ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNICENTRO |
Texto Completo: | http://localhost:8080/tede/handle/tede/592 |
Resumo: | The struggle of women to be recognized as agents of history is long-standing. From birth, the woman is assigned the role of wife and mother. However, from modernity, emerges a new social role, acquired by their insertion in the labor market. This will entail changes in the constitution of female identity generated from the new discursive practices. This new role will influence the social relationships, changing the female identity construction. The corpus of this work is the play Jeanne D'arppo written by Gardi Hutter in 1981. Jeanne D'Arppo is a comic play in which the protagonist has a characteristic behavior of clowns. A deformed figure with unkempt physical appearance and that brings certain naivety in her actions. But at the same time takes advantage of this supposed naivete to criticize and speak indirectly to social issues. Gardi Hutter proposes, through laughter, a reflection on the social position that women occupy and which tasks they are assigned. In this case, more specifically, it is a place that is historically considered part of the feminine universe: the laundry. With the reading of the inserted female representations in the play, we traverse the paths theoretical concept of representation developed by Roger Chartier, as well as theories of Gender Studies using researchers as Joan Scott, Teresa de Lauretis, Michelle Perrot. The research seeks to analyze the social construction of women's identity and fragmenting agents of this new identity. It is concluded from this research, Jeanne D'arppo helps to restore the authority of women's action, and can also contribute to the reconstruction of the female role and hidden shyly represented in the hegemonic Western culture. |
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Teixeira, Níncia Cecília Ribas Borgeshttp://lattes.cnpq.br/1934531868783088048.949.329-70http://lattes.cnpq.br/6500364198216306BATISTA, DANIELLE SOUZA2017-03-16T13:40:53Z2014-12-16BATISTA, DANIELLE SOUZA. ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO. 2014. 100 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.http://localhost:8080/tede/handle/tede/592The struggle of women to be recognized as agents of history is long-standing. From birth, the woman is assigned the role of wife and mother. However, from modernity, emerges a new social role, acquired by their insertion in the labor market. This will entail changes in the constitution of female identity generated from the new discursive practices. This new role will influence the social relationships, changing the female identity construction. The corpus of this work is the play Jeanne D'arppo written by Gardi Hutter in 1981. Jeanne D'Arppo is a comic play in which the protagonist has a characteristic behavior of clowns. A deformed figure with unkempt physical appearance and that brings certain naivety in her actions. But at the same time takes advantage of this supposed naivete to criticize and speak indirectly to social issues. Gardi Hutter proposes, through laughter, a reflection on the social position that women occupy and which tasks they are assigned. In this case, more specifically, it is a place that is historically considered part of the feminine universe: the laundry. With the reading of the inserted female representations in the play, we traverse the paths theoretical concept of representation developed by Roger Chartier, as well as theories of Gender Studies using researchers as Joan Scott, Teresa de Lauretis, Michelle Perrot. The research seeks to analyze the social construction of women's identity and fragmenting agents of this new identity. It is concluded from this research, Jeanne D'arppo helps to restore the authority of women's action, and can also contribute to the reconstruction of the female role and hidden shyly represented in the hegemonic Western culture.A luta das mulheres para serem reconhecidas como agentes da História vem de longa data. Desde o nascimento, é atribuído à mulher o papel de esposa e mãe. No entanto, a partir da modernidade, surge um novo papel social, adquirido por sua inserção no mercado de trabalho. Isso vai acarretar mudanças na constituição da identidade feminina gerada a partir das novas práticas discursivas. Esse novo papel vai influenciar nas relações sociais, alterando a construção identitária feminina. O corpus do trabalho é a peça teatral Jeanne D´arppo, escrita por Gardi Hutter em 1981. Jeanne D´Arppo é uma peça teatral cômica, em que a protagonista apresenta um comportamento característico dos clowns. Uma figura deformada, com aspecto físico desleixado e que traz certa ingenuidade nas ações. Mas, ao mesmo tempo, aproveita-se dessa suposta ingenuidade para criticar e falar indiretamente de questões sociais. Gardi Hutter propõe, por meio do riso, uma reflexão sobre os lugares sociais que a mulher ocupa e quais tarefas lhes são atribuídas. Nesse caso, mais especificamente, trata-se de um lugar que historicamente é considerado parte do universo feminino: a lavanderia. Na leitura das representações femininas na peça teatral, percorremos os caminhos teóricos do conceito de representação desenvolvido por Roger Chartier, bem como, as teorias dos Estudos de Gênero, utilizando teóricas como: Joan Scott, Teresa de Lauretis, Michelle Perrot. A pesquisa busca analisar a construção social da identidade da mulher e os agentes fragmentadores dessa nova identidade. Conclui-se, com essa pesquisa que, Jeanne D’arppo contribui para restaurar a autoridade das ações das mulheres, e também pode contribuir para a reconstrução do papel feminino timidamente representado e ocultado na cultura ocidental hegemônica.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2017-03-16T13:40:53Z No. of bitstreams: 1 DANIELLE SOUZA BATISTA.pdf: 2051333 bytes, checksum: 01cdb4bd63a92dcf4d534f6b4aee2d43 (MD5)Made available in DSpace on 2017-03-16T13:40:53Z (GMT). No. of bitstreams: 1 DANIELLE SOUZA BATISTA.pdf: 2051333 bytes, checksum: 01cdb4bd63a92dcf4d534f6b4aee2d43 (MD5) Previous issue date: 2014-12-16Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.unicentro.br:8080/jspui/retrieve/1710/DANIELLE%20SOUZA%20BATISTA.pdf.jpgporUniversidade Estadual do Centro-OestePrograma de Pós-Graduação em Letras (Mestrado)UNICENTROBrasilUnicentro::Departamento de LetrasLiteraturaRepresentaçãoEstudos de GêneroTeatroLiteratureRepresentationGender StudiesTheaterLINGUISTICA, LETRAS E ARTESENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPOBETWEEN BEING AND THE WANT TO BE: THE FEMININE PROTAGONISM IN JEANNE D’ARPPOinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-3679012702791039282600600600600692844587350403589348280260230440179922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNICENTROinstname:Universidade Estadual do Centro-Oeste (UNICENTRO)instacron:UNICENTROLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
dc.title.alternative.eng.fl_str_mv |
BETWEEN BEING AND THE WANT TO BE: THE FEMININE PROTAGONISM IN JEANNE D’ARPPO |
title |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
spellingShingle |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO BATISTA, DANIELLE SOUZA Literatura Representação Estudos de Gênero Teatro Literature Representation Gender Studies Theater LINGUISTICA, LETRAS E ARTES |
title_short |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
title_full |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
title_fullStr |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
title_full_unstemmed |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
title_sort |
ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO |
author |
BATISTA, DANIELLE SOUZA |
author_facet |
BATISTA, DANIELLE SOUZA |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Teixeira, Níncia Cecília Ribas Borges |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1934531868783088 |
dc.contributor.authorID.fl_str_mv |
048.949.329-70 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6500364198216306 |
dc.contributor.author.fl_str_mv |
BATISTA, DANIELLE SOUZA |
contributor_str_mv |
Teixeira, Níncia Cecília Ribas Borges |
dc.subject.por.fl_str_mv |
Literatura Representação Estudos de Gênero Teatro |
topic |
Literatura Representação Estudos de Gênero Teatro Literature Representation Gender Studies Theater LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Literature Representation Gender Studies Theater |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
The struggle of women to be recognized as agents of history is long-standing. From birth, the woman is assigned the role of wife and mother. However, from modernity, emerges a new social role, acquired by their insertion in the labor market. This will entail changes in the constitution of female identity generated from the new discursive practices. This new role will influence the social relationships, changing the female identity construction. The corpus of this work is the play Jeanne D'arppo written by Gardi Hutter in 1981. Jeanne D'Arppo is a comic play in which the protagonist has a characteristic behavior of clowns. A deformed figure with unkempt physical appearance and that brings certain naivety in her actions. But at the same time takes advantage of this supposed naivete to criticize and speak indirectly to social issues. Gardi Hutter proposes, through laughter, a reflection on the social position that women occupy and which tasks they are assigned. In this case, more specifically, it is a place that is historically considered part of the feminine universe: the laundry. With the reading of the inserted female representations in the play, we traverse the paths theoretical concept of representation developed by Roger Chartier, as well as theories of Gender Studies using researchers as Joan Scott, Teresa de Lauretis, Michelle Perrot. The research seeks to analyze the social construction of women's identity and fragmenting agents of this new identity. It is concluded from this research, Jeanne D'arppo helps to restore the authority of women's action, and can also contribute to the reconstruction of the female role and hidden shyly represented in the hegemonic Western culture. |
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2014 |
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2014-12-16 |
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BATISTA, DANIELLE SOUZA. ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO. 2014. 100 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR. |
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BATISTA, DANIELLE SOUZA. ENTRE O SER E O QUERER: O PROTAGONISMO FEMININO EM JEANNE D’ARPPO. 2014. 100 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR. |
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