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON. 2019.109 f. Dissertação (Programa de Pós-Graduação em História - Mestrado) - Universidade Estadual do Centro-Oeste, Irati - PR.http://tede.unicentro.br:8080/jspui/handle/jspui/1284This paper consists of analyzing Grant Morrison's graphic novel "Arkham Asylum - A Serious Home in a Serious Earth", released in 1989 by DC Comics in the United States. The work became a reference in the universe of comics, working with themes such as madness, enclosure and dialogue with several elements of classical art. The proposal here is to think the comic as a source, a product of a certain historical period dialoguing with this temporality, working with his technical aspects, the construction of comics as a movement and its history, and the relevance of the authors in these processes, also thinking about the author of the work, Grant Morrison, more specifically, and how he builds his work in order to mark the comic in the artistic and intellectual field. Moreover, this work also dialogues with the materiality of the comic, making an analysis of it and its stylistic and aesthetic resources, and also with the temporality in which the comic was produced and with which it directly dialogues, thinking about the deinstitutionalization of madness, the advancement of debates on psychiatry and antipsychiatry, and how madness has become each once again a fold of the discourse of modern rationality, thinking about how the composition of the characters reflects the debate about madness, and how the author points out that madness is on the same axis as reason, questioning the duality hitherto established.Este trabalho consiste em analisar o romance gráfico “Asilo Arkham – Uma séria casa em um sério mundo” de Grant Morrison, lançado em 1989 pela editora DC Comics nos Estados Unidos. A obra se tornou uma referência no universo dos quadrinhos, ao trabalhar com temáticas como loucura, enclausuramento e dialogar com diversos elementos da arte clássica. A proposta aqui é de pensar no quadrinho enquanto fonte, um produto de um determinado período histórico dialogando com essa temporalidade, trabalhando seus aspectos técnicos, a construção dos quadrinhos enquanto um movimento e sua história, e a relevância dos autores nesses processos, pensando também no autor da obra, Grant Morrison, de maneira mais específica e em como ele constrói seu trabalho visando marcar sua obra no campo artístico e intelectual. Para além disso, este trabalho também dialoga com a materialidade da obra, fazendo uma análise dela e de seus recursos estilísticos e estéticos, e também com a temporalidade na qual o quadrinho foi produzido e com a qual ele dialoga diretamente, pensando na desinstitucionalização da loucura, no avanço dos debates sobre a psiquiatria e a antipsiquiatria, e em como a loucura se tornou cada vez mais uma dobra do discurso da racionalidade moderna, pensando em como a composição dos personagens reflete o debate sobre a loucura, e de como o autor aponta que ela se encontra num mesmo eixo que a razão, questionando a dualidade até então estabelecida.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2020-02-27T19:36:45Z No. of bitstreams: 1 FELIPE RAUL RACHELLE.pdf: 2917770 bytes, checksum: c96b29c83bf5ddcfdd891f60e98c4677 (MD5)Made available in DSpace on 2020-02-27T19:36:45Z (GMT). No. of bitstreams: 1 FELIPE RAUL RACHELLE.pdf: 2917770 bytes, checksum: c96b29c83bf5ddcfdd891f60e98c4677 (MD5) Previous issue date: 2019-09-13Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.unicentro.br:8080/jspui/retrieve/4344/FELIPE%20RAUL%20RACHELLE.pdf.jpgporUniversidade Estadual do Centro-OestePrograma de Pós-Graduação em História (Mestrado)UNICENTROBrasilUnicentro::Departamento de HistóriaGrant MorrisonAsiloLoucuraHistória da ArteHistória em QuadrinhosMadnessArt historyComicGrant Morrison;AsylumCIENCIAS HUMANAS::HISTORIACIENCIAS HUMANASO ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISONinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-22011234757961140766006006005006001235192749561185407-384092193633204059156530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNICENTROinstname:Universidade Estadual do Centro-Oeste (UNICENTRO)instacron:UNICENTROTHUMBNAILFELIPE RAUL RACHELLE.pdf.jpgFELIPE RAUL RACHELLE.pdf.jpgimage/jpeg1943http://localhost:8080/tede/bitstream/jspui/1284/4/FELIPE+RAUL+RACHELLE.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD54TEXTFELIPE RAUL RACHELLE.pdf.txtFELIPE RAUL RACHELLE.pdf.txttext/plain250247http://localhost:8080/tede/bitstream/jspui/1284/3/FELIPE+RAUL+RACHELLE.pdf.txt477dac3edf9ba928c864fffcd3d43a54MD53ORIGINALFELIPE RAUL RACHELLE.pdfFELIPE RAUL RACHELLE.pdfapplication/pdf2917770http://localhost:8080/tede/bitstream/jspui/1284/2/FELIPE+RAUL+RACHELLE.pdfc96b29c83bf5ddcfdd891f60e98c4677MD52LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
title |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
spellingShingle |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON Rachelle, Felipe Raul Grant Morrison Asilo Loucura História da Arte História em Quadrinhos Madness Art history Comic Grant Morrison; Asylum CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS |
title_short |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
title_full |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
title_fullStr |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
title_full_unstemmed |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
title_sort |
O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON |
author |
Rachelle, Felipe Raul |
author_facet |
Rachelle, Felipe Raul |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Olinto, Beatriz Anselmo |
dc.contributor.advisor-co1.fl_str_mv |
Souza, Vanderlei Sebastião de |
dc.contributor.authorID.fl_str_mv |
091.000.399-85 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1961888731423782 |
dc.contributor.author.fl_str_mv |
Rachelle, Felipe Raul |
contributor_str_mv |
Olinto, Beatriz Anselmo Souza, Vanderlei Sebastião de |
dc.subject.por.fl_str_mv |
Grant Morrison Asilo Loucura História da Arte História em Quadrinhos Madness Art history Comic |
topic |
Grant Morrison Asilo Loucura História da Arte História em Quadrinhos Madness Art history Comic Grant Morrison; Asylum CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
Grant Morrison; Asylum |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA CIENCIAS HUMANAS |
description |
This paper consists of analyzing Grant Morrison's graphic novel "Arkham Asylum - A Serious Home in a Serious Earth", released in 1989 by DC Comics in the United States. The work became a reference in the universe of comics, working with themes such as madness, enclosure and dialogue with several elements of classical art. The proposal here is to think the comic as a source, a product of a certain historical period dialoguing with this temporality, working with his technical aspects, the construction of comics as a movement and its history, and the relevance of the authors in these processes, also thinking about the author of the work, Grant Morrison, more specifically, and how he builds his work in order to mark the comic in the artistic and intellectual field. Moreover, this work also dialogues with the materiality of the comic, making an analysis of it and its stylistic and aesthetic resources, and also with the temporality in which the comic was produced and with which it directly dialogues, thinking about the deinstitutionalization of madness, the advancement of debates on psychiatry and antipsychiatry, and how madness has become each once again a fold of the discourse of modern rationality, thinking about how the composition of the characters reflects the debate about madness, and how the author points out that madness is on the same axis as reason, questioning the duality hitherto established. |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-09-13 |
dc.date.accessioned.fl_str_mv |
2020-02-27T19:36:45Z |
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info:eu-repo/semantics/publishedVersion |
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dc.identifier.citation.fl_str_mv |
Rachelle, Felipe Raul. O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON. 2019.109 f. Dissertação (Programa de Pós-Graduação em História - Mestrado) - Universidade Estadual do Centro-Oeste, Irati - PR. |
dc.identifier.uri.fl_str_mv |
http://tede.unicentro.br:8080/jspui/handle/jspui/1284 |
identifier_str_mv |
Rachelle, Felipe Raul. O ASILO E A LOUCURA COMO REPRESENTAÇÕES EM BATMAN: ASILO ARKHAM E O SÉRIO MUNDO DE GRANT MORRISON. 2019.109 f. Dissertação (Programa de Pós-Graduação em História - Mestrado) - Universidade Estadual do Centro-Oeste, Irati - PR. |
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